Paul Lauritz
Paul Lauritz (18 April 1889 - 31 October 1975) was a Norwegian-born American oil painter and art teacher.
Also recorded as Lauritz
Paul Lauritz

Paul Lauritz · Reproduction of 2D artwork in public domain · Public domain
- Name
- Paul Lauritz
- Born
- 18 April 1889
- Birthplace
- Larvik, Norway
- Died
- 31 October 1975
- Place of death
- Los Angeles, California
- Occupation
- Painter, art teacher
- Nationality
- Norway
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Key facts
Key facts
• Name — Paul Lauritz • Born — 18 April 1889 • Birthplace — Larvik, Norway • Died — 31 October 1975 • Place of death — Los Angeles, California • Occupation — Painter, art teacher
Biography
Biography
• Illustration — Paul Lauritz. A Song of Spring. Silkscreen. 1924 Paul Lauritz was born at Larvik, Norway, the son of Lauritz Olsen, a day laborer, and Maren Sofie Matisen. His initial art training came at age 14 when he attended a local art academy, spending two years drawing and getting some informal instruction from an English watercolorist. Early art critics reported that he attended art school in Oslo, studying under Frits Thaulow, but this is difficult to reconcile as Thaulow was living in France at the time Lauritz was in school. He emigrated to eastern Canada at age 16 to live with relatives, working his way west to Nelson, BC, where his older brother Martin had established himself as a successful butcher. Here he tried hard rock mining and hunting, even travelling as far as northern Alberta. He also found time to paint. Lauritz arrived in Portland, Oregon, in 1907 and worked as a painter in a paint store, eventually forming the Pacific Sign Company with his brother Ludvig. He married Mary Potterton, a Portland bookkeeper, in 1912. He continued his fine art studies, taking lessons from noted local artist Clyde Leon Keller and exhibited a work done at Nelson called "Kootenay Landing" in a show in Portland in 1914. That year Lauritz, Keller, and newly-arrived eastern artist Dana Bartlett became executive board members of the new Mutual Art Association, exhibiting works through 1916. Here Lauritz was exposed to many artists who had trained in eastern schools. Bartlett, himself trained at the Art Students' League, moved to California where he and Lauritz would exhibit together often. Lauritz traveled to San Francisco in 1915 to paint signage for the Panama Pacific Exposition with O. H. Friske. In March 1916 Lauritz sailed the Inside Passage aboard the SS Admiral Watson from Seattle to Valdez, Alaska, where he camped on the beach for a month, painting. He arrived in Anchorage in April and partnered with his sign painter friend O. H. Friske in a paint store. His wife joined him there and within a few months his brother arrived. They bought out Friske, operating as 'Lauritz Brothers' offering paint, wallpaper, and advertising signage. This same year artist Sydney Laurence moved his photography studio from Valdez to Anchorage. By 1917 Lauritz described his occupation as 'painter.' That May he returned to Portland to exhibit his Alaska landscapes with the Palette Club. While his brother ran the store, Lauritz took hunting and painting trips to places like Matanuska, the Chugach Mountains, Eklutna Lake and the Willow Creek gold district. Again he returned to Oregon to show with the Palette Club and sell his work. Seeing Lauritz's work in Portland prompted the president of the University of Oregon to host a show in Eugene as well. In the summer of 1919 he returned to Anchorage and continued to paint, showing fourteen canvasses alongside works by Sydney Laurence at the Pioneer Hall in Anchorage, to great reviews, the writer stating: "each one a striking example of the modern school of art." Lauritz described his Alaska experience as: "business wasn't successful, but painting was." By late 1919 he moved to Los Angeles and opened a studio at the Lyceum Theatre. Lauritz had been making his own oil pigments since he was a youth, preferring walnut oil to linseed, as it didn't darken over time. With this experience he, along with his son, eventually developed it into a business under the brand name 'Perma Artist Colors'. Besides painting, he also taught at the Chouinard Art Institute and the Otis Art Institute, and from 1942-43 was the president of the California Art Club. Paul's brother Ludvig stayed in Anchorage, selling the store in the 1920s. After Paul became successful in California the brothers did attempt to leverage their experiences in Alaska, to mine for gold at Sunrise Creek. In March 1927 Paul and Ludvig became directors in the newly incorporated Sunrise Hydraulicing and Dredging Company, but Ludvig died later that year. Paul Lauritz exhibited regularly at the Kanst gallery in Los Angeles. In February 1922 the gallery held a show featuring two artists: Paul Lauritz and Charles M. Russell. He also exhibited often at the Cannell Chaffin Gallery and the Stendahl Gallery. His work is in the permanent collections of the Crocker Art Museum, the Los Angeles County Museum of Art, the Monterey Museum of Art, San Diego Museum of Art and Carnegie Art Museum (Oxnard, California).
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Part of the biographical narrative on this page reuses licensed material. Its origin, revision and licence are recorded here.
The biographical narrative on this page is based on the Wikipedia article Paul Lauritz, revision 1370204261 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Paul Lauritz. Norsk Kunstnerleksikon.
- 2.National Archives of Norway, 1891 Census, page 6575
- 3."Of Art and Artists", Antony Anderson, The Los Angeles Times, November 28, 1920, page 2.
- 4."Lauritz Paintings Shown", Oregon Emerald, May 15, 1919
- 5."Sidelights on Art", Progressive Arizona and the Great Southwest. Volume 6, Number 4, April 1928.
- 6.1910 Federal Census, NARA Film T624, Roll 1286, pg. 3b.
- 7.Portland, Oregon, City Directory, 1916
- 8."Exhibit by Local Artists is Open", The Morning Oregonian, May 8, 1914, page 1.
- 9.Morning Oregonian, February 9, 1931, page 11.
- 10."Product of Factories and Farms Attract Thousands", Sunday Oregonian, November 1, 1914.
- 11.Anchorage Times, May 2, 1915, pg 1
- 12."Sidelights on Art", Progressive Arizona and the Great Southwest. Volume 6, Number 4, April, 1928.
- 13.Anchorage Daily Times, various dates from 1916 to 1920.
- 14.U.S. World War I Draft Registration, August 9, 1917. Anchorage, Alaska Territory.
- 15."Art Exhibits Please", Oregon Daily Journal 27 May 1917, pg 17
- 16."Lauritz Will Make Sketches of District", Anchorage Daily Times, July 16, 1918
- 17."Lauritz Paintings Shown", Oregon Emerald, Eugene, Oregon, May 18, 1919.
- 18."Art Exhibit a Great Success", Anchorage Daily Times, September 29, 1919, page 8.
- 19."Artist Who Grinds His Own Pigments", The Desert Magazine, Volume 4, Number 5. March 1941, page 22
- 20.Ruth Westphal, Plein Air Painters of California, The Southland, Westphal Publishing.
- 21.Paul Lauritz. LACMA.
- 22.The High Sierras, circa 1929". Paul Lauritz (American, born Norway, 1889–1975). Crocker Art Museum.
- 23."Sunrise Mining Company Files for Incorporation", Juneau Empire, March 26, 1927, page 8.
- 24."Anchorage Resident Dies at That Place", Juneau Times, July 25, 1927, page 8.
- 25.American Art News, Vol 20, Issue 20, February 25, 1922, pg. 10.
- 26.Lauritz, Paul. The Los Angeles Times. 18. November 3, 1975.
- 27.Gallery Sets Holiday Show. The Desert Sun. 28. December 12, 1975.
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