Peer Baierlein
Illustration — Peer Baierlein Peer Baierlein (born 16 May 1972 in Stuttgart, West Germany) is a German musician and composer.
Peer Baierlein

Hans Osterloh · CC BY-SA 4.0
- Born
- 1972 · Stuttgart.
- Nationality
- Germany · Belgium
- Occupation
- trumpeter · composer · music arranger · musician
- Languages
- German
VALÉORINE Encyclopedia
VALÉORINE documentary reading
Documentary summary
Illustration — Peer Baierlein Peer Baierlein (born 16 May 1972 in Stuttgart, West Germany) is a German musician and composer.
Admitted source layer · organised and presented by VALÉORINE
Reference Check
Propose documentary evidence for Peer Baierlein. A contribution is never written directly as fact: identity, source, rights and evidence gates still decide.
Sign in to contribute
World of VALÉORINE
Documentary connections
Only confirmed graph relationships appear here. Images are shown only when their identity and reuse rights both pass the documentary gate.
Documentary evidence
Documentary basis
Authority files
wikidata · Q328014 · wikipedia · Peer Baierlein
In this article
Biography
Biography
Peer Baierlein started playing the accordion at the age of 7 and then switched to the trumpet when he was 9. After several years in the local brass band he started his professional studies at the early age of 16 at the Musikhochschule Köln in Germany. He first became a classical trumpet teacher before beginning his studies with Prof. Malte Burba as an orchestra musician at the Musikhochschule Köln and with Arno Lange at the 'Deutsche Oper' in Berlin. In 1996, he moved to Leuven in Belgium to study with his favourite jazz-trumpet player Bert Joris at the Lemmensinstituut. Upon completion of his studies, he moved for a year to New York City in 2000, to take lessons fromm John McNeil and to play his instrument abroad. He then came back to Belgium, where he finished his studies for jazz trumpet and then specialised as ‘lead-trumpet’, also at the Lemmensinstituut. Between 2005 and 2007, Peer Baierlein has been studying classical composition with Piet Swerts. He continued his studies from 2008 to 2011 and followed a special education for composing film music and classical orchestration with a.o. Denis Pousseur, Victor Kissine and Jean-Luc Fafchamps. From 2011 to 2013, he was a student for 'new media' at the 'Hochschule für Musik und Theater' in Hamburg. Since 2007 he has been working as a composer, musical director and musician for numerous theaters in Germany, Switzerland and Austria. Productions for which he composed all of the music have won all theatre, director and actor awards in German-speaking countries. Since 2016, Peer Baierlein has been composing for classical orchestra, vocal and instrumental ensembles. The first commissioned works for the 'Hessische Staatsballett' under the direction of Tim Plegge and the 'Mecklenburgisches Staatsballett' ("Ballet X Schwerin") under the direction of Xenia Wiest will follow in 2022.
Opera
Opera
• 2012: Remixes for Manon from Jules Massenet (Regie: Silvana Schröder / Musical Director: Leo Siberski) / Opera Kiel) • 2017: additional compositions for Der Freischütz / Carl Maria von Weber / Eutiner Festspiele / Musical Director: Leo Siberski
Orchestrations
Orchestrations
• 2018: orchestrations of Johann Sebastian Bach, Robert Schumann, Edvard Grieg, Claude Debussy, Georges Bizet, Johannes Brahms, Joseph Haydn and Bedřich Smetana for clarinet, bassoon, violin, bass, trumpet, trombone and percussion • 2021: Different orchestrations for the 'WDR Funkhausorchester' • 2023: 2 Saxon Christmas songs for 'AuditivVokal' for 8-part SATB vocal ensemble • 2024/25: Hommage para Luiz for classical orchestra
Dance
Dance
• 2021: Memento (Choreography: Tim Plegge) / 'Hessisches Staatsballett' • 2022: Remember The Ladies (Choreography: Xenia Wiest) / 'Mecklenburgisches Staatsballett' • The Little Prince (New adaption / Choreography: Xenia Wiest) / 'Mecklenburgisches Staatsballett' / 'Mecklenburgische Staatskapelle'
Radio Play
Radio Play
• 2014: Quotenkiller / (Producer: Klaus-Michael Klingsporn) / Deutschlandradio
Life and career
Dated record
Life and career
The full dated record · 1 entries
1972
Peer Baierlein born at Stuttgart.
