Oleksandr Irvanets

The authorities additionally record the headings Олександр Ірванець and Oleksandr Iwanez. His recorded languages were Ukrainian, Belarusian, Polish and Russian.

6 scholarly publications naming this subject were located in the registry of record.

ONIMIC PRACTICE IN THE PARADIGM OF METAMODERNISM (MONODRAMA-ANTYUTOPIA “RECORDING” BY OLEKSANDR IRVANETS), Opera in onomastica, 2024. The Shifting Object of Desire: The Poetry of Oleksandr Irvanets, Canadian-American Slavic Studies, 2010. INTERPRETATION OF THE MYSTERY GENRE IN THE PLAY “ELECTRIC TRAIN FOR EASTER” BY OLEKSANDR IRVANETS, Слово і Час, 2022. ALTERNATIVE UKRAINIAN HISTORY IN THE NOVEL “KHARKIV 1938”BY OLEKSANDR IRVANETS: MAIN THEMES, IMAGES AND PROTOTYPES, "Scientific notes of V. I. Vernadsky Taurida National University", Series: "Philology. Journalism", 2021. Construction of Borders and Walls in Contemporary Ukrainian Literature (Analysis of Oleksandr Irvanets’ and Taras Antypovych Novels), Altre Modernità, 2021. Reminiscence about the Soviet City: Urban Space in the Ukrainian Fiction of the 21st century, Nalans, 2023.

Bibliographic registers publish measured figures for this heading: 9 language editions of the general reference literature carrying an article (Wikimedia (language editions)). A count of publications is evidence of attention, not of standing, and is given here only as a measure.

This article draws on 3 independent source lineages. Copies and mirrors of the same underlying record were collapsed into a single witness, so 3 means 3 genuinely separate publishers of record. 17 further registers were consulted and returned nothing for this heading.