Pieter de Jode I
Petrus, or Pieter de Jode I or Pieter de Jode the Elder (1570 – 9 August 1634), was a Flemish printmaker, draughtsman, publisher and painter principally active in Antwerp. He was active as a reproductive artist who created many prints after the works of leading painters and was in addition a prolific designer of prints for Antwerp publishers.
Also recorded as Pieter, I de Jode · Pieter I De Jode · Pieter de, I Jode · Pieter I de Jode
Pieter de Jode I
![A man brought on a bier before an altar. Drawing attributed to Pieter de Jode I., [1600?], by Pieter de Jode I](https://iiif.wellcomecollection.org/image/L0029888/full/1280,/0/default.jpg)
Pieter de Jode I · Wellcome Collection, London · Wellcome Collection · Public Domain Mark
- Born
- 1570
- Birthplace
- Antwerp
- Died
- 1634
- Field
- Engraving, drawing
- Nationality
- Southern Netherlands
- Occupation
- publisher · copper engraver · draftsperson · visual artist · engraver · painter · printmaker
VALÉORINE Encyclopedia
VALÉORINE documentary reading
Documentary summary
Petrus, or Pieter de Jode I or Pieter de Jode the Elder (1570 – 9 August 1634), was a Flemish printmaker, draughtsman, publisher and painter principally active in Antwerp. He was active as a reproductive artist who created many prints after the works of leading painters and was in addition a prolific designer of prints for Antwerp publishers.
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wikidata · Q724760 · wikipedia · Pieter de Jode I
In this article
Key facts
Key facts
• Born — 1570 • Birthplace — Antwerp • Died — 1634 • Place of death — Antwerp • Field — Engraving, drawing
Life
Life
Pieter de Jode was born in Antwerp as the son of the prominent Dutch-born map maker Gerard de Jode. He received his initial training in the techniques of drawing and engraving from his father. He later studied with Hendrik Goltzius in Haarlem. In the early 1590s he was active in Amsterdam. He then travelled to Italy. In Rome in the 1590s he made engravings after works by Titian, Giulio Romano and Jacopo Bassano. His engravings of Italian master paintings became a source for Karel van Mander. He also spent time in Venice as is documented on a suite of engravings after designs by Maerten de Vos which he made in Venice and was published by Crispijn de Passe. He travelled back home and in 1599 he became a master in the Guild of Saint Luke in Antwerp. In 1631 he travelled to Paris. He was the teacher of his son Pieter de Jode II, Pieter de Bailliu, Johan Caspar Dooms, Pieter Perret and Nicolaes Ryckmans.
Work
Work
• Illustration — The four temperaments, Sangvinevs after Maerten de Vos Pieter de Jode the Elder initially made engravings after Bartholomäus Spranger, which show the influence of his master Hendrik Goltzius. This influence was evident in his spirited, disciplined and technically sophisticated engraving technique. During his stay in Italy he mainly engraved after the works of leading Italian painters such as Titian, Jacopo Bassano, Giulio Romano, Annibale Carracci, Francesco Vanni and others and the influence of Goltzius became less pronounced. Upon his return to Antwerp he produced engravings after designs of Sebastiaen Vrancx, Otto van Veen, Anthony van Dyck and Peter Paul Rubens. He also created original designs for the publishing projects of Antwerp engravers.
![A man's body receiving the ministrations of a healer. Drawing attributed to Pieter de Jode I., [1600?], by Pieter de Jode I](https://iiif.wellcomecollection.org/image/L0029889/full/800,/0/default.jpg)
A man's body receiving the ministrations of a healer. Drawing attributed to Pieter de Jode I., [1600?], by Pieter de Jode I
Pieter de Jode I · Wellcome Collection, London · Wellcome Collection
![A man kneeling before an altar and receiving the sacrament from a priest. Drawing attributed to Pieter de Jode I., [1600?], by Pieter de Jode I](https://iiif.wellcomecollection.org/image/L0029890/full/800,/0/default.jpg)
A man kneeling before an altar and receiving the sacrament from a priest. Drawing attributed to Pieter de Jode I., [1600?], by Pieter de Jode I
Pieter de Jode I · Wellcome Collection, London · Wellcome Collection
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Fiche de Pieter de Jode l'Ancien. Rkd.nl.
- 2.Pieter de Jode the Elder. Nicolaas Teeuwisse.
- 3.Carel van Mander dans Schilder-boeck, p. 195 :
- 4.Christine van Mulders. Jode, de. Grove Art Online.
- 5.Voir Étude sur Jean Cousin (lire en ligne).
- 6.François Vanni ou Vannius est né à Sienne en 1563 et mort (même ville) en 1610. Il a pour peintre de référence, Raphaël. Il alla à Rome en 1579 se former auprès de Jean de Vecchi, parcourut la Lombardie, se rendit à Parme, à Bologne, à les académies du Fucini et du Mirandola et prit pour modèle de peintre le Baroche (Federico Barocci). Il peint pour Saint-Pierre de Rome La Chute de Simon le magicien. Clément VIII le fait chevalier. Il peint pour l'église du Refuge de Sienne, Le Mariage de sainte Catherine et pour l'église primatiale de Pise, La Dispute sur les sacrements, ainsi que des œuvres pour la Basilique de Notre-Dame de l'humilité de Pistoia et les Camaldules de Fabriano. Le Louvre possède de lui deux tableaux : un Jésus debout avec la Vierge et Le Martyre de sainte Irène
Bibliography printed in the source article · 7
- Cornelis de Bie, Het Gulden Cabinet, 1662, p. 492.
- Biographie universelle ancienne et moderne - Tome XVII - Ouvrage rédigé par une société des gens de lettres et de savants - sous la direction de M. Michaud - Chez Madame C. Desplaces - Paris 1857 ( )
- Biographie du royaume des Pays-Bas, ancienne et moderne par Delvenne, père, Liège, 1828, p. 572.(lire en ligne)
- J. Immerzeel, De levens en werken. Hollandsche en Vlaamsche kunstschilders, beeldhouwers, graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden, Amsterdam, J.C. Van Kesteren, 1842.
- B. Linnig, La Gravure en Belgique ou Notices biographiques sur les graveurs anversois, bruxellois et autres, depuis les origines de la gravure jusqu’à la fin du XVIIIe siècle, Anvers, Janssens Frères, 1911, .
- Thieme-Becker, 1926, volume 19, .
- Hollstein, 1953, volume 9, .
References
Citations
References
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Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 14 August 2026.
Elsewhere in Prints
4,138 published records in this field, each with its sources named.
- Pieter BoutEngraver
- Pieter Christoffel WonderEngraver
- Pieter Cornelis BoutensEngraver
- Pieter de Bailliu (I)Engraver
- Pieter de Jode IIEngraver
- Pieter Feddes van HarlingenEngraver
- Pieter Gerardus van OsEngraver
- Pieter HolsteijnEngraver
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