Paimio Chair
Artek is a Finnish furniture company. It was founded in December 1935 by architect Alvar Aalto and his wife Aino Aalto, visual arts promoter Maire Gullichsen and art historian Nils-Gustav Hahl. The founders chose a non-Finnish name: the neologism Artek was meant to manifest the desire to combine art and technology.
Also recorded as Armchair 41
Paimio Chair
sailko · I, Sailko · CC BY 2.5
- Period
- 1930
VALÉORINE Encyclopedia
VALÉORINE documentary reading
Documentary summary
Artek is a Finnish furniture company. It was founded in December 1935 by architect Alvar Aalto and his wife Aino Aalto, visual arts promoter Maire Gullichsen and art historian Nils-Gustav Hahl. The founders chose a non-Finnish name: the neologism Artek was meant to manifest the desire to combine art and technology.
Admitted source layer · organised and presented by VALÉORINE
Reference Check
Propose documentary evidence for Paimio Chair. A contribution is never written directly as fact: identity, source, rights and evidence gates still decide.
Sign in to contribute
Documentary evidence
Documentary basis
Authority files
wikidata · Q2575568 · wikipedia · Paimio Chair
In this article
Overview
Overview
This echoed a main idea of the International Style movement, especially the Bauhaus, to emphasize the technical expertise in production and quality of materials, instead of historical-based, eclectic or frivolous ornamentation. The original aim of the venture was to promote the furniture and glassware of Alvar Aalto and Aino Aalto, and to produce furnishings for their buildings. Before 1935 the Aaltos' designs were manufactured by Huonekalu-ja Rakennustyötehdas Oy in Turku. That company was renamed Huonekalutehdas Korhonen Oy and moved to Littoinen, but now both companies are owned by Vitra (furniture). Artek have their own in-house designers, such as Ben af Schulten. Originally, the studio was set up ostensibly to assist Aalto's architects' office with interior designs for his buildings. Since Aalto's passing in 1976 the company has sold design objects by other Finnish designers, such as Juha Leiviskä, Ilmari Tapiovaara, and Eero Aarnio. Other non-Finnish designers affiliated with Vitra, like the Bouroullec brothers, work with Artek as well if their designs are found to fit within the Artek portfolio. Artek currently operates three stores: a main store and a 2nd Cycle showroom in Helsinki, and a store in Tokyo. • Illustration — Artek's main store in Helsinki • Illustration — Shigeru Ban, Artek Pavilion, 2007
Chair, model 41, 1931-32, designed by Alvar Aalto, manufactured by Oy Huenekalu-ja Rakennustyotehdas AB, Turku, Finland. Exhibit in the Wolfsonian-Florida International University Museum, 1001 Washington Avenue, Miami Beach, Florida, USA. Photography was permitted in this area of the museum without restrictions.
Daderot · Self-photographed

Armchair, Model 379, Paimio, designed by Alvar Aalto, O.y. Huonekalu-ja Rakennuslyllehdas A.b., Turku, Finland, 1932, bent plywood, wood. Exhibit in the Museum für Angewandte Kunst Köln - Cologne, Germany. As a utilitarian object, this work is NOT subject to copyright laws. In Finland, the EU, and Russia, design rights are granted for a maximum of 25 years. This protection period has passed, and h
Daderot
Key facts
Key facts
• Type — Osakeyhtiö • Industry — Furniture (manufacture and retail) • Founded — in Helsinki, Finland • Founders — Alvar Aalto, Aino Aalto, Maire Gullichsen, Nils-Gustav Hahl • Parent — Vitra • Website — https: www.artek.fi/en/
Representative Furniture
Representative Furniture
• Illustration — Chairs and table by Artek at the Aalto-designed Academic Bookstore
Paimio Chair
Paimio Chair
From the very beginning of his career Alvar Aalto experimented with materials, especially wood, and even applied for patents for the bending of wood as applied in his furniture designs and as acoustic screens in his buildings. The Aaltos designed several different types of furniture and lamps for the Paimio Sanatorium (1929–33). The best known of the furniture pieces is his cantilevered birch wood Paimio Chair, which was specifically designed for tuberculosis patients to sit in for long hours each day. Aalto argued that the angle of the back of the chair was the perfect angle for the patient to breathe most easily. The design of the chair may have been influenced by Marcel Breuer's metal Wassily Chair, though Aalto was generally negative towards metal furniture. The degree of bending of the wood tested the technical limits of that time. The chair is part of the permanent collections at the MoMA in New York City and the Finnish Design Museum.
