Oksana Maksymchuk

Oksana Maksymchuk studied at Bryn Mawr College and Northwestern University. The recorded working language is Ukrainian and English. The field of work recorded is poetry and literary translation. Works named in the authority record are Still City: Diary of an Invasion.

• Name — Oksana Maksymchuk • Native Name — Оксана Максимчук • Born — 4 April 1982 • Birthplace — Lviv, Ukraine • Education — * University Laboratory High School (Urbana, Illinois) • Bryn Mawr College • Northwestern University • Genre — Poetry

Oksana Maksymchuk was born in Lviv, Ukraine. Her father was the theater actor Svyatoslav Maksymchuk (Ukrainian: Святослав Максимчук), named People's Artist of Ukraine (2000), a child survivor of the massacre of the village of Remel. Her mother was a medical doctor. In 1997 she moved with her mother to Urbana, Illinois, where she attended University Laboratory High School. She earned her BA from Bryn Mawr College in 2004. At Bryn Mawr, she majored in Peace and Conflict Studies and defended an honors thesis on the interpretative practices adopted by Truth and Reconciliation Commissions in South Africa and elsewhere. She also majored in philosophy at Haverford College (part of the Tri-College Consortium), and defended an honors thesis on the problems of freedom, authenticity, and technology in the works of Martin Heidegger and G.W.F. Hegel. With the support from Bryn Mawr's Center for Ethnicities, Communities, and Social Policy, she held a summer internship at the Registry of Survivors of the United States Holocaust Memorial Museum. As a senior, she was awarded a Dorothy Nepper Marshall Fellowship as one of the top three students in the social sciences at the college, enabling her to pursue a research project and to serve as a teaching assistant for courses on war and violent conflict. She earned her PhD in philosophy from Northwestern University. Her dissertation was directed by Richard Kraut and was titled "The Measure Doctrine in Plato's Protagoras". Her graduate coursework included seminars and workshops with Ernesto Laclau, Jürgen Habermas, Charles Taylor, Cristina Lafont, Rachel Zuckert, Peter Ludlow, Dermot Moran, Sanford Goldberg, and Penelope Deutscher. As a graduate student, she attended the monthly workshops of the Chicago Consortium for Ancient Philosophy, which included Martha Nussbaum, Agnès Callard, Jonathan Lear, and others. She was part of the Classics Interdisciplinary Cluster and a participant in the weekly translation workshops focusing on the works of Plato and Aristotle.

• Tagebuch einer Invasion. Translated into German by Mattias Kniep. With an afterword by Ilya Kaminsky. Munich: Lyrik Kabinett bei Hanser, 2025.

• Alex Averbuch, Furious Harvests. Translated with Max Rosochinsky. Cambridge, MA: HURI/Harvard University Press, 2026. • Marianna Kiyanovska, The Voices of Babyn Yar. Translated with Max Rosochinsky. Cambridge, MA: HURI/Harvard University Press, 2022. • Lyuba Yakimchuk, Apricots of Donbas. Translated with Max Rosochinsky and Svetlana Lavochkina. Sandpoint: Lost Horse Press, 2021.

• Words for War: New Poems from Ukraine. Selected, compiled, and edited with Max Rosochinsky. Introduction by Ilya Kaminsky. Afterword by Polina Barskova. Boston: HURI/Academic Studies Press, 2017.

Maksymchuk published research articles on ancient relativism, civic virtue, and moral education in Archiv für Geschichte der Philosophie and the British Journal for the History of Philosophy. Her papers on the role of leisure and amusement in human flourishing and on the limitations of futurist poetry appeared in edited volumes.

She lives between her hometown of Lviv in Ukraine and several cities in the U.S. and Europe.