Rémy Noë
Rémy Noë (born 8 December 1974), is a British painter, a member of the international art movement Stuckism and co-founder of the Maidstone Stuckists.
Rémy Noë

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- Name
- Rémy Noë
- Born
- 8 December 1974
- Birthplace
- Bromley, Kent, England
- Field
- Painting
- Movement
- Stuckism
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In this article
Key facts
Key facts
• Name — Rémy Noë • Born — 8 December 1974 • Birthplace — Bromley, Kent, England • Field — Painting • Movement — Stuckism • Illustration — "Bill Lewis" by Rémy Noë
Life and work
Life and work
Rémy Noë was born in Bromley, Kent, England, to a French and Dutch father and English mother, but has lived in Medway for most of their life. From 1986 to 1993, he attended Vinters Boys School, described as "a living hell", and Chatham Grammar School for Boys. 1993-97, attended Canterbury College of Art for Foundation and BA in Fine Art, but was forced to leave by the Department of Social Security. From 1997 to 1998, resumed a part-time BA, but was expelled for condemning "conceptual shit" and also threatened with arrest. Since then, Noë has worked in their father's garage, Medway Citroen. During this time they returned to studies at Canterbury Christ Church College, and obtained a Master in Fine Arts degree in 2011. In 1996, Noë's work was first publicly exhibited in Indo Gothic, in Chatham, Kent. In 2000, took part in the first Stuckist demonstration against the Turner Prize outside Tate Britain. In 2001 founded the Maidstone Stuckists group and was exhibited in the Vote Stuckist show that year. There were staged fourteen shows of the Maidstone Stuckists works in various venues, including pubs, libraries and the Maidstone Music School, as well as arranging expeditions of the group for "painting, inspiration and getting drunk". In 2004, Noë's work was included in The Stuckists Punk Victorian at the Walker Art Gallery for the 2004 Liverpool Biennial. Noë has a hatred of cities, but does frequent Gothic nightclubs in London, and likes to spend time exploring Kent and researching European mythology. Norse and Anglo-Saxon mythology are recurring themes in paintings, as are historical sites and the countryside in Kent. The use of sacred geometry and their own form of aesthetic geometry are features in the work. The colour and texture of some work "evokes a kind of modern Impressionism."

Bill Lewis
The original uploader was Angplags at English Wikipedia. (Original text: Remy Noe) · remynoe.com
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Licensing
Text attribution
Part of the biographical narrative on this page reuses licensed material. Its origin, revision and licence are recorded here.
The biographical narrative on this page is based on the Wikipedia article Rémy Noë, revision 1298964549 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Milner, Frank ed. (2004), The Stuckists Punk Victorian, p.128, National Museums Liverpool, .
- 2."Turner Prize demo 2000" , stuckism.com. Retrieved 4 April 2008.
- 3."UK Stuckists and guest artists" , Walker Art Gallery, National Museums Liverpool. Retrieved 4 April 2008.
- 4.Prudames, David. "Brit Art beware the First Stuckist International is her" , 24 Hour Museum, 12 August 2002. Retrieved 27 October 2008.
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The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 19 August 2026.
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