Nelson Ned

Nelson Ned was recorded at birth as Nelson Ned d'Ávila Pinto. The authorities additionally record the heading Nelson Ned d'Ávila Pinto. His recorded languages were Portuguese, Spanish, English and Brazilian Portuguese.

10 works under this name are catalogued by Open Library and The Art Institute of Chicago. Their recorded dates run from 1946 to 2001.

El pequeño gigante de la canción, dated 1998. Jesús te Ama CS, dated 1998. Jesucristo es Vida CS, dated 2001. O pequeno gigante da canção, dated 1996. Towards Identity, dated 1970, oil on canvas, held by The Art Institute of Chicago, inventory 1999.940. Coconut Chair, dated 1955, fiberglass, aluminum, and nylon and chlorofiber upholstery, held by The Art Institute of Chicago, inventory 1986.35. Action Office Wall-Mounted Desk, dated 1964, aluminum, plastic, and wood, held by The Art Institute of Chicago, inventory 2001.434. Oh Dem Watermelons, dated 1965, 16mm color film, sound; 12 min., held by The Art Institute of Chicago, inventory Obj: 184170. Basket Wall Clock (model no. 2215), dated designed 1952; manufactured 1952/60, wicker, wood, enameled metal, metal, and clock parts, held by The Art Institute of Chicago, inventory 2016.437. Platform Bench, dated 1946 (designed) 1946/67 (manufactured), birch, held by The Art Institute of Chicago, inventory 1978.141.

Work associated with this heading is recorded in 1 named public collection.

The Art Institute of Chicago: 132681 recorded objects, read from the institution's own published catalogue.

1 scholarly publication naming this subject was located in the registry of record.

EU SOU A SOLIDÃO: O TRISTE IÊ-IÊ-IÊ DE NELSON NED, A Música de: História Pública da Música do Brasil, 2023.

This heading is established in VIAF (64208087). Those registers additionally record the forms Nelson Ned 1947-, Nelson Ned Brazilian singer-songwriter, Nelson Ned 1947-2014, Nelson Ned d'Ávila Pinto, Nelson Ned d'Avila Pinto, 1947-2014 and Nelson Ned Ávila Pinto.

the recorded working language is Portuguese, Spanish and English.

Subjects and genres recorded for the work are brega, música popular brasileira, contemporary christian and sertanejo.