Nina Edge
Nina Edge (born 1962) is an English ceramicist, feminist and writer.
Nina Edge
- Born
- 1962
- Occupation
- Ceramicist, feminist and writer
- Nationality
- United Kingdom
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Nina Edge (born 1962) is an English ceramicist, feminist and writer.
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Key facts
Key facts
• Born — 1962 • Occupation — Ceramicist, feminist and writer • Website — ninaedge.co.uk Nina Edge (born 1962) is an English ceramicist, feminist and writer.
Life
Life
Nina Edge is the daughter of a Ugandan Asian and an Englishman. She trained in ceramics in Cardiff, Wales. Edge participated in Jagrati, a 1986 exhibition at Greenwich Citizens Gallery by thirteen Asian women artists. Her mixed-media artwork Snakes and Ladders (1988) used batik on paper, ceramic and text. Part of the touring exhibition Along the Lines of Resistance, it "brought social politics into craft and images of black women into mainstream art galleries and museums".
Exhibitions
Exhibitions
• Jagrati, Greenwich Citizens Gallery, London, 1986. With Dushka Ahmed, Symrath Patti, Zarina Bhimji, Sutapa Biswas, Chila Kumari Burman, Bhajan Hunjan, Naomi Imy, Mumtaz Karimjee, Shamina Khanour, Sukhwinder Saund, Ranjan Shadra, and Shanti Thomas. • Along the Lines of Resistance, Cooper Gallery, Barnsley, 1988. With Simone Alexander, Sonia Boyce, Chila Kumari Burman, Leslie Hakim-Dowek, Lubaina Himid & Maud Sulter, Lesley Sanderson, Marlene Smith, and Mona Hatoum. • Black Art: Plotting the Course, Oldham Art Gallery, Oldham (and toured to Camden Arts Centre, London) 1988. With Said Adrus, Upjohn Aghaji, Georgia Belfont, Donald Brown, Val Brown, Isaiah Ferguson, Amanda Holiday, Carol Hughes, Wendy Jarrett, Tam Joseph, Godfrey Lee, Errol Lloyd, John Lyons, Julia Millette, Mowbray Odonkor, Paul Ogbonno, Eugene Palmer, Tony Phillips, Ray Povey, Jaswinder Singh Purewal, Alistair Raphael, Lesley Sanderson, Mark Sealy, Gurminder Sikand, Shanti Thomas, and Jan Wandja. • A Table of Four, Bluecoat Gallery, Liverpool, 1991. With Bhajan Hunjan, Tehmina Shah, Veena Stephenson, • The Circular Dance, Arnolfini, Bristol, 1992. With Sutapa Biswas, Chila Kumari Burman, Jagjit Chuhan, Gurminder Sikand and Shanti Thomas. • Crossing Black Waters, City Gallery, Leicester, 1992. With Said Adrus, Allan deSouza, Bhajan Hunjan, Manjeet Lamba, Shaheen Merali and Samena Rana. • Fine Material for a Dream...?: A Reappraisal of Orientalism: 19th & 20th Century Fine Art and Popular Culture Juxtaposed with Paintings, Video and Photography by Contemporary Artists, Harris Museum & Art Gallery, Preston, 1992. With Jananne Al-Ani, Sutapa Biswas, Chila Kumari Burman, Sunil Gupta, Mona Hatoum, Sunil Janah, Mumtaz Karimjee, Hani Muthar, Gurminder Sikand, Elia Suleiman & Joyce Salloum, and Mitra Tabrizian, • Trophies of Empire: New Art Commissions in Bristol, Hull, and Liverpool, Liverpool, 1992. With Keith Piper, Sunil Gupta, Rita Keegan, Juginder Lamba, Shaheen Merali, Donald Rodney, Veena Stephenson and Bandele lyapo. • Ethnic Cleansing, installation at John Moore Gallery, Liverpool, 1994. • Mirage: Enigmas of Race and Desire, Institute of Contemporary Arts in association with Iniva, 1995. With Isaac Julien, Sonia Boyce, Eddie George, Trevor Mathison, Steve McQueen, Keith Khan, Susan Lewis and Ronald Fraser-Munro. • Transforming the Crown, Studio Museum in Harlem, 1997. • The Fifth Floor, Tate Liverpool, 2008. • The Shared Habitat, Granby Winter Garden, Liverpool, 2018.
Writing
Writing
• "Your Name is Mud", in Maud Sulter, ed., Passion: Discourses on Blackwomen's Creativity. Hebden Bridge: Urban Fox Press, 1990, pp. 154–167. • "Eight Ways to Speak", Third Text, Vol. 10, No. 34 (Spring 1996), pp. 103–107. Review of The Seed the Root, a series of installations and performances in Brick Lane and Spitalfields Market by Moti Roti • "Off Limits: Cultural Participation and Art Education", International Journal of Art and Design Education, Vol. 33, No. 3 (2014), pp. 301–12
Primary material
Documents and archives
reference work
- “Nina Edge”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
authority record
- Wikidata, structured authority record Q97015385: Nina Edge
General reference · Wikidata
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Nina Edge: The Fall, Culture Liverpool. Retrieved 21 July 2020.
- 2.Dipti Bhagat. Companion to Contemporary Black British Culture. Routledge. 103. 2002. 978-1-134-70025-7.
- 3.Institute of International Visual Arts and Chelsea College of Art and Design. Recordings: A Select Bibliography of Contemporary African, Afro-Caribbean and Asian British Art. 1996.
- 4.Elizabeth Chaplin. Sociology and Visual Representation. Routledge. 150–2. November 2002. 978-1-134-90605-5.
- 5.Claudia Clare. Subversive Ceramics. Bloomsbury Publishing. 23–26. 2016. 978-1-4742-5797-8.
- 6.'Jagrati: Exhibition by 13 Asian Women Artists'. Artrage. 15. 24–25. Winter 1986.
- 7.Beckett, Jane. 'Resistance, Continuity, Struggle'. FAN-Feminist Art News. 2. 9. 4–8.
- 8.Himid & Maud Sulter, Lubaina. 'Along the Lines of Resistance: Some Contributions from the Exhibition'. FAN: Feminist Art News. 9. 2. 9–13.
- 9.Currah, Mark. 'Black Art: Plotting the Course'. City Limits. 1–8 June 1989.
- 10.Sikand, Gurminder. Crossing Black Waters. 21. 20–21. Summer 1992.
- 11.Piper, Keith. Trophies of Empire. Liverpool: Bluecoat Gallery;John Moores University School of Design & Visual Arts. 1994.
- 12.Images. Spare Rib. December 1992 – January 1993.
- 13.Chambers, Eddie. Trophies of Empire. Art Monthly. 162. 13–15. December 1991 – January 1992.
- 14.Cubitt, Sean. Going Native: Columbus, Liverpool, Identity and Memory. 21. 107–120. Spring 1993.
References
Citations
References
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General reference
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 18 August 2026.
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