Pedro Albéniz
Pedro Albéniz y Basanta (14 April 179512 April 1855) was a Spanish pianist and composer. He was unrelated to Isaac Albéniz.
Also recorded as Pedro Albeniz · Pedro Albéniz y Basanta
Pedro Albéniz
- Name
- Pedro Albéniz y Basanta
- Birth Name
- Pedro Pérez de Albéniz y Basanta
- Born
- 14 April 1795
- Died
- 12 April 1855
- Nationality
- Spain
- Occupation
- composer · pianist · musicologist · music educator · university teacher · organist
- Education
- Madrid Royal Conservatory
- Teachers
- Friedrich Kalkbrenner · Mateo Albéniz · Henri Herz
- Languages
- Spanish
VALÉORINE Encyclopedia
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Documentary summary
Pedro Albéniz y Basanta (14 April 179512 April 1855) was a Spanish pianist and composer. He was unrelated to Isaac Albéniz.
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Authority files
wikidata · Q351442 · wikipedia · Pedro Albéniz
In this article
Biography
Biography
Pedro Albéniz studied at Madrid Royal Conservatory. Training under Friedrich Kalkbrenner, Mateo Albéniz and Henri Herz is recorded. Antonio Aguado, Antonio María Álvarez Bedesktain and Pedro Sarmiento y Verdejo are recorded as having studied under Pedro Albéniz. The recorded working language is Spanish. Employment is recorded with Madrid Royal Conservatory.
Key facts
Key facts
• Name — Pedro Albéniz y Basanta • Birth Name — Pedro Pérez de Albéniz y Basanta • Born — 14 April 1795 • Died — 12 April 1855
Life
Life
Albéniz was born in Logroño, La Rioja. He began his studies with his father Mateo Albéniz, a notable church musician in Spain. He furthered his education in Paris, where he was instructed by eminent teachers and received musical advice from Rossini. Returning to Spain in 1830, he served as organist at the Church of Santa María in San Sebastián and then became a professor at the Madrid Royal Conservatory, organist of the Capilla Real, and the personal piano teacher of Queen Isabella II. He died in Madrid. Later in life he neglected his career as a concert pianist and dedicated himself instead to teaching. He left behind many compositions for piano, chamber music and songs, but was subsequently remembered chiefly for his piano method, which was studied by all Spanish pianists at the Madrid Conservatory during the mid-19th century.
Works for concert band
Works for concert band
• 1813 Himno - cantado en la ciudad de San Sebastián en obsequio a los Reyes N.N.S.S., dedicadoa sus Magestades, for concert band and great mixed choir • 1833 Marcha e himno para la jura de la Princesa de Asturias, representada por una comparsa de jóvenes de San Sebastián, for concert band • 1833 Marcha triunfal, himno y contradanzas de la comparsa alegórica al restablecimiento del Rey N.S. y administración benéfica de S.M. la Reina, egecutada en San Sebastián con acuerdo de su ayuntamiento el domingo de carnaval de 1833, for concert band
Choral works
Choral works
• 1841 Villancico real al nacimiento de N.S. Jesucristo, for two soloists, two-voiced choir and piano • 1842 Villancico real al nacimiento de N.S. Jesucristo, for soloist, unison children's choir and piano • 1844 Villancico real al nacimiento de N.S. Jesucristo, for soloists, unison choir and piano • 1845 Villancico real al nacimiento de N.S. Jesucristo, for soloists, mixed choir (STB) and piano
Works for piano
Works for piano
