Rachel Szalit-Marcus
Rahel Szalit-Marcus (2 July 1888 – August 1942) was a Jewish artist and illustrator. Born Rahel Markus in Telz [Telsiai] in the Kovno region of Lithuania, then part of the Russian Empire, she was active in Berlin during the Weimar Republic and in Paris in the 1930s. She was best known for her illustrations of East European Jewish subjects.
Also recorded as Rahel Szalit-Marcus · Rahel Szalit · Rahel Marcus · Szalit-Marcus Rachela
Rachel Szalit-Marcus

Rachel Szalit-Marcus (1894-1942) · Public domain
- Name
- Rahel Szalit-Marcus
- Born
- 2 July 1888
- Birthplace
- Telz, Russian Empire
- Died
- August 1942
- Place of death
- Auschwitz concentration camp, German-occupied Poland
- Field
- Painting, illustrating
- Spouse
- Julius Szalit
- Nationality
- Poland.
- Occupation
- painter.
- Languages
- Polish.
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Documentary summary
Rahel Szalit-Marcus (2 July 1888 – August 1942) was a Jewish artist and illustrator. Born Rahel Markus in Telz [Telsiai] in the Kovno region of Lithuania, then part of the Russian Empire, she was active in Berlin during the Weimar Republic and in Paris in the 1930s. She was best known for her illustrations of East European Jewish subjects.
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Note VALÉORINE
Rachel Szalit-Marcus (1894–1942) was a Polish painter. The painter died in Auschwitz. Languages used include Polish.
Composed from admitted, traceable facts · 26 September 2026
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wikidata · Q20022900
In this article
Biography
Biography
Szalit-Marcus was murdered at Auschwitz in August 1942.
Key facts
Key facts
• Name — Rahel Szalit-Marcus • Other Names — Rachel Szalit-Marcus • Born — 2 July 1888 • Birthplace — Telz, Russian Empire • Died — August 1942 • Place of death — Auschwitz concentration camp, German-occupied Poland • Field — Painting, illustrating • Spouse — Julius Szalit
Life
Life
Rahel Markus spent her later childhood years in Lodz and eventually acquired Polish citizenship. A native Yiddish speaker, she also learned Polish, German, and French. In 1911, her parents sent her to Munich to study at the Art Academy. She moved to Berlin in 1916, becoming a member of the November Group, a circle of young avantgarde artists, and befriended Jewish artists Henri Epstein and Marcel Słodski. She also studied in Paris and London. Rahel was married to actor Julius Szalit (born Julius Schalit in 1892) from 1915 until his death by suicide in 1919. Rahel Szalit-Marcus lived in Berlin from 1916 to 1933, and from 1921 onwards she resided at Stübbenstrasse 3 in the Bavarian Quarter of Schöneberg. She went by the name Rahel Szalit beginning in the mid-1920s. Her work appeared in several exhibitions of the Berliner Secession, a German art movement that was established at the turn of the century. Szalit was acquainted with Jewish Expressionist artists Ludwig Meidner and Jakob Steinhardt, and she had the support of art historians Karl Schwarz and Rachel Wischnitzer, among others. Szalit spent time at well-known cafés frequented by artists and émigrés. She built connections to such intellectuals as Polish-German writer Eleonore Kalkowska. Szalit's lithographic images were at times compared to the work of Käthe Kollwitz. Active in the Association of Women Artists in Berlin beginning in 1927, Szalit was able to exhibit her paintings and other work alongside such renowned artists as Käthe Kollwitz, Lotte Laserstein, Julie Wolfthorn, Käthe Münzer-Neumann, Grete Csaki-Copony, and Else Haensgen-Dingkuhn. She became better known internationally with a prizewinning painting in the 1929 exhibition Die Frau von heute. Szalit fled to France after the Nazis came to power in Germany in 1933. She lived in Montparnasse, where she was affiliated with the School of Paris.In June 1935, she gave a solo exhibition at the Galerie Zborowski (founded by Léopold Zborowski), and remained active in Paris through 1939. In July 1942, Szalit-Marcus was arrested in the Vel d'Hiv Roundup, and she was deported to Auschwitz in August 1942. Her Paris studio was plundered, and many of her original works were destroyed or lost.
Work
Work
Rahel Szalit-Marcus was a painter and graphic artist known for her lithographic illustrations. She created oil paintings, watercolors, and drawings (in ink, pastel, and chalk), and she began to exhibit her paintings around 1920. In the early 1920s, she illustrated books and print portfolios, most of which have survived. In the late 1920s and early 1930s, she continued to paint, and her illustrations appeared in numerous periodicals.
