Nico Jesse

• 1950 Zó is Utrecht. Amsterdam, Lankamp & Brinkman, 1950 • 1952 Hella S. Haasse / Nico Jesse [Foto's] / A.I.J.M. Schellart. Het versterkte huis: kastelen in Nederland. Amsterdam: Bezige Bij, 1952 • 1953 Oranje Nassau Mijnen. Heerlen, N.V. Maatschappij tot exploitatie van Limburgsche Steenkolenmijnen, 1953. • 1954 Maurois, Andre and Jesse, Nico (Photographs) Vrouwen van Parijs Utrecht, A.W. Bruna & Zoon, 1954. First edition • 1955 SPANJE - land en volk.Utrecht, A. W. Bruna & Zoon, 1955 • 1956 N.V. COQ - 1956. Utrecht • 1956 Mensen van Menko: foto’s Nico Jesse, text Martie Verdenius. Enschede, N.J. Menko N.V., 1956. Published on the occasion of the centenary of N.J. Menko N.V. 1856–1956. • 1956 Goldstein, Ella; Meijer, E.R.; Jesse, Nico. Voetsporen van Rembrandt: een beeldbiografie. Publisher Utrecht: A. W. Bruna & Zoons, 1956 • 1957 N.V. Vaalser Textiel Fabriek 1932 - 1957 VTF 25. Vaals, 1957 • 1959 Walther von Hollander (tekst), Unser Publikum, Gütersloh (Praesentverlag) 1959 (latere uitgave onder de titel: Der Mensch neben dir - ein Spiegel unserer Industriegesellschaft, Gütersloh (C. Bertelsmann Verlag) 1960). • 1960 Porgy and Bess in foto's van Nico Jesse. Utrecht, Bruna, [1960] • 1960 Mensen in Rome. Arnhem, Van Lochum Slaterus. 1960 • 1961 Visages de Paris] / Photos: Nico Jesse; Texte: Ute Vallance...; Préface de Jean Cocteau; [Traduit de l'allemand par Max Roth.]. Paris, Bruxelles: Éditions Sequoia, 1961 • 1962 Jaarverslag 1961 N.V. Levensverzekeringsmaatschappij 'Utrecht', Utrecht 1962. • 1962 Voorzichtig. Jaarverslag 1961 Stichting Valkenheide Maasbergen, Maasbergen 1962. • 1964 Jan Roelfs, Wij op de hei (uitgave ter gelegenheid van 50 jaar Valkenheide), Maasbergen (Stichting Valkenheide Maasbergen) 1964. • 1965 Jaarverslag 1964 Homburg N.V. Vleeswarenfabriek Homburg N.V. Cuyk, Cuyk 1965. • 1966 Parijs. Amsterdam, Elsevier, 1966. • 1995 Het Werkmanmonument door Armando Groningen: Centrum Beeldende Kunst, 1995 • 2003 Haarlem, Focus Publishing, 2003.

During the Nazi occupation of the Netherlands Jesse was commissioned by Utrecht municipality archivist JWC van Campen to carry out a visual documentation of life in that city. He made 400 black and white photos and 136 colour slides which, with the more than 1,000 colour slides by Alphons Hunstinx (Dutch Institute for War Documentation), is the largest collection of colour images in which the daily life of a Dutch city is documented during the occupation. The destruction of Rotterdam in May 1940, and the strategic importance of Utrecht as a railway junction and industrial zone provided the impetus, and Jesse carried out the photography in the winter and summer of 1942, incidentally capturing the imposed anti-Semitism. His eldest daughter Wendela is born in May 1943, followed by Maggie (1945) and Rutger (1946) and the young family takes up residence in Ameide in South Holland, where he takes a practice. In 1947 the doctor's house is rebuilt by Rietveld, after which the births of Anita (1949) and Colette (1951) follow. During this period Jesse is assisted in his photographic work by Jan Versnel (1924-2007). His first book Utrecht As It Is is published in 1950. Books on other countries follow, including Spain (1955), the French Riviera (1956), London (1959), Rome (1960), Berlin (1960) and Paris again (1962) and his archive contains several dummies for proposals on a wide variety of topics, including flamenco dancers, the liberation of Ameide in 1945 and sculpture in the Netherlands. In 1953, he was commissioned by the Society for the Exploitation of Limburg Coal Mines to produce photos and design for a book on Oranje Nassau Mines and he was rarely short of commissions through the remaining 1950s and the 60s. His Women of Paris (1954) was so successful that it was published by the same publishing house, Bruna, in a paperback edition. Both Women of Paris and Orange Nassau Mines were nominated best designed books of the year 1954 by the commission for the collective promotion of Dutch Book (CPNB). Given the success of Women of Paris and due to his increasing work as a photographer for the Paviljoen voor de Volksgezond (Pavilion of Public Health) at the 1955 Nationale Energie Manifestatie E ’55 (Exposition) in Rotterdam, Jesse abandoned his general practice to concentrate on photography. The family settled on the estate Over Holland in Loenen aan de Vecht, equidistant from and between Amsterdam and Utrecht. Edward Steichen invites Nico Jesse, along with fellow Netherlandaise photographers Emmy Andriesse, Eva Besnyö, Ed van der Elsken, Henk Jonker, Cas Oorthuys and Hans Schreiner, to participate in the 1955 exhibition The Family of Man at the Museum of Modern Art in New York. Jesse then joins the Dutch Photographers Patrons Association (NFPV) and in 1956 publishes Visiting the French Riviera and Footsteps of Rembrandt with Bruna. Another book is commissioned by textile factory N.J. Menko N.V. and exhibited in the town hall of Enschede. Jesse mounts a second solo exhibition at Art Trading Wagenaar in Utrecht which is again opened by Gerrit Rietveld. He is joined by novelist and artist Willem Frederik Hermans (1921-1995) for several months in 1957 as his voluntary assistant. At the time, Hermans was writing his De donkere kamer van Damocles (The Darkroom of Damocles) which features a mysteriously blank photograph. The following year he meets German journalist Christine (Ute) Vallance (born Fischinger) (1922-2004) and she acts as his guide on a trip to Berlin, where he photographs for publisher Van Loghum Slaterus. Though the book does not appear in the Netherlands, it is titled Menschen in Berlin and in 1960 released by Sigbert Mohn Verlag in Germany. He does not return to Over Holland, though Margreet remains there, but after a short stay in the Netherlands, Ute Fischinger and Jesse go to Paris and live in a caravan on the Quai Henri-IV. In the following year they collaborate on the book Paris and are married in May 1961 in Ticino, Switzerland. Thereafter, until 1971, Jesse works in the service of the meat processor Homburg, photographing for annual reports, trade displays and advertising, combining this with his freelance commercial photography, resigning after a disagreement on an advertising campaign. In financial straits, he sells his photography equipment and stores his archive in an empty factory in Cuijk and takes up medically related work in Oss and then in insurance for GAK in Venlo. He died unexpectedly on 21 January 1976, of cardiac arrest.