Priya Sarukkai Chabria
- Born
- 1955
- Nationality
- India
- Occupation
- poet · translator · novelist
In this article
Key facts
• Occupation — Author, poet, novelist, translator • Citizenship — Indian • Notable Works — Not Springtime Yet, Andal: The Autobiography of a Goddess, Clone, Sing of Life, Bombay/Mumbai:Immersions • Awards — Fellowship from the Indian Government, Muse India Translation award • Website — priyasarukkaichabria.com • Born — 1955 Priya Sarukkai Chabria (born 1955) is an Indian poet, translator, and novelist who writes in English. She was awarded for her contributions by the Indian government.
Early life and education
She was born in Chennai; her mother was Saroja Kamakshi and father, Vasu Gopalan Sarukkai. Her sibling is Malavika Sarukkai, a Bharatnatyam dancer.
Career
She has written four poetry collections, two speculative fiction novels, translations from Classical Tamil, literary nonfiction, and a novel. She has edited two poetry anthologies. She is also founding editor of Poetry at Sangam, an Indian online literary journal of poetry. She has also written a 're-visioning' of Gitanjali by Rabindranath Tagore. This work, as per Sarukkai Chabria's interview in the Hindustan Times "retained the ideas and feelings of the original but pared and updated the language while arranging the words more freely on the page". She is a member of the Advisory Council of G100 and Writers Immersion and Cultural Exchange, Australia. Her poems have been translated into several languages, Indian and European. Chabria is working on a memoir based on her recollections of her family accessed through a series of photographs reconstructed in words. She writes of having lost access to the photos after the demise of her mother in 2013. In her memoir, she is writing about them in order to "re-construct my past and familial connections in the best way I know: through words". The goal is to "reclaim my childhood and teenage years, re-establish relationships with elders... and revalidate my existence as a loved member of a family". Besides writing, Chabria has also presented her work and availed residencies at Writer’s Centre, Norwich, Sun Yat-sen International Writers Program, Guangzhou, Commonwealth Literature Conference, Innsbruck, Alphabet City, Canada, Frankfurt Book Fair, UCLA, Jaipur Literature Festival, and Indian Institute of Advanced Studies. She has curated seminars for Sahitya Akademi, Raza Foundation- PIC, and a module of essays on Rasa theory for Sahapedia. She also curated seminars for Sahitya Akademi, the Indian academy of letters. She has participated in writers' residencies including: • Writers’ Centre, Norwich • Sun Yat-sen University International, China.
Poetry
* * *
Novels (speculative fiction)
* *
Translations
*
Nonfiction
• Bombay/Mumbai:Immersions with photographer Christopher Taylor, Niyogi Books, New Delhi, 2013,
As editor
* • She curated a multimedia issue of e-journal Drunken Boat featuring a video clip of dance by Anita Ratnam, photographs by Naveen Kishore, translation by Arshia Sattar, and poems by Anupama Amaran, Arundhathi Subramaniam, David Need, Ellen Kombiyil, Menka Shivdasan i, Naveen Kishore, rizio yohannan raj, and Sumana Roy. • For Sahapedia, an open encyclopedic resource connected with "the arts, culture and history of India", Sarukkai Chabria curated and contributed to a module of various essays exploring, with contemporary eyes, the "layered heritage" of the Rasa theory and its significance: 'Rapture, Rasa and its Re-enactments in Subcontinental Aesthetics: Narratives of Practice. *
As contributor to anthologies
A partial list: * • Another English: Anglophone Poems from Around the World • Adelphiana • Asymptote • Drunken Boat • PEN International • Post Road • Reliquiae • The Literary Review • The Gollancz Book of South Asian Science Fiction • The HarperCollins Book of English Poetry • The British Journal of Literary Translation • Language for a New Century • Voyages of Body and Soul
As contributor to speculative fiction anthologies
• Blanket, Relatively True: Stories of Truth, Deception, Post-Truth From the Indian Subcontinent and Australia, Eds. Meenakshi Bharat & Sharon Rundle, Orient Black Swan, Hyderabad, 2022 • Cockaigne A Reappraisal (Draft) by Dr. Indumati Jones, Kitaab Anthology, Singapore, 2023 • Dreaming Of The Cool Green River, New Horizons: The Gollancz Book of South Asian Science Fiction, Ed. Tarun K Saint, Gollancz, London, 2019 • Flyby, Solarpunk Creatures: Climate Fiction for Future Ancestors, World Weavers Press, New Mexico, 2023 • Fragments from the Book of Beauty, Breaking the Bow: Speculative Fiction Inspired by The Ramayan, Ed. Anil Menon & Vandana Singh, Zubaan, New Delhi, 2012 • I Had A Dream, Ecoceanic: Global South Science Fiction, Eds. Tarun K Saint & Francesco Verso, Future Fiction, Roma, 2023 • Kairos, No