Works / Classical Compositions
• 2016: 'Concerto No.1' (double concerto for trumpet, trombone and orchestra) • 2016: '255' (double concerto for marimba, vibraphone and orchestra) • 2017: Seelen-Trilogie ('Black Soul','Yellow Soul','Purple Soul' - for orchestra, voice and rockband) • 2018: Hymnus (for orchestra, organ, 3 choirs, rockband and church bells) • 2020: In Der Tiefe (Concerto for DoubleChoir a Capella) • 2021: Ode an die Pop-Musik (contemporary compositions based on pop-music motives for nonett and double bass) • 2021: Pentagon of Poetry (5 works for vocal-ensemble with lyrics by Goethe, Nietzsche and Lenau. • 2022: 'Hymnus an die Musiek' - for Double-Quartet-VocalEnsemble • 2023: The Little Prince for orchestra • 2023: 'SaHaHaKral' & 'Daheim' (2 works for SATB vocal-ensemble) • 2024: 'Davids Bündler' for orchestra • 2024: L'appel du vide¹ (Concerto for Double Choir a Cappella) • 2025: A Glimpse of Schwitters (for SSATB Vocal Ensemble) • 2025: Times and Ages (for SSATB Vocal Ensemble, 2 Bass Viols, Theorbo, Harpsichord & Percussion) • 2025: Somnambul (for Percussion Trio) • 2026: Kiddusch - Credo (for soprano, organ, 2 choirs & chamber orchestra) • 2026: La Cabalgata del Diablo (for solo marimba)
Publications
• 2017/18: Pyotr Ilyich Tchaikovsky 'Kinderalbum' op.39 / adaptation for string ensemble ' (Universal Edition)
Discography
• 2004: Issues • 2006: Open Questions • 2009: Cycles • 2015: One • 2015: me² + 1
Primary material
Documents and archives
authority record
- Wikidata, structured authority record Q328014: Peer Baierlein
General reference · Wikidata
reference work
- “Peer Baierlein”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
Scholarships
• 2024/25: Scholarship of the "Roger Willemsen Foundation" in the mare-artist-house
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Open Questions, by Jazzisfaction. Jazzisfaction.
- 2.Me² + 1, by Peer Baierlein. Off - record label.
- 3.Offener Kanal Magdeburg. LIVE KlangART Vision „FOLIAS!“ – Eine Wahnsinnsrevue. 2025-05-10.
- 4.Tschaikowsky: 12 Stücke aus "Kinderalbum". Universal Edition.
- 5.Peer Baierlein FreeScores. freescores.peerbaierlein.de.
- 6.Peer Baierlein Roger Willemsen Stiftung. rwstiftung.de.
- 7.Staatstheater Darmstadt. memento / Ballett von Tim Plegge. 2022-02-04.
- 8.Wiesbaden, Hessisches Staatstheater. Hessisches Staatstheater Wiesbaden - memento, Ballet by Tim Plegge. english.staatstheater-wiesbaden.de.
- 9.Dancing Souls. www.mecklenburgisches-staatstheater.de.
- 10.Dancing Souls. www.mecklenburgisches-staatstheater.de.
- 11.Programm - Erleben Sie im Mecklenburgischen Staatstheater unvergessliche Momente voller Kunst und Kultur. www.mecklenburgisches-staatstheater.de.
- 12.hoerspielundfeature.de. Quotenkiller – Krimi-Hörspiel von Christoph Güsken. Hörspielportal. 2024-10-21.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
authority record
Secondary witnessreference work
Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 17 August 2026.
Elsewhere in Music memorabilia
43,111 published records in this field, each with its sources named.
- Pee Wee RussellPerson
- Peek-A-Boo RecordsOrganisation
- Peep LassmannPerson
- Peer AugustinskiPerson
- Peer RabenPerson
- Peerless RecordsOrganisation
- Peeter SüdaPerson
- Peeter VähiPerson
Best supported in this field
For owners
Own a work by Peer Baierlein?
A specialist will read what you send and tell you what the house can establish, what it cannot, and whether the object is suited to sale. There is no charge and no obligation. The object stays with you throughout; nothing is shipped to us unless it is arranged in writing beforehand.