Nathan Oliveira

After serving as a Visiting Artist at several universities, he became a Professor of Studio Art at Stanford University. In 1999 Nathan Oliveira was awarded the Distinguished Degree of "Commander" in "The Order of the Infante D. Henrique," awarded by the President of Portugal and the Portuguese government, for his artistic and cultural achievements. In 2002, "The Art of Nathan Oliveira" opened, a major traveling retrospective of his work organized by the San Jose Museum of Art and guest curated by Peter Selz. The exhibition was accompanied by a monograph, Nathan Oliveira, by Selz, with an introduction by Susan Landauer and an essay by Joann Moser, published by the University of California Press.

Nathan Oliveira studied at Mills College at Northeastern University, California College of the Arts and George Washington High School. The recorded working language is English. The field of work recorded is painting. Employment is recorded with Stanford University and California College of the Arts. Work by Nathan Oliveira is recorded in the collections of Art Institute of Chicago, Museum of Modern Art, Tate, San Francisco Museum of Modern Art and Yale University Art Gallery. Distinctions recorded are Guggenheim Fellowship.

• Name — Nathan Oliveira • Birth Name — Nathan Vargus Roderick • Born — December 19, 1928 • Birthplace — Oakland, California, U.S. • Died — November 13, 2010 (aged 81) • Place of death — Palo Alto, California, U.S. • Known for — Painting, sculpture, printmaking, educator • Training — California College of the Arts

• Illustration — Nathan Oliveira, Portrait of John Young, 1976, acrylic on canvas, John Young Museum of Art, University of Hawaii at Manoa Oliveira arrived with his family in San Francisco after World War II and graduated from San Francisco's George Washington High School. He studied at the California College of Arts and Crafts (now California College of the Arts) in Oakland, California, where he earned a BFA degree in 1951 and an MFA degree in 1952. While attending CCAC, he took an eight-week summer course in painting at Mills College taught by the German Expressionist Max Beckmann.

• Illustration — Sea by Nathan Oliveira, 1959, Honolulu Museum of Art Although Oliveira is often associated with the Bay Area Figurative Movement, he was aesthetically independent. He felt that his paintings had been also strongly influenced by the work of Willem de Kooning, Alberto Giacometti and Francis Bacon. Prior to and during his years in art college, he viewed and was influenced by retrospectives of the European Expressionist masters Oskar Kokoschka, Edvard Munch, and Max Beckmann at the M.H. de Young Memorial Museum. He once stated: "I'm not part of the avant-garde. I'm part of the garde that comes afterward, assimilates, consolidates, refines." Oliveira established an early reputation for his depictions of isolated figures painted in an improvisational style. Over time his subjects and style varied tremendously, as he created images of animals, birds of prey, human heads, masks, nudes, and still lifes of fetish objects. Oliveira also developed a series of "sites" that told the story of an invented culture with shamanic characteristics. Most of the artist's paintings are either vividly colored but somber human figures, or abstract expressionist works that vaguely resemble seascapes. Sea from 1959, in the collection of the Honolulu Museum of Art, is an example of these almost abstract seascapes. During his lifetime Oliveira made notable works in a huge range of media, including oil paintings, acrylic paintings on paper, drawings in ink, charcoal and pencil, lithographs, etchings, posters, and sculptures in clay, wax and bronze. Oliveira was especially noted for his work in the monotype medium, in which single printed impressions are made from a painting executed on a metal plate. He was also an accomplished sculptor. A survey of Oliveira's bronzes was held at the Palo Alto Art Center in 2008. His work is in the di Rosa Collection.

A 1960 oil painting by Nathan Oliveira, Seated Figure with Pink Background, sold for $317,500 (including buyer's premium) at Sotheby's New York on November 12, 2002.

During the 1990s Oliveira worked on a series of paintings of catenary curves based on observation of the flight of birds, including kestrels that had hovered outside the windows of his studio in the Stanford Hills. This series was dubbed the "Windhover" series by Oliveira's friend, poet Desmond Egan. He made parallels between the paintings and the 1877 Gerard Manley Hopkins poem "The Windhover." In June 2013 Stanford University started construction of the "Windhover Contemplative Center," a 4,000-square-foot, one-story building to house four paintings from Oliveira's Windhover series. The center, intended to provide Stanford faculty, staff and students with a place to reflect and meditate, was envisioned by Oliveira and his wife Ramona prior to their deaths. Designed by Aidlin Darling Design architects, the Windhover opened on October 9, 2014. It is located in front of Roble Hall. Constructed with rammed earth and wooden walls, the center features three interior rooms to house the Oliveira paintings. Outside landscaping includes a reflection pool and garden areas for meditation. The building is enclosed in glass, allowing for viewing of the Oliveira paintings even from outside. The center is open to the Stanford community daily from 11 a.m. to 11 p.m. A Stanford I.D. card is required to enter. Docents from the Cantor Arts Center lead tours for the public on Saturdays. Visitors are asked to refrain from using cell phones, tablets, laptops and other electronic devices while inside the center.

Nathan Oliveira died at his home in Stanford, California on November 13, 2010. A memorial service for him was held at Stanford Memorial Church on January 12, 2011.