parnassianism
Parnassianism (or Parnassism) was a name designating a group of French poets that began during the positivist period of the 19th century (1860s–1890s), occurring after romanticism and prior to symbolism. The style was influenced by the author Théophile Gautier as well as by the philosophical ideas of Arthur Schopenhauer.
parnassianism
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Parnassianism (or Parnassism) was a name designating a group of French poets that began during the positivist period of the 19th century (1860s–1890s), occurring after romanticism and prior to symbolism. The style was influenced by the author Théophile Gautier as well as by the philosophical ideas of Arthur Schopenhauer.
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Origins and name
Origins and name
The name is derived from the original Parnassian poets' journal, Le Parnasse contemporain, itself named after Mount Parnassus, home of the Muses of Greek mythology. The anthology was first issued in 1866 and again in 1871 and 1876, including poems by Charles Leconte de Lisle, Théodore de Banville, Sully Prudhomme, Stéphane Mallarmé, Paul Verlaine, François Coppée, Nina de Callias, and José María de Heredia. The Parnassians were influenced by Théophile Gautier and his doctrine of "art for art's sake". As a reaction to the less-disciplined types of romantic poetry and what they considered the excessive sentimentality and undue social and political activism of Romantic works, the Parnassians strove for exact and faultless workmanship, selecting exotic and (neo-)classical subjects that they treated with the rigidity of form and emotional detachment. Elements of this detachment were derived from the philosophical work of Schopenhauer. The two most characteristic and most long-lasting members of the movement were Heredia and Leconte de Lisle.
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parnassianism is situated in France.
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parnassianism is associated with France.
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Figures, places and works
Those recorded within this movement, and the places and works associated with it.
Associated with
2- Charles Marie René Leconte de LisleAuthor
Established from a fact already recorded on a verified source.
- Renée VivienAuthor
Established from a fact already recorded on a verified source.
Transnational influences
Despite its French origins, Parnassianism was not restricted to French authors. Perhaps the most idiosyncratic of Parnassians, Olavo Bilac, Alberto de Oliveira's disciple, was an author from Brazil who managed carefully to craft verses and metre while maintaining a strong emotionalism in them. Polish Parnassians included Antoni Lange, Felicjan Faleński, Cyprian Kamil Norwid and Leopold Staff. A Romanian poet with Parnassian influences was Alexandru Macedonski. Florbela Espanca was a Parnassian Portuguese poet (Larousse), as was Cesário Verde. Many prominent Turkish poets of Servet-i Fünun such as Tevfik Fikret, Yahya Kemal Beyatlı and Cenap Şahabettin were inspired by Parnassianism. British poets such as Andrew Lang, Austin Dobson and Edmund Gosse were sometimes known as "English Parnassians" for their experiments in old (often originally French) forms such as the ballade, the villanelle and the rondeau, taking inspiration from French authors like Banville. Gerard Manley Hopkins used the term Parnassian pejoratively to describe competent but uninspired poetry, “spoken on and from the level of a poet’s mind”. He identified this trend particularly with the work of Alfred Tennyson, citing the poem "Enoch Arden" as an example.
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- Wikidata, structured authority record Q335652: parnassianism
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reference work
- “Parnassianism”, English Wikipedia, consulted as further reading
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Notes from the source article
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Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Les Poètes français, anthologie publiée sous la direction d’Eugène Crépet, 4 volumes, chez Gide et Hachette, 1861-1862.
- 2.Ricard, .
- 3.Leconte de Lisle le trouvait absurde.
- 4.Al Borak : : Mistick Krewe of Comus 1910 Float Designs. the louisiana digital library. 1910.
- 5.Cf. Claude Millet, « Le Parnasse » in Michel Jarrety (dir.), La Poésie en France du Moyen Âge à nos jours, PUF, Quadrige, 2007, 349.
- 6.Poèmes barbares. Librairie Alphonse Lemerre. 1889.
- 7.Notice de Coin de table. Musée d'Orsay.
- 8.Le parnasse breton contemporain. Paris : A. Lemerre. 1889.
- 9.Dominique. Chancé. Le corpus de la littérature des Antilles françaises : une peau de chagrin. Transmission et théories des littératures francophones : Diversité des espaces et des pratiques linguitiques. Presses Universitaires de Bordeaux. Études africaines et créoles. 2021-04-28. 979-10-300-0688-9. 2022-08-24. 131-147.
- 10.PARNASSIANA, POESIA in "Enciclopedia Italiana". treccani.it.
- 11.Compendio di Storia della Letteratura Italiana. Youcanprint. 2021-03-05. 979-12-203-2719-0.
- 12.english Parnassianism” and the Place of France in the English Canon. working with english.
- 13.Le cosmopolitisme parnassien anglais: transnationalisme et forme poétique. lyricology.org. 2021-11-18.
- 14.Parnasse de la Jeune Belgique. L. Vanier. 1887.
- 15.Salvador Rueda en el decurso de la lírica española : (con tres cartas de Rueda a Marinetti en torno al verso libre) / Marta Palenque. Biblioteca Virtual Miguel de Cervantes.
- 16.Atlántida conquistada: poème en sonnets. Atar. 1906.
- 17.BOLETIN DE LA ACADEMIA ARGENTINA DE LETRAS. 1947.
- 18.Miguel Ángel. Feria. El canon parnasiano de la poesía modernista mexicana. Nueva revista de filología hispánica. 64. 2016-12. 2448-6558. 2022-08-08. 457-493.
- 19.LA TEMATICA POETICA DE JULIAN DEL CASAL. 1976.
- 20.Jornal de Poesia - Banda Hispânica. jornaldepoesia.jor.br.
- 21.Miguel Ángel Feria Vázquez. La poesía parnasiana y su recepción en la literatura hispánica. UNIVERSIDAD COMPLUTENSE DE MADRID FACULTAD DE FILOLOGÍA Departamento de Filología Española II (Literatura Española). 2013.
- 22.The Major Works. Oxford University Press. 2002. 978-0-19-953885-0.
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