• 1825 Rondó brillante a la tirana sobre los temas del "Trípoli y la Cachucha", for piano, op. 25 • 1825 Variaciones brillantes sobre el "Himno de Riego", for piano, op. 28 • 1830 Serenata cantada a sos Reyes Nros. Sres. con motivo de su salida de la ciudad de San Sebastián, for piano • 1831 Fantasía elegante sobre motivos escogidos de la ópera "I puritani" de Vincenzo Bellini, for piano • 1831 Variaciones brillantes sobre el tema favorito Mira, oh Norma, ai tuoi ginocchi de Vincenzo Bellini, for piano, op. 33 • 1843 Contradanzas bailadas a presencia de S.S.M.M. por una comparsa de jóvenes distinguidos de San Sebastián • 1843 Vals no.4, for piano • 1843 Vals no.5, for piano • 1844 Lucia di Lammermoor, fantasia on a themes from Verdi's opera for piano • 1852 Corona musical de canciones populares españolas • 12 estudios melódicos para piano á cuatro manos compuestos espresamente [sic] para S.M. la Reina Doña Ysabel 2ª, op. 56 • El chiste de Málaga - capricho, música característica española, op.37 • El polo nuevo - capricho, música característica española, for piano, op. 41 • Estudios para piano - antología (siglo XIX) • Fantasia sobre motivos de la ópera "Nabucco" de Giuseppe Verdi, for two pianos, op. 36 • Fantasía sobre motivos de la ópera "Attila" de Giuseppe Verdi, for piano four hands • Fantasía sobre motivos de la ópera "Ernani" de Giuseppe Verdi, for piano four hands • Fantasía sobre motivos de la ópera "I Lombardi" de Giuseppe Verdi, for piano four hands • Fantasía sobre motivos del "Nabucodonosor" de Giuseppe Verdi, for two pianos • Fantasía sobre un motivo vasco, for piano • Flores melódicas, for piano, op. 60 • La barquilla gaditana - capricho, música característica española, op.39 • La gracia de Córdoba música característica española, for two pianos, op. 38 • Lied, for piano, op. 53 • Los jardines de Aranjuez, for two pianos • Mi Delicia, for two pianos, op. 61 • Piezas características españolas, for two pianos • Riojanos Ilustres • Rondino-capricho sobre motivos de "La Violeta", for piano, violin, viola, and cello, op. 65
Life and career
Dated record
Life and career
The full dated record · 2 entries
1795
Pedro Albéniz born at Logroño.
1855
Pedro Albéniz died at Madrid.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Logroño.
Birth place
Madrid.
Death place
Primary material
Documents and archives
reference work
- Wikidata, structured authority record Q351442: Pedro Albéniz
Reputable secondary · Wikidata
- “Pedro Albéniz”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
scholarly publication
- APROXIMACION A LA ENSEÑANZA PARA PIANO A TRAVÉS DE LA CÁTEDRA DE PEDRO ALBÉNIZ EN EL REAL CONSERVATORIO DE MADRID, Revista de Musicología, 1999
Scholarly · Crossref registry · 1999
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Edgar Istel and Frederick H. Martens (1929). "Isaac Albéniz". The Musical Quarterly 15 (1): 117.
- 2.Iglesias, Antonio. "Albéniz y Basanta, Pedro.", Grove Music Online, 2001. Retrieved on 21 April 2020.
Bibliography printed in the source article · 2
- Santiago de Masarnau Fernández (1805-1882): Piano romántico español (Música impresa) Gemma Salas Villar. Santiago de Masarnau en Pedro Albéniz, Madrid: Instituto Complutense de Ciencias Musicales, 1999. 297 p.
- Antonio Gómez y Cros (1808–1863): Retrato de Pedro Albeniz Basanta. Diana en el Estab. Artistico y Literario, ca. 1850.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
scholarly publication
APROXIMACION A LA ENSEÑANZA PARA PIANO A TRAVÉS DE LA CÁTEDRA DE PEDRO ALBÉNIZ EN EL REAL CONSERVATORIO DE MADRID, Revista de Musicología, 1999Crossref registry
Verifiedreference work
Partially resolvedreference work
Partially resolved
Further particulars
Held on the record
Further particulars
Open the remaining particulars
Pedro Albéniz studied at Madrid Royal Conservatory. He trained under Friedrich Kalkbrenner, Mateo Albéniz and Henri Herz. Each of those relationships is stated by the authority record rather than inferred from style.
The authorities additionally record the headings Pedro Albeniz and Pedro Albéniz y Basanta. His recorded language was Spanish. He was the child of Mateo Albéniz. One child is recorded: Ángela Albéniz Amestoy. Recorded as composer, pianist, musicologist, music educator and university teacher.
Identity and origins
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 14 August 2026.
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