News 90 Poets Reflect on a Unique BBC Newscast, Ed. Paul Munden, Alvin Pang & Shane Strange, Recent Work Press, Canberra, 2020 • Listen: A Memoir, Multispecies Cities Solarpunk Urban Futures, Eds. Christoph Ruppretch, Deborah Cleland, Norie Tamura, Rajat Chaudhuri and Sarena Ulibarri, World Weaver Press, New Mexico, 2021 • Manikkavachakar’s Space Odyssey, Divining Dante, Eds. Paul Munden & Nessa O’Mahony, Recent Work Press, Canberra, 2021 • Menaka Tells Her Story, Inner Line: The Zubaan Anthology of Stories by Indian Women, Ed. Urvashi Butalia, Zubaan, New Delhi, 2006 • Mid-Term Ecolit Examination Paper, The Mithila Review, Ed. Salik Shah, March 2020 • On a dissolving ice floe, Consequence, Spring 2022, Volume 14.1, Eds Matthew Krajniak & Katherine Hollander, Houston, 2022 • Paused, Avatar: Contemporary Indian Science Fiction, Eds. Tarun K Saint & Francesco Verso, Future Fiction, Roma, 2020 • Release (A ‘What if’ Manifesto: Imagine), The Freedom Issue, 2022, Open Magazine • Scavenger, The Gollancz Book of South Asian Science Fiction Volume 2, Ed. Tarun K Saint, Hachette India, Gurugram, 2021
Licensing
Text attribution
Part of the biographical narrative on this page reuses licensed material. Its origin, revision and licence are recorded here.
The biographical narrative on this page is based on the Wikipedia article Priya Sarukkai Chabria, revision 1371699282 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
Critical reception
In New Asian Writing, poet, translator and editor Aryanil Mukerjee described Sarukkai Chabria's Calling Over Water as "postmodern travel poetry" and a "poetic exercise of intertextuality rare to be found in Anglophone Indian poetry". In The Wire, writer, critic and academic Uttaran Das Gupta said Calling Over Water continued Sarukkai Chabria's "cross-genre explorations" and penchant for "elaborate references, experiments with form, and dauntless exploration of emotions". Poet George Szirtes, T.S. Eliot Memorial Poetry Prize awardee for 2004, described Not Springtime Yet as ’The poems are passionate, sensuous and intelligent, full of energy and enterprise. They hold their dramatic shapes with grace and establish her as a poet to read and return to time and again'. Writing in Scroll.in, Apala Bhowmick described the novel Clone as "a fresh, genre-bending variety of Indian speculative fiction – a compound comprising elements of magic realism, stream-of-consciousness narration, fabulist storytelling and certain characteristics of historical fiction". The speculative novel was said to be "the author’s attempt to position the role played by literature in this perplexed, dehumanised society". In The Indian Express, TM Krishna, Carnatic vocalist, writer, activist and Ramon Magsaysay awardee, said, "She uses the play of image, experience and thought (that Andal miraculously bundles into a word or two) to excavate Andal. She enters her source through the membrane of Andal’s imagination, only to subsume herself within it." Krishna summed up, "Her nuanced interpretations give Andal a present aesthetic reality".
Awards
Chabria, with poet Ravi Shankar, translated the songs of 8th century Tamil poet Andal in her book Andal: The Autobiography of A Goddess. The book won the 2017 Muse India translation award at the Hyderabad Literary Festival. The Experimental Fiction Award in The Best Asian Speculative Fiction 2018, an anthology published by Kitaab International. Her speculative novel Clone was called 'one of the best reads of 2018, by The Feminist Press.
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Legend of the clone. The Hindu. 1 April 2008. 0971-751X.
- 2.The Book of Photographs II / Priya Sarukkai Chabria. RIC Journal. 2020-09-17.
- 3.Dancer Malavika Sarukkai bereaved. The Hindu. 2013-03-05. 0971-751X.
- 4.Dance has been my life since I was 7: Malavika Sarukkai. The Times of India. 2012-06-27. 0971-8257.
- 5.Muse India Prize Panel on Translations. Hyderabad Literary Festival 2019.
- 6.Three new attractions at HLF 2018. The New Indian Express.
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Partially resolvedreference work
Partially resolved
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 15 September 2026.
Elsewhere in Books
37,830 published records in this field, each with its sources named.
- PriscusAuthor
- Prithwindra MukherjeeAuthor
- Priti SenguptaAuthor
- Pritish NandyAuthor
- Priyakant ManiyarAuthor
- ProclusAuthor
- Professor X the OverseerAuthor
- Profira SadoveanuAuthor
Best supported in this field
For owners
Own a work by Priya Sarukkai Chabria?
A specialist will read what you send and tell you what the house can establish, what it cannot, and whether the object is suited to sale. There is no charge and no obligation. The object stays with you throughout; nothing is shipped to us unless it is arranged in writing beforehand.