Osamu Shimizu

Osamu Shimizu studied at Tokyo University of the Arts. Training under Midori Hosokawa and Kunihiko Hashimoto is recorded. The recorded working language is Japanese. Subjects and genres recorded for the work are classical. Residence is recorded at Suginami. Distinctions recorded are Otaka prize.

Shimizu was a Japanese classical music composer in both the Japanese and Western Style. He was the son of a Gagaku-musician. He studied composition (music) at Tokyo National University of Fine Arts and Music in Tokyo from 1936 to 1939 under Kunihiko Hashimoto and music theory under Hosokawa Midori. In 1939, his "Hana ni yose taru butoh suite" was selected as the first prize winner in the composition section of the 8th Music Competition. In Japan, Shimizu is most known for composing operas, choral works and songs. He also composed for solo instruments including shakuhachi and koto. Among Pure Land Buddhists, both in Japan and in other countries, especially in Hawaii and California in the United States, he is known for his Gathas (Buddhist music) introduced in the late 1950s sponsored by the Hongwanji Temple in Hawaii. A recording of Ondokusan II was released by Buddhist Churches of America, performed by the opera vocalist Mika Shigematsu with piano accompaniment by Rae Imamura for the BCA Shin Buddhist Service Book in 1994. Shimizu's opera Shuzenji Monogatari is considered a part of the standard repertoire, and was performed at the New National Theatre, Tokyo in 2009. Regarded as a pioneering post-war domestic opera along with Dan Ikuma's "Yuzuru", it was conducted by Wakasugi Hiroshi of the NNTT. It was staged by Kabuki actor and designated Living National Treasure Sakata Tojuro.

• Dance Suite Flowers Setaru • India Melodic - Four Movements • Symfonieën nr. 1-3

• First performance in — Title — Act — Première — Libretto • 1954 — 修善寺物語 Tale of Shuzenji (Shuzenji Monogatari) (Also known as The Mask Maker's Story) — 1 Act — 4 November 1954, Osaka — Kido Okamoto (1872–1939) • 1956 — 炭焼姫 The Charcoal Princess — 1 November 1956, Osaka • 1956 — 青空を射つ男 The Man Who Shoots at the Blue Sky — 26 November 1956, Osaka • 1957 — セロ弾きのゴーシュ Gauche, the Violoncellist — 11 October 1957, Osaka • 1962 — 歌う骸骨 The Singing Skeleton — 15 March 1962, Osaka • 1964 — 俊 寛 Shunkan — 1 Act — 18 November 1964, Osaka • 1965 — The Merciful Poet • 1967 — Sumiyaki-hime — 19 December 1967, Tokyo, Toshi Center Hall • 1968 — 婿選び Muko-Erabi (The Marriage Contest) — 3 October 1968, Los Angeles, University of California - Berkeley • 1970 — 大仏開眼 Daibutsu-Kaigan — 2 October 1970, Tokyo • 1971 — 生田川 Ikuta Gawa — 10 November 1971, Tokyo • 1973 — Yokobue — 15 June 1973, Tokyo, Yubin Chokin Hall (Nihon Opera Kyokai) • 1973 — 吉四六昇天 Kitchomu Shoten — 1973, Oita • 1978 — Shishiodori no Hajimari — 4 October 1978 Tokyo, Yubin Chokin Hall (Nihon Opera Kyokai) • 1979 — Aozora wo Utsu Otoko — 14 September 1979, Tokyo, Toshi Center Hall

• 1940 Song of the Plateau • The summer wind • Apple fields • Birch • 1945/1967 Flowers Japan Chorus • Wilderness wild chrysanthemum • Bellflower • Rhododendron • Usuki Minoru • Flower Tea • Fuji • Pear flower • Grass Mizuhiki • Crape myrtle • Sesame flowers • 1948–1949 Chorus Pierrot and Moonlight Suite, for male chorus - lyrics: Horiguchi Daigaku • Moonlight • Autumn Clown • Piero • Piero grief • Pierrette and Pierrot in the moonlight and arabesque • 1950 Sohran Bushi (Fisherman's Work Song) - lyrics: From Hokkaido • 1950 Uta Cattle - lyrics: from southern Iwate Prefecture • 1950–1952 Frog Song - lyrics: Shinpei Kusano • 1951 Bluebird - lyrics: Horiguchi Daigaku • 1952 Ode Mausoleum - lyrics: Nagata Tsuneo • 1953 Reed Leaf Whistle - lyrics: Yoshio Yabuta • 1954 Ode Cloud - Eulogy of Cloud and Mist - lyrics: Yoshi Kiyoshi Kawakami • 1955 Solitary - Solitude - lyrics: Nagata Tsuneo • 1956 Lass Section - lyrics: from Akita Prefecture • 1956 Morning - Morning - lyrics: Nagata Tsuneo • 1956 Song of the Tribe Tsuuo Taiwan

• Ainu No Upopo - (Three Ainu Folk Songs) • Song of Past Days - lyrics: Chuya Nakahara

• Music for the Poem "Extract Keiko Tomo", for koto, flute, clarinet, violin, altviolin, cello and permission • String Quartet • The Crab-Continent, for tenor saxophon and piano

• 1941 Muttsu no danshô - Six Fragments for koto (Variations) • 1958 Koto nimen no tame no shôhin - A Little Piece for two koto • 1981 Koto Dokuso no Tamenu - Muttsu no Dansho, for koto • Trios Esquisses, for two koto and jushichi-gen