Pierre Froidebise
Pierre Froidebise (15 May 1914 – 28 October 1962) was a Belgian organist, composer, and musicologist.
Pierre Froidebise
- Born
- 1914 · Ohey.
- Died
- 1962 · Liège.
- Nationality
- Belgium
- Occupation
- organist · composer · university teacher
- Education
- Royal Conservatory of Brussels
- Languages
- French
Reference Check
Propose documentary evidence for Pierre Froidebise. A contribution is never written directly as fact: identity, source, rights and evidence gates still decide.
Sign in to contribute
World of VALÉORINE
Documentary connections
Only confirmed graph relationships appear here. Images are shown only when their identity and reuse rights both pass the documentary gate.
Documentary evidence
Documentary basis
Authority files
wikidata · Q1285348 · wikipedia · Pierre Froidebise
In this article
Life
Life
Froidebise was born in the rural Condroz village of Ohey, province of Namur, the son of a well-off retail pharmacist. After completing his secondary education, he began studying the organ, first at the Namur Conservatory with and then with Paul de Maleingreau at the Brussels Conservatory, where he also studied composition with Raymond Moulaert and fugue with Léon Jongen. He took the first prize for organ in 1939, and in 1941 won the Agniez Prize for composition. He subsequently studied composition with Paul Gilson and Jean Absil, before moving to Paris to further his organ studies with Charles Tournemire. In 1942 he became organist at the church of Saint-Jacques in Liège, where later he performed and was choirmaster at the Grand Séminaire and taught harmony at the Conservatory, where he was appointed professor in 1947. In the meantime, he won the Belgian second Prix de Rome in 1943 for his cantata La navigation d’Ulysse. As a teacher, his notable students include Célestin Deliège, Nicolas Ruwet, and Henri Pousseur. Froidebise died in Liège on 28 October 1962.
Dramatic
Dramatic
• Radio operas: • La bergère et le ramoneur (1954) • La lune amère (1956) • Ballets: • Le bal chez le voisin, orchestra (1954) • L’aube • Incidental music: • Antigone (Sophocles, 1936) • Oedipe roi (Sophocles,?1946) • Ce vieil Oedipe (A. Curvers,?1946) • Elkerlyc (1949) • Jan van Nude (M. Lambilliotte, 1951) • Les choéphores (Aeschylus, 1954) • Hippolyte (Euripides) • La maison à deux portes (Calderón) • Une ville chantait (J. de Coune) • Le p’tit bateau de la réunion (J.M. Landier) • Film scores: • Visite à Picasso (Paul Haesaerts, 1951), collab. André Souris • Lumière des hommes (Bernhart, 1954)
Orchestral
Orchestral
• De l’aube à la nuit (1934–37) • La légende de St Julien l’Hospitalier (1941)
Vocal
Vocal
• Notre père (?1934) • La lumière endormie, cantata (1941) • Trois poèmes japonais, Op. 1, No. 1, soprano or tenor and orchestra (1942) • Trois poèmes japonais, for middle voice and piano (1942) • La navigation d’Ulysse, cantata, 1943 • Cinq comptines, Op. 1, No. 2, soprano or tenor and 11 instruments, (1947) • Amercœur, Op. 1, No. 3, soprano, wind quintet, and piano (1948) • La cloche engloutie, cantata (1956) • Stèle pour Sei Shonagon, Op. 1, No. 4, soprano and chamber orchestra (19 instruments), 1958 • Ne recorderis • Poème chinois, soprano or tenor and piano • Choral motets: • "Justorum animae" • "Laudate Dominum" • "Puer natus est"
Chamber music
Chamber music
• Sonata, violin and piano (1938) • Petite suite monodique, flute or clarinet • Petite suite, wind quintet • Dom Japhet d'Arménie, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 2 trombones, harpsichord, 3 timpani, and percussion (1956)
Keyboard
Keyboard
• Piano: • Sept croquis brefs (1934) • La légende de St Julien l’Hospitalier (1940; orch. 1941) • Hommage à Chopin (1947) • Livre de ricercare • Organ: • Trois pièces (1933) • Suite brève (1934) • Diptyque (1936) • Prelude and Fugue (1936) • Sonatina (1939) • Prelude and Fughetta • Livre de noëls belges • Hommage à J.S. Bach
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Ohey.
Birth place
Liège.
Death place
Compositional style
Froidebise's earliest organ compositions show the influence of César Franck, but his enthusiasm soon turned to Igor Stravinsky for his model. His Trois poèmes japonais for voice and orchestra, Op. 1, No. 1 (1942), while exhibiting traits of his teacher Absil, in its overall feeling recalls Stravinsky's Three Japanese Lyrics, and the Russian master's presence is even clearer in the Cinq comptines for voice and eleven instruments, Op. 1, No. 2 (1947), which was performed at the 1950 ISCM Festival. His discovery of the music of Anton Webern led to a decisive turn to serialism beginning in 1948, with the cantata Amercœur—a rather severe work setting Liège place names in an economical twelve-tone technique. From this point onward, Froidebise was a confirmed dodecaphonist and maintained regular contact with Olivier Messiaen, René Leibowitz, and Pierre Boulez in Paris. His finest work, Stèle pour Sei Shonagon (1958), for soprano and four instrumental groups, added aleatory elements to a warmer use of twelve-tone technique than that found in Amercœur, combined with a supple rhythmic treatment.
Primary material
Documents and archives
reference work
- “Pierre Froidebise”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
authority record
- Wikidata, structured authority record Q1285348: Pierre Froidebise
General reference · Wikidata
Text attribution
Licensing
Text attribution
Part of the biographical narrative on this page reuses licensed material. Its origin, revision and licence are recorded here.
The biographical narrative on this page is based on the Wikipedia article Pierre Froidebise, revision 1370779114 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Secondary witnessauthority record
General reference
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 18 August 2026.
Elsewhere in Music memorabilia
43,975 published records in this field, each with its sources named.
- Pierre FavrePerson
- Pierre FerretPerson
- Pierre FontainePerson
- Pierre FournierPerson
- Pierre GabayePerson
- Pierre GaultierPerson
- Pierre GaveauxPerson
- Pierre GavinièsPerson
Best supported in this field
For owners
Own a work by Pierre Froidebise?
A specialist will read what you send and tell you what the house can establish, what it cannot, and whether the object is suited to sale. There is no charge and no obligation. The object stays with you throughout; nothing is shipped to us unless it is arranged in writing beforehand.