Pala di San Pietro di Muralto
Illustration — Saint Bernard • Illustration — Saint Clare and Saint Bernardino of Siena The San Pietro di Muralto Altarpiece or San Pietro degli Osservanti Altarpiece is a 1488–1489 tempera and gold on panel altarpiece by Carlo Crivelli and his studio, named after the Dominican church in Camerino in which it originally hung, and now divided between a number of American and European museums.
Pala di San Pietro di Muralto

Carlo Crivelli · Screenshot of Pala di San Pietro di Muralto by Carlo Crivelli · Public domain
- Period
- 1488.
- Related practice
- tempera, gilt paint and panel.
VALÉORINE Encyclopedia
VALÉORINE documentary reading
Documentary summary
Illustration — Saint Bernard • Illustration — Saint Clare and Saint Bernardino of Siena The San Pietro di Muralto Altarpiece or San Pietro degli Osservanti Altarpiece is a 1488–1489 tempera and gold on panel altarpiece by Carlo Crivelli and his studio, named after the Dominican church in Camerino in which it originally hung, and now divided between a number of American and European museums.
Admitted source layer · organised and presented by VALÉORINE
Reference Check
Propose documentary evidence for Pala di San Pietro di Muralto. A contribution is never written directly as fact: identity, source, rights and evidence gates still decide.
Sign in to contribute
Documentary evidence
Documentary basis
Authority files
wikidata · Q57834440
In this article
History
History
It is recorded as the work of Carlo Crivelli. Materials recorded for it are tempera, gilt paint and panel. Recorded constituent parts are Madonna and Child Enthroned with Saints, Pietà of Pala di San Pietro di Muralto, Bonaventure and Saint Augustine. The record gives 1488 as its date of establishment or first appearance. Recorded genres are religious art. It is recorded in the collection of Gemäldegalerie Berlin, Vatican Museums and Bonnefanten Museum.
On 8 November 1483 the artist committed to paint a multi-panel altarpiece for Mariano Ronci as large and beautiful as the 1482 San Domenico di Camerino Altarpiece. The work was not produced quickly, but on 28 October 1488 he signed a contract with Ronci's heir Mariano Meneconi by which he was given a year to paint it in return for 100 florins paid in instalments. The work had already been moved to the church of San Francesco in Camerino by the start of the 16th century after its original home was turned into a fort by Cesare Borgia's occupying forces. After an earthquake in 1799 destroyed or damaged several churches in the city, the work was moved to the church of San Domenico in the same town, from which it was looted by the French and moved with other masterpieces from the Marche to the Pinacoteca di Brera. On 14 February 1822, while reordering its collection, that museum's curators transferred it to Antonio Fidenza, who put it on the art market. It was sold by William Cunningham in London to William Ward, 1st Earl of Dudley and later was acquired by the Gemäldegalerie in 1882. That main work, Madonna and Child Handing Saint Peter the Keys to Paradise, with Saints, is unsigned but on the basis of the documents and style is dated to the artist's final phase.
Panels
Panels
The main work features Saint Bonaventure, Francis of Assisi and Giovanni da Capestrano on the left, and Louis of Toulouse, Saint Augustine and Blessed James of the Marches on the right. This is now in the Gemäldegalerie, Berlin. As demonstrated in 1961 by Federico Zeri, the work originally had a lunette of a Pietà with Mary Magdalene, John the Apostle, and the Virgin Mary at the top. This is now in the Pinacoteca Vaticana in Rome. This was accompanied by a cornice of six small paintings, showing seven saints, all of which were removed before it was taken to the Pinacoteca di Brera. Two of the frame panels — showing Bonaventure and Bernard — are also in the Gemäldegalerie. The others are in the Bonnefantenmuseum in Maastricht (showing Dominic and Anthony of Padua), the Palazzo Colonna in Rome (showing Saint Augustine), and the Worcester Art Museum (a single panel showing both Bernardino and Catherine of Siena).
Chronology
Dated record
Chronology
The full dated record · 1 entries
1488
Pala di San Pietro di Muralto first recorded.
Practice and materials
Its recorded materials are tempera, gilt paint and panel. It comprises Madonna and Child Enthroned with Saints, Pietà of Pala di San Pietro di Muralto, Bonaventure, Saint Augustine and St Dominic.
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 16 August 2026.
Elsewhere in Furniture
924 published records in this field, each with its sources named.
- Oxford ChestTerminology
- pack saddleTerminology
- Paimio ChairTerminology
- Pala della TrasfigurazioneTerminology
- Panama mountTerminology
- PandroseionTerminology
- Panton ChairTerminology
- Papal tombs in Old St. Peter's BasilicaTerminology
Best supported in this field
For owners
Own an object connected with Pala di San Pietro di Muralto?
A specialist will read what you send and tell you what the house can establish, what it cannot, and whether the object is suited to sale. There is no charge and no obligation. The object stays with you throughout; nothing is shipped to us unless it is arranged in writing beforehand.