patag
A patag, also known as patang, is a type of Asian sword characterized as having a straight single-edged blade. Patags are traditionally produced in Bhutan.
Also recorded as patang
patag
Joanbanjo · CC BY-SA 4.0
- Name
- Patag
- Field
- sword
- Region
- Bhutan
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wikidata · Q855124
In this article
Key facts
Key facts
• Name — Patag • Origin — Bhutan • Type — Sword • Is Bladed — yes • Service — ca. 600–present • Length — ~86 cm blade:~66 cm • Width — 33 – • Blade Type — Single-edged, straight-bladed • Hilt Type — One-handed, with pommel
Characteristics
Characteristics
Bhutanese swords are straight, the blade is single-edged with a sharp arc tip. The blade is thicker near the hilt compared to the tip. Patags are about 6 millimeters thick at the hilt and about 2 millimeters at the tip. The blade tends to be between 0.6 and in length. Most patags are striated with small grooves called washo. At least eleven types of patag exist. The types are named after the blacksmith who first forged them, the locality they originated, appearance, design or utility. The patag is regarded as a symbol of authority, serving as a ceremonial weapon for male parliament members and high ranking government officials, including the royal family. During the reign of Jigme Namgyal and Tongsa Penlop Ugyen Wangchuck, swords that were used in action during wars were marked with a cross. The mark was placed on the blunt side of the sword, near the hilt. The dripcha or "defiled swords" are especially valued. Patag types include: • Paksam Tenzin • Chukhap Tenzin • Bumthang Tsen-dri • Nagpha • Dungsum Thum • Barshongpa • Thum • Chhu Chenm • Lungdri • Lungdri Chenm
Production
Production
The regions of Chakor La and Barshong were the main source of iron ore used by Bhutanese blacksmiths. The process of melting the iron took from a week to a month, depending on the size of the furnace. The iron's quality depended heavily on the type of wood used during smelting. Newly crafted swords were rubbed multiple times with different materials in order to remove stains, moisture and impurities. As a result of rubbing the patag received an ash black colour. Scabbards were covered with dyed frog, cow and other wild animal pelts. Hilts were crafted of willow and walnut wood, bearing an octagonal shape.
Lungdri Chenm
Lungdri Chenm
• Illustration — A Bhutanese chief bearing a patag Lungdri Chenm is a semi legendary type of patag, believed to be first forged by Dupthob Jangkha Lap. According to the legend Jangkha Lap resided in the Chimi Thangkha village, located in the outskirts of Thimphu. One day Jangkha Lap forged a very light and flexible patag, which he later presented to the local governor. After hearing Jangkha Lap praise his creation, the governor demanded to test the sword on the swordsmith himself. A single strike cut Jangkha Lap in half. The story survived as an oral tradition. It is believed that Jangkha Lap practised the tradition of zokor. Personally extracting the iron ore and then traveling from village to village, selling his wares. Jangkha Lap is regarded as the patron of blacksmiths in the country, caves formerly used by blacksmiths are considered sacred by the local population. Three Lungri Chenm swords remain. The first specimen is stored in the Dechen Phodrang monastery, located in Thimphu. The second is located in the Punakha Dzong. The third piece is held by the Talo Gyalp statue, inside the Talo monastery. It is not known whether these swords were forged by Jangkha Lap or one of his disciples.
Restoration efforts
Restoration efforts
On 22 February 2002, American sword expert Julian Freeman was invited by the National Technical Training Authority to visit Bhutan in order to aid patag study and restoration efforts. Freeman and smiths from Thimphu, Paro, Wangduephodrang, Dagana, Tsirang and Trashiyangtse conducted a workshop, aiming to revive the art of patag smithing. The techniques behind the creation of patags as well as their original use remain unclear. The tradition behind Bhutan's sword making dates back to at least the 6th century A.D. Valuable information about the swords has been lost through prolonged polishing. Apart from crude reproductions of little known origin, patags are no longer produced. Today patags can be found in private collections, old monasteries within Bhutan, and museums.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Bhutan
Country
patag is associated with Bhutan.
Country
Foreign collections
Patags are exhibited in the Metropolitan Museum of Art and the Royal Canadian Geographical Society museums.
Text attribution
Licensing
Text attribution
Part of the biographical narrative on this page reuses licensed material. Its origin, revision and licence are recorded here.
The biographical narrative on this page is based on the Wikipedia article Patag (sword), revision 1332692427 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Phuntsho Rapten. Patag-The Symbol of Heroes. Journal of Bhutan Studies.
- 2.Patang- who is it for?. Bhutan Express. 21 August 2013.
- 3.Tshering Tashi. Blacksmiths: The Sword that rides the Wind. Kuensel. 2011.
- 4.Tshering Gyeltshen. Patag making. Kuensel. 22 February 2002.
- 5.Adam Shoalts. A Sword from Bhutan. Canadian Geographic. 28 January 2011.
Bibliography printed in the source article · 2
- Lord Egerton of Tatton, Wilbraham Egerton Egerton, Indian and Oriental Armour, Verlag Courier Dover Publications, 2002, Ausgabe illustriert, page 88,
- Pieter Hendrik Pott, Introduction to the Tibetan collection of the National Museum of Ethnology, Leiden, E. J. Brill, 1951.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 14 August 2026.
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