Olivier Le May
Olivier Le May (26 May 1734 – 1797) was a French painter and engraver.
Also recorded as Ol. le May · Olivier Lemay · Ollivier Le May · M. le Mai
Olivier Le May

Olivier Le May · Own work, Photo by Szilas in Musée des Beaux-Arts de Valenciennes, 2009-05-03 · Public domain
- Born
- 1734 · Valenciennes.
- Died
- 1797 · Paris.
- Nationality
- France
- Occupation
- painter · engraver · graphic artist
- Languages
- French
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Olivier Le May (26 May 1734 – 1797) was a French painter and engraver.
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wikidata · Q19595026 · wikipedia · Olivier Le May
In this article
Life
Life
He was born in the parish of Saint-Nicolas in Valenciennes and trained at the Académie de Valenciennes. Around 1754, he left his home town for Paris. He was a friend of Louis Joseph Watteau (1731–1798), who introduced him to the sculptor Jacques Saly (1717–1776), also from Valenciennes and devoted to helping people from the town. Saly in turn recommended him to Philippe-Jacques de Loutherbourg (1740–1812), with whom Le May became friends early in 1755. He was also inspired by Dutch masters such as Nicolaes Berchem (1628–1683) and Karel Dujardin (1622–1678), whose works he studied during his free time in the galleries of Paris. According to Édouard Fromentin he travelled to Italy around 1770. He contributed illustrations to Voyage pittoresque de la France by Jean-Benjamin de Laborde, with his works engraved in 1784 by François Denis Née (1732–1817). He travelled much on the coast of the Spanish Netherlands and the Dutch Republic and went to America twice. He also set off from Bordeaux for Saint-Domingue in July 1787—where he filled a 70-page album with pencil, and pen-and-ink drawings. He also travelled to Ostend, the Rhine Valley, and northern Italy (especially the towns around Bergamo, Verona and Vicenza). He offered two paintings to his home town to mark his reception into the Académie royale de peinture et de sculpture in 1785. He spent several periods in Brussels before returning to France at the end of his life, dying in Paris.

Olivier Le May, Le May - Herminie chez les bergers - sans cadre
Olivier Le May · Own work, Photo by Szilas in Musée des Beaux-Arts de Valenciennes, 2009-05-03
Places
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Valenciennes.
Birth place
Paris.
Death place
Primary material
Documents and archives
authority record
- Wikidata, structured authority record Q19595026: Olivier Le May
General reference · Wikidata
reference work
- “Olivier Le May”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Édouard Fromentin, manuscrit en quatre volumes, vers 1913, Bibliothèque multimédia de Valenciennes.
- 2.En même temps que Louis Joseph Watteau.
- 3.« Paysage animé de vaches et de bergers », notice sur le site du musée du Louvre
- 4.« Paysage animé de vaches et de bergers », notice sur le site dela RMN
- 5.« Androclès et le lion », notice sur le site dela RMN
- 6.« Vue du Castello Chigi à Arricia », notice sur le site dela RMN
- 7.« Vue de la villa Négroni », notice sur le site dela RMN
- 8.« Carnet de voyage », notices sur le site de la RMN
- 9.« Paysage avec Herminie et les bergers », notice sur le site dela RMN
- 10.« Pêche du poisson nommée l'épée », notice sur le site dela RMN
- 11.Reproduit dans Marc Meganck, Toponymes des environs de Bruxelles, Bruxelles Patrimoines, septembre 2014, n° 011 et 012, p. 2. (lire en ligne).
- 12.Sous le titre : Rencontre d'un cavalier et de berger, du catalogue.
- 13.« Olivier Le May 1734-1797, paysages animés », dossier de presse de l'exposition du musée des beaux-arts de Valenciennes en 2014, .
Bibliography printed in the source article · 7
- François Basan, Catalogue d'une belle collection de dessins italiens, flamands, hollandois et françois : ainsi que de plusieurs tableaux, estampes, volume d'antiquités & autres : le tout rassemblé avec soins & dépenses par M. Neyman, amateur à Amsterdam : dont le vent se sera à Paris, vers la fin du mois de , rue Saint Honoré, à l'Hôtel d'Aligre, Paris, 1776.
- Adam von Bartsch, Catalogue raisonné des desseins originaux des plus grands maîtres anciens et modernes qui faisoient partie du Cabinet de feu le prince Charles de Ligne, Vienne, 1794 (lire en ligne).
- Bénard, Cabinet de M. Paignon Dijonval. État détaillé et raisonné de dessins et estampes dont il est composé ; le tout gouverné par les peintres classés par Écoles, et rangés à leurs dates; suivi de deux tables alphabétiques, l'une des peintres, l'autre des graveurs, Paris, Imprimerie de Madame Huzard, 1810.
- Jacques Joseph Hécart, Sur le goût des habitants de Valenciennes pour les lettres et les arts, Valenciennes, chez Lemaître, 1826.
- François Brulliot, Dictionnaire des monogrammes, marques figurées, lettres initiales, noms abrégés, etc avec lesquels les peintres, dessinateurs, graveurs et sculpteurs ont désigné leurs noms, troisième partie, Munich, chez J.G. Cotta, 1834.
- Dictionnaire Bénézit
- Diederik Bakhuÿs (dir.), Trésors de l'ombre. Chefs-d'œuvre du dessin français du XVIIIe siècle, Collections de la ville de Rouen, , Snoeck, 2013, .
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Died at
1- ParisPlace
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The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 16 August 2026.
Elsewhere in Prints
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