3 Leg Stool 60
3 Leg Stool 60
The Model No. 60 stool, designed circa 1932–1933, demonstrated Alvar Aalto's interest in basic functional, utilitarian forms. It was constructed of bent laminated birch, and originally came in all natural (plain) or curled birch, or with a black, red, or blue seat with natural (plain) legs. It remains one of Artek's most popular items.
3 Leg Stool X600
3 Leg Stool X600
The X600 evolved from the 60. The handmade legs have the portions attached to the seat opening up into a fan, showing simultaneously the bent wood characteristic of Artek furniture and the fan motif that runs through Aalto's architecture. The X600 is no longer in production.
Pirkka Stool
Pirkka Stool
The Pirkka Stool was designed in 1955 by Finnish designer Ilmari Tapiovaara. It was originally meant for users to rest on after using a Sauna; its pine and birch construction make the stool resistant to moisture, while the split seat design is meant to allow for ventilation. Notably the pine seat has a concave bend for ergonomics, but it is bent via a method distinct from Alvar Aalto's designs. It remains in production.
Artek Pavilion
Artek Pavilion
In 2007, Japanese architect Shigeru Ban designed an exhibition pavilion for Artek, built from reconstituted waste material provided by the Finnish paper manufacturer UPM. The pavilion was first used at the Milan Triennale in 2007, after which it was temporally in use outside the Design Museum, Helsinki.
Artek 2nd Cycle
Artek 2nd Cycle
Artek operates a third store, located in Helsinki, for its 2nd Cycle program which began in 2006. The program collects used Artek and Huonekalutehdas Korhonen Oy furniture and resells them. Often made available are rare and discontinued items; repairs and refurbishing work are done as necessary but minor wear or cosmetic blemishes are part of the appeal of the 2nd Cycle products.
Exhibition
Exhibition
From 22 April– 2 October 2016, the Bard Graduate Center exhibited Artek and the Aaltos: Creating a Modern World. The exhibit “was the first exhibition in the United States to examine Artek, a pioneering Finnish design company founded in 1935, and the first to have a specific focus on the two architect co-founders, Alvar Aalto (1898–1976) and Aino Marsio-Aalto (1894–1949).” The exhibit was accompanied by catalog edited by Nina Stritzler-Levine and Timo Riekko (978-0300258967).
Chronology
Dated record
Chronology
The full dated record · 2 entries
1930
Paimio Chair first recorded.
1930
Paimio Chair is recorded from 1930.
Literature
Scholarly footprint
A count of publications is evidence of attention, not of standing, and is given here only as a measure.
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Secondary witnessreference work
Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 16 August 2026.
Elsewhere in Furniture
924 published records in this field, each with its sources named.
- outdoor wood-fired boilerTerminology
- Ovalia Egg ChairTerminology
- Oxford ChestTerminology
- pack saddleTerminology
- Pala della TrasfigurazioneTerminology
- Pala di San Pietro di MuraltoTerminology
- Panama mountTerminology
- PandroseionTerminology
Best supported in this field
For owners
Own an object connected with Paimio Chair?
A specialist will read what you send and tell you what the house can establish, what it cannot, and whether the object is suited to sale. There is no charge and no obligation. The object stays with you throughout; nothing is shipped to us unless it is arranged in writing beforehand.