Gallery
Gallery
• Illustration — Hebrew melodies, 1923 • Illustration — Motl the Cantor's Son, 1922 • Illustration — Camel in the Desert, 1926
Life and career
Dated record
Life and career
The full dated record · 2 entries
1894
Rachel Szalit-Marcus was born on 1 January 1894.
1942
Rachel Szalit-Marcus died on 1 January 1942.
Surviving Works: Illustrated Books and Print Portfolios
• Fyodor Dostoyevsky, Das Krokodil, 1921 • Leo Tolstoy, Die Kreutzersonate, 1922 • Sholem Aleichem, Menshelakh un stsenes (Motl, the Cantor's Son), 1922 – portfolio • Mendele Moykher Sforim, Fischke der Krumme, 1922 – portfolio • Hayim Nachman Bialik, Ketina Kol-bo, 1923 • Charles Dickens, Londoner Bilder (stories from Sketches by Boz), 1923 • Heinrich Heine, Hebräische Melodien, 1923 – portfolio • Claude Tillier, Mein Onkel Benjamin, 1927
Primary material
Context
The circumstances in which Rachel Szalit-Marcus stands. Established in Library of Congress under no2023093360. Established in RKDartists under 360132. Identity and origins. The authorities additionally record the headings Rahel Szalit-Marcus, Rahel Szalit, Rahel Marcus, Szalit-Marcus Rachela and Rahel Szalit-Markus. Her recorded language was Polish.
Literature
• "Szalit, Rahel." The Universal Jewish Encyclopedia, volume 10, (1943). • "Rachel Szalit-Marcus." Jewish Virtual Library • Hedwig Brenner, Jüdische Frauen in der bildenden Kunst. Ein biographisches Verzeichnis, Vol. 2, ed. Erhard Roy Wiehn (Konstanz: Hartung-Gorre Verlag, 2004), 331–32. • Anna Dzabagina, “Berlin’s Left Bank? Eleonore Kalkowska in Women’s Artistic Networks of Weimar Berlin” in Polish Avant-Garde in Berlin, ed. Malgorzata Stolarksa-Fronia (Berlin: Peter Lang, 2019), 151–69. • Hersh Fenster, Undzere farpaynikte kinstler (Paris: H. Fenster, 1951), foreword by Marc Chagall, 231-35. • Hersh Fenster, Nos artistes martyrs (Paris: Hazan, 2021). • Gerd Gruber, “Szalit, Rahel.” Allgemeines Künstlerlexikon. Die Bildenden Künstler aller Zeiten und Völker. Vol. 107 (Berlin: De Gruyter, 2020), 329. • Sabine Koller, “Mentshelekh un stsenes. Rahel Szalit-Marcus illustriert Sholem Aleichem, in Leket: Yiddish Studies Today, ed. Marion Aptroot, Efrat Gal-Ed, Roland Gruschka, and Simon Neuberg (Düsselfdorf: Düsseldorf University Press, 2012), 207–31. • Kerry Wallach, Passing Illusions: Jewish Visibility in Weimar Germany (Ann Arbor: University of Michigan Press, 2017), 48–50. • Kerry Wallach, Traces of a Jewish Artist: The Lost Life and Work of Rahel Szalit (University Park, PA: Pennsylvania State University, 2024).
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Fenster, Hersh. Nos artistes martyrs. Hazan. 2021.
- 2.Koller, Sabine. Leket: Yiddish Studies Today. Düsseldorf University Press. 207–31. 2012.
- 3.Rahel Szalit-Marcus and Solomon Gershov Illustrate Sholem Aleichem. Derfner Judaica Museum. 13 April 2021.
- 4.Szalit-Marcus, Rachel. Jewish Virtual Library.
- 5.Menshelakh un stsenes : Zekhtsen tseykhenungen tsu Sholem Aleykhems verk "Motl Peysi dem hazens yingel" [YIDDISH] by Szalit-Marcus, Rachel; Baal-Makhshoves: G Hardcover (1922) First edition. | ERIC CHAIM KLINE, BOOKSELLER (ABAA ILAB).
- 6.Fenster, Hersh. Undzere farpaynikte kinstler. 231–35. 1951.
- 7.Berliner Addressbücher.
- 8.Schwarz, Karl. Rahel Szalit-Marcus. Ost und West. 3–4. 74–77. 1920.
- 9.Dzabagina, Anna. Polish Avant-Garde in Berlin. Peter Lang. 151–69. 2019.
- 10.Wallach, Kerry. Passing Illusions: Jewish Visibility in Weimar Germany. University of Michigan Press. 48–50. 2017.
- 11.Szalit-Marcus, Rahel. Rahel Szalit-Marcus, Verein der Berliner Künstlerinnen 1867.
References
Citations
References
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authority record
General reference
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 17 August 2026.
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