Nathan Abshire

He released his best-known record, "Pine Grove Blues", in 1949. Abshire's music became more well known outside of Louisiana at the 1964 Newport Folk Festival. Abshire was never able to write so he was unable to sign autographs, resulting in him having to politely decline the requests. Despite thoughts of Abshire being "arrogant or stuck-up" for not signing autographs, he was unable to read and write. However, Abshire was taught how to write his own signature by Barry Jean Ancelet. Despite receiving more income from music than the majority of Cajun musicians, Abshire was not able to entirely depend on that income to live on. Abshire had multiple jobs during his life and his final job was working as the custodian of the town's dump. Abshire's legacy continued after his death in the form of a museum, a book, and a magazine special issue. After Abshire's wife declined to have his accordion on display at the Smithsonian Institution in 1983, the accordion was displayed at the Cajun Music Hall of Fame in Eunice, Louisiana in 1996. In 1984, a book titled The Makers of Cajun Music featured Abshire among the musicians. Abshire's former home was made into a renovated museum while also being moved to nearby Basile City Hall. In 2013, the fall edition of the magazine Louisiana Cultural Vistas had 8 pages about "Abshire's life, his love, and his music".

• Name — Nathan Abshire • Birth Name — Nathan Abshire • Born — 27 June 1913 • Died — 13 May 1981 • Birthplace — Gueydan, Louisiana, U.S • Genre — Cajun music, swamp blues, Louisiana blues • Occupation — Accordion player • Years Active — 1930s–1981 • Label — Bluebird Records, O.T. Records, Khoury Records, Swallow Records • Place of death — Basile, Louisiana, U.S

• Illustration — During the recording of Pine Grove Blues. Abshire was born on June 27, 1913, close to Gueydan, Louisiana, to Lennis Abshire and an unidentified mother. He was considered illiterate and he had trouble speaking English. Learning the accordion at age six, Abshire was influenced by his father, mother, and uncle who all played the accordion. Abshire began performing in public on the accordion when he was eight years old and he was considered to be an "accomplished musician"; he'd learned to play on an accordion that cost him $3.50. He was also influenced by the musician Amédé Ardoin. In an interview, Abshire said, "Every Saturday afternoon some years ago