Oscar Blumenthal

• Name — Oscar Blumenthal • Born — 13 March 1852 • Birthplace — Berlin, Kingdom of Prussia • Died — 24 April 1917 • Place of death — Berlin, German Empire • Occupation — Playwright, drama critic • Education — Leipzig University • Genre — Theatre, theatre criticism • Language — German

Blumenthal was educated at the gymnasium and the university of his native town in Berlin, and at Leipzig University, where he received a Doctor of Philosophy in 1872. After having been editor of the Deutsche Dichterhalle in Leipzig, in 1873 he founded the Neue Monatshefte für Dichtkunst und Kritik. In 1875, Blumenthal moved to Berlin, where he became theatrical critic of the Berliner Tageblatt, holding this position until 1887, when he opened the Lessing Theater, of which he was director till 1898. From 1894 to 1895 he was also director of the Berliner Theater. From 1898 he was engaged exclusively in literary work. Blumenthal was well known as a critic and playwright. His critiques in the feuilletons of the newspapers sparkle with humour, at the same time doing justice to authors and actors. Because of their sharpness he was sometimes called "bloody Oscar". His plays were successful, and many of them were well received at the leading German theatres. Together with Gustav Kadelburg he wrote several comedies like the famous The White Horse Inn. As a researcher in literature, he became famous for editing and annotating works of Christian Dietrich Grabbe. He also was successful as a theatrical manager. Blumenthal is also known for his humorous aphorisms, for example: Das ist ein hässliches Gebrechen, Wenn Menschen wie die Bücher sprechen. Doch reich und fruchtbar sind für jeden Die Bücher, die wie Menschen reden. (It is a terrible flaw When people speak like books, But good and useful for everyone Are books that speak like people).

Blumenthal was the author of many plays and novels, among which may be mentioned: • Allerhand Ungezogenheiten, Leipzig, 1874, 5th ed., 1877; • Für alle Wagen- und Menschenklassen, ib. 1875; • Bummelbriefe, Danzig, 1880; • Merkzettel, 1898; • Verbotene Stücke, 1900; • Gesammelte Epigramme, 1890 *

• Der Probepfeil (1883) • Frau Venus (with Ernst Pasqué, 1883) • Die grosse Glocke (1884) • Ein Tropfen Gift (1885) • Der schwarze Schleier (1886) • Anton Antony (1887) • Der Zaungast (1889) • Das zweite Gesicht (1890) • Die Großstadtluft (with Gustav Kadelburg, 1891) (produced in English by Augustin Daly as A Test Case: Or, Grass Versus Granite; modern title: A Marriage Contract) • Heute und Gestern (1891) • Die Orientreise (with Gustav Kadelburg, 1892) (produced in English by Augustin Daly as The Orient Express, translated by F. C. Burnand) • Mauerblümchen (with Gustav Kadelburg, 1893) • Paulas Geheimnis (1893) • Zwei Wappen (with Gustav Kadelburg, 1894) (English adaptation: The Two Escutcheons, by Sydney Rosenfeld) • Gräfin Fritzi (1895) • Das Einmaleins (1896) • Hans Huckebein (with Gustav Kadelburg, 1897) (English adaptation: Number 9 – The Lady of Ostend, by F. C. Burnand) • Matthias Gollinger (with Max Bernstein, 1898) • The White Horse Inn (with Gustav Kadelburg, 1898) (First English adaptation: At the White Horse Tavern, by Sydney Rosenfeld) • Auf der Sonnenseite (with Gustav Kadelburg, 1898) • Als ich wiederkam (with Gustav Kadelburg, 1899, sequel to The White Horse Inn) (English adaptation: Twelve Months Later) • Die strengen Herren (with Gustav Kadelburg, 1900) • Die Fee Caprice (1901) • Das Theaterdorf (with Gustav Kadelburg, 1902) • Der blinde Passagier (with Gustav Kadelburg, 1902) • Der letzte Funke (with Gustav Kadelburg, 1906) • Die Tür ins Freie (with Gustav Kadelburg, 1908) (English adaptation: Is Matrimony a Failure?, 1909, by Leo Ditrichstein) • Die große Pause (with Max Bernstein, 1915) • Die Schöne vom Strand (with Gustav Kadelburg, 1915, musical version of Hans Huckebein, music by Victor Hollaender)

• (1918–1920), (1922);. •;. • (online),. •,. * •;. See: •;.

•;.