Paul Hofhaimer
Paul Hofhaimer (25 January 1459 – 1537) was an Austrian organist and composer. He was particularly gifted at improvisation, and was regarded as the finest organist of his age by many writers, including Vadian and Paracelsus; in addition he was one of only two German-speaking composers of the time (Heinrich Isaac was the other) who had a reputation in Europe outside of German-speaking countries. He is grouped among the composers known as the Colorists.
Also recorded as Paul Hofhaymer · Paul Hofheymer
Paul Hofhaimer

Herzi Pinki · CC BY-SA 4.0
- Born
- 1459 · Radstadt.
- Died
- 1537 · Salzburg.
- Occupation
- organist · composer
- Fields
- music
- Movements
- German Renaissance
- Languages
- German
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Documentary summary
Paul Hofhaimer (25 January 1459 – 1537) was an Austrian organist and composer. He was particularly gifted at improvisation, and was regarded as the finest organist of his age by many writers, including Vadian and Paracelsus; in addition he was one of only two German-speaking composers of the time (Heinrich Isaac was the other) who had a reputation in Europe outside of German-speaking countries. He is grouped among the composers known as the Colorists.
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Paul Hofhaimer (1459–1537) was a composer and organist. The composer was born in Radstadt and died in Salzburg.
Activity centred on music. The composer was associated with German Renaissance. Languages used include German.
Composed from admitted, traceable facts · 26 September 2026
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Authority files
wikidata · Q560573 · wikipedia · Paul Hofhaimer
In this article
Life
Life
He was born in Radstadt, near Salzburg. Sources are somewhat contradictory on his early life, with Vadian asserting that he was self-taught, and the Nuremberg humanist Conrad Celtes saying that he acquired his technique at the court of Emperor Frederick III. Hofhaimer went to Innsbruck in 1478, and so impressed Archduke Sigismund of Tyrol that he was given a lifetime appointment as court organist in 1480. He almost certainly knew Heinrich Isaac well while he was in Innsbruck, since Isaac became court composer there later that decade. In 1489 he began serving Maximilian I as organist, but he did this in addition to his Innsbruck service. In 1498, after several years of travel, during which he visited the Saxon court of Elector Frederick the Wise, he moved to Passau, and in 1507 he moved to Augsburg, where he could be closer to Maximilian. Maximilian and the king of Poland made him a knight and nobleman in 1515, conferring on him the title of "First Organist to the Emperor". Hofhaimer's last move was to Salzburg, where he remained as organist at Salzburg Cathedral until his death. Life as a travelling musician at the peripatetic imperial court was harsh. Hofhaimer had to move frequently between Augsburg, Vienna, Innsbruck and other cities. The musicians even encountered mortal danger as they followed the Emperor during his military campaigns. Later, in 1524, when he had already joined the service of the Archbishop of Salzburg, Hofhaimer claimed in a letter to Vadian: Ich dannck got, das ich nymmer wye ayn zigeyner umraysen bedorff. [I thank God that I no longer have to travel like a gypsy.]
Commemoration
Commemoration
From 1969, (the 450th anniversary year of Emperor Maximilian I's death), the city of Innsbruck has awarded the Paul Hofhaimer Prize for interpretations of organ compositions by old masters. An international competition takes place every three years for the prize.

Paul Hoffhaimer. Berühmter kaiserlicher Organist und Componist. Geb. 1449. Hrsg. von G. Grefe. Druck von Friedrich Kaiser, Wien.
http: (Wien, Österreichische Nationalbibliothek, Bildarchiv Austria)
Life and career
Dated record
Life and career
The full dated record · 1 entries
1537
Paul Hofhaimer died at Salzburg.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Radstadt.
Birth place
Salzburg.
Death place
Music and influence
Hofhaimer was a spectacularly gifted improviser, and witnesses attested to his unequaled gift; he could play for hours, never repeating himself: "one would wonder not so much how the ocean gets all the water with which to feed the rivers, but how this man gets the ideas for all his melodies." Not only was he a performing musician, though, he was the teacher of an entire generation of German organists: and the famous school of German organists of the Baroque era can trace much of its lineage to Hofhaimer. In addition, some of the organists he trained went on to Italy, for example Dionisio Memno, who became organist at St. Mark's in Venice, and there passed on technique learned from Hofhaimer to the organists who were part of the early Venetian school. While he was most prolific as a composer for organ, little of that music has survived in its original form. Most of the surviving works are either lieder in three or four voices, or arrangements (intabulations) of them for either keyboard or lute. The large quantity of surviving copies of his songs from different locations in Europe, usually in arrangements, attests to their popularity. The handful of pieces for organ which have survived show Hofhaimer's gift for composing polyphonic lines around a cantus firmus. His German lieder are typical of the time, and usually in bar form, with one section being polyphonic and the other being more chordal. He rarely used the smooth polyphonic texture then being cultivated by the Franco-Flemish composers such as Josquin or Gombert, a style he probably first encountered in Innsbruck with the music of Isaac. Hofhaimer was also well known as an organ consultant, and frequently advised on the building and maintenance of organs.
Primary material
Documents and archives
reference work
- “Paul Hofhaimer”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
- Wikidata, structured authority record Q560573: Paul Hofhaimer
Reputable secondary · Wikidata
scholarly publication
- Paul Hofhaimer. Ein Lied- und Orgelmeister des deutschen Humanismus, Revue de musicologie, 1930
Scholarly · Crossref registry · 1930
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Heuberger, Richard Franz Joseph. Musikbuch aus Österreich. C. Fromme. 8. 1906.
- 2.Coffey, Helen. Schlaglicht: Life as an Emperor's Musician. Musikleben des Spätmittelalters in der Region Österreich. 28 May 2021.
- 3.Manfred Schuler. Hofhaimer [Hofhaymer, Hoffhaimer, Hoffheimer, Hofhamer], Paul [Paulus, Meister Pauls]. 2001.
- 4.City of Innsbruck. Paul-Hofhaimer-Preis. www.innsbruck.gv.at.
- 5.Drexel. Musikgeschichte Tirols. Universitätsverlag Wagner. 3. 247. 2001. 978-3-7030-0451-3.
Bibliography printed in the source article · 2
- Gustave Reese, Music in the Renaissance. New York, W. W. Norton & Co., 1954.
- Tobias Calinski: Catull in Bild und Ton, WBG, Darmstadt 2021, 311–333
References
Citations
References
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scholarly publication
Paul Hofhaimer. Ein Lied- und Orgelmeister des deutschen Humanismus, Revue de musicologie, 1930Crossref registry
Verifiedreference work
Partially resolvedreference work
Partially resolved
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 14 August 2026.
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