postminimalism

Postminimalist visual art uses minimalism either as a conceptual art aesthetic or a generative art practice. Like Fluxus, postminimalism is more of an artistic tendency than a particular style, but in general, postminimalist artworks often use everyday objects, simple materials, and sometimes take on a pure formalist aesthetic or post-conceptual approaches. However, since postminimalism includes such a diverse and disparate group of artists, it is impossible to enumerate all the continuities and similarities between them. But as two opposing examples, take the work of Eva Hesse and her use of modern art grids and minimalist seriality that were usually hand-made, introducing a human element into minimalism in contrast to the machine fabrication more typical of the minimalism of someone like Carl Andre. American sculptor Christopher Wilmarth falls within the post-Minimalist movement alongside Eva Hesse and Bruce Nauman. Wilmarth's work eschewed the perfect machine-made aesthetic of the minimalists, yet also resisted the process-oriented excess of much 1970s postminimalist sculpture. Richard Serra was another prominent postminimalist though his large metal sculptures are completely machine made.