Norman Manea

Manea's most acclaimed book, The Hooligan's Return (2003), is an original fictionalized memoir, encompassing a period of almost 80 years, from the pre-war period, through the Second World War, the communist and post-communist years to the present. In an article in The Israel Jorunal of Foreign Affairs Swiss historian Simon Geissbühler, a leading authority on the Holocaust in Romania wrote: “Manea’s literary strategy is one of irony, ambiguity, and coded critique—a form of intellectual resistance designed to evade the surveillance of the regime while preserving the autonomy of the individual voice. His literary representation of the Holocaust is also more structured and distanced than poetic, both in substance and in language. This is both a function of style—some of Manea's most penetrating works are his essays and his autobiography—and of the fact that the writer was so young when he was deported that the experience itself was too fragmentary to be the main source of his literary work. This distance is not emotional indifference, but rather a product of belatedness and fragmentary memory.” Manea has been known and praised as an internationally important writer since the early 1990s, and his works have been translated into more than 20 languages. He has received more than 20 awards and honours.

Norman Manea studied at Technical University of Civil Engineering of Bucharest. The recorded working language is Romanian, English and German. Subjects and genres recorded for the work are essay. Employment is recorded with Bard College. Distinctions recorded are Commandeur des Arts et des Lettres, Guggenheim Fellowship, MacArthur Fellows Program and Prix Médicis étranger.

Born to Jewish parents in the Burdujeni neighbourhood of Suceava (Bukovina, Romania), Manea was deported as a child, in 1941, by the Romanian fascist authorities, allied with Nazi Germany, to a concentration camp in Transnistria, together with his family. He returned to Romania in 1945 with the surviving members of his family and graduated with high honours from the high school (liceu) Ștefan cel Mare in his home town, Suceava. He studied engineering at the Construction Institute in Bucharest and graduated with a master's degree in hydro-technique in 1959, working afterwards in planning, fieldwork and research. He has devoted himself to writing since 1974.

In 1966, his literary debut took place in Povestea Vorbii (The Story of Speech), an avant-garde and influential magazine that appeared in the early years of cultural liberalization in communist Romania and was suppressed after six issues. Until he was forced into exile (1986) he published ten volumes of short fiction essays and novels. His work was an irritant to the authorities because of the implied and overt social-political criticism and he faced a lot of trouble with the censors and the official press. At the same time that sustained efforts were made by the cultural authorities to suppress his work, it had the support and praise of the country's most important literary critics. After the Ceaușescu dictatorship collapsed, several of his books started to be published in Romania. The publication in a Romanian translation of his essay Happy Guilt, which first appeared in The New Republic, led to a nationalist outcry in Romania, which he in turn has analysed in depth in his essay "Blasphemy and Carnival". Echoes of this scandal can still be found in some articles in the current Romanian cultural press. Meantime, in the United States and European countries, Manea's writing was received with great acclaim. Over the past two decades, he has been proposed as a candidate for the Nobel Prize for Literature by literary and academic personalities and institutions in the United States, Sweden, Romania, Italy and France. Important contemporary writers expressed admiration of the author's literary work and his moral stand before and after the collapse of communism: the Nobel laureates Heinrich Böll, Günter Grass, Octavio Paz, Orhan Pamuk, as well as Philip Roth, Claudio Magris, Antonio Tabucchi, E. M. Cioran, Antonio Muñoz Molina, Cynthia Ozick, Louis Begley and others.

• 1969 Noaptea pe latura lungă (Night on the Long Side) (short fiction), Editura pentru literatură • 1970 Captivi (Captives) (novel), Editura Cartea Românească; 2011 – second edition, Polirom • 1974 Primele porți (First Gates) (short fiction), Albatros • 1977 Cartea fiului (Book of the Son) (novel); 2011 – second edition, Polirom • 1979 Anii de ucenicie ai lui August Prostul (The Apprenticeship Years of Augustus the Fool) (documentary novel); 2012 – second edition, Polirom • 1981 Octombrie, ora opt (October, eight o'clock) (short fiction); 1997 – second edition, Apostrof • 1984 Pe contur (On the Edge) (essays) • 1986 Plicul negru (The Black Envelope) (novel); 1996 – second edition, Editura Cartea Românească; 2003, 2006 – Polirom • 1997 Despre clovni: Dictatorul și artistul (On Clowns: The Dictator and the Artist) (essays); 2005, 2006, 2013 – Polirom • 1999 Fericirea obligatorie (Compulsory Happiness) (novellas), Apostrof; 2005, 2011 – Polirom • 1999 Casa melcului (The Snail's House) (interviews), Hasefer • 2003 Intoarcerea huliganului (The Hooligan's Return) (novelistic memoir), Polirom; 2006, 2011 – Polirom • 2004 Plicuri și portrete (Envelopes and Portraits) (essays), Polirom • 2006 Textul nomad (The Nomad Text) (interviews), Hasefer • 2008 Vorbind pietrei (Talking to a Stone), Polirom • 2008 Înaintea despărțirii (Before Parting) (conversation with Saul Bellow), Polirom • 2009 Vizuina (The Lair) (novel), Polirom; 2010 – Polirom • 2010 Laptele negru (The black milk) (essays and interviews), Hasefer • 2010 Curierul de Est. Dialog cu Edward Kanterian, Polirom • 2011 Cuvinte din exil. Dialog cu Hanes Stein, Polirom