Pelenakeke Brown

Brown was 9 years old when she became a founding member and company dancer for Touch Compass. Her involvement lasted from 1997 to 2000, when she left to focus on her schooling. After secondary school, Brown studied at the University of Auckland (2007–2010), completing a bachelor of arts in Pacific studies and English literature. In 2011, she undertook the Be Leadership programme with Be Lab, a New Zealand accessibility organisation. About the programme, Brown stated “Everyone has the potential to be a great leader and the Be.Leadership programme has helped me realize that I could be one too.” After completing her undergraduate study and spending some time in the work force, Brown left New Zealand to continue studies in New York, moving in 2013 and studying at the National Academy School of Fine Arts completing the Studio Intensive Programme in 2016. Brown's work is embedded in the Samoan concept Vā'. Vā centers spatial relationships as a way to understand and move in the world. In my art practice, this translates to interrogating relationships, how we relate to ourselves, each other. I am fascinated with the in-between spaces and how our in-between spaces inform the way we navigate the world. (Brown) Brown has exhibited work across the United States of America, in California, New York and San Francisco and in Germany, London, and New Zealand. She has been published in the James Franco Review, Apogee Journal, Movement Research Performance Journal and the Hawai'i Review. Brown spent six and a half years based in New York, where she engaged in choreography, movement, dance, curation, visual arts, writing, and storytelling. She has collaborated with The Metropolitan Museum of Art, New York Public Library, Goethe Institute and Gibney Dance Centre for projects. She has held art residencies in New York, Vermont and New Zealand. She returned to Auckland, New Zealand in mid-2019 and took up the role of artistic director at Touch Compass the following year, becoming the first disabled artist to lead the company in its twenty four years of operation. In 2020, Brown collaborated with artist Yo Yo Lin and co-founded Rotations, "a dance collaborative movement working towards deepening and challenging our understanding of artistry, disability, and access". Brown was the keynote speaker for the Christchurch Tiny Fest in 2021; writer Kosta Bogoievski described Brown's talk as an emotional opening, as festivals can be but Tiny Fest happens to be, in 2021, one of the last live performance festivals standing in the country '. In March 2022, Brown was part of an online panel discussion for Te Tairāwhiti Arts Festival wānanga series Te Ara i te Matihiko Toi, to discuss access, inclusion and participation within the performing arts. In 2022 Brown is one of the panel members evaluating proposals to the Innovation Fund at the New Zealand Ministry of Culture and Heritage. Other panel members are W. Gary Nicholas and Ian Barrs.

• Year — Show/Company — Role — Location — Ref. • 1997- 2000 — Touch Compass Dance Trust — Company Dancer — NZ • 2017 — A Remedy for a Constitutional Crisis (Abrons Art Center) — Performer — NYC. NY • 2017 — Boogie on the Boulevard (Bronx Museum of the Arts) — Performer — Bronx, NY • 2018 — Excavātion (Denniston Hill Open House) — Performer — Woodridge, NY • 2018 — Sunshower (Yuko Uchida, Ideal Glass Studio) — Performer — NYC, NY • 2019 — Down In The River Judson Memorial Church — Performer — NY • 2019 — Excavātion: An Archival Process (Gibney Dance Center) — Performer — NY • 2020 — WITH (Tanzplattform supported by the Goethe Institute) — Performer — Munich, Germany • 2022 — Vā Moana Conference (Auckland University of Technology, online) — Artist actiVAtor — Auckland, NZ

• Year — Title — Organisation — Location — Ref. • 2017 — Reasoning on Paper: The Myth Of Herself — ORA Gallery — NYC, NY • 2017 — In Conversation with Line — Sonia Gechtoff Gallery — NYC, NY

• Year — Title — Organisation — Location — Ref. • 2015 — Experiments in Self Portraiture — Sonia Gechtoff Gallery — Manhattan, NY • 2015 — FACE IT: The Face in Contemporary Art — Onsite:Brooklyn — Brooklyn, NY • 2016 — Urban Indigenous X — Asian Pacific Islander Cultural Center — San Francisco, CA • 2016 — Creative Mischief — National Academy Museum — NYC, NY • 2016 — Black and White Perspectives: Works on Paper — Sonia Gechtoff Gallery — NYC, NY • 2017 — Trash Capsules — New Women Space — Brooklyn, NY • 2017 — Creative Mischief — National Academy Museum — NYC, NY • 2017 — Ka Ora — ORA Gallery — NYC, NY • 2018 — Rendering Likeness — La Bodega Gallery — Brooklyn, NY • 2019 — Mana Moana, Mana Wāhine, — Raven Row Gallery — London, UK • 2019 — Talk Back (Curated by Lexy Ho Tai and Moira Williams) — Flux Factory — Queens, NY • 2020 — Here To Lounge — Nook Gallery — CA • 2021 — All That You Touch You Change — Helmhaus (Stadt Zurich) — Zurich, Germany

• Year — Residency — Organisation — Location — Ref. • 2016 — Residency — Vermont Studio Center, Johnson, VT — NYC, NY • 2016 — Immigrant Artists Programme:Social Practice — New York Foundation For The Arts — NY • 2018 — Artist in Residence: Ana Pekapeka Studio — Corbans Art Estate — AK, NZ • 2018 — Create Change Fellow — Laundromat Project — NYC, NY • 2018 — Performance Art Seminar with Xaviera Simmons — Denniston Hill — NY • 2019 — Artist in Residence — Denniston Hill/Laundromat Project — NY • 2019 — Disability Dance Artistry Residency — DANCE/NYC — NY • 2020 — Artist in Residence — Eyebeam — NY

Brown has Samoan and Palagi (non-Samoan) heritage.

Pelenakeke Brown is recorded as writer, illustrator, storyteller and artistic director.

Gender/Power Composition IV Performance https: vimeo.com/188065481 Pelenakeke Brown Movement Research at the Judson Church https: www.youtube.com/watch?v=ArMqVHODgcM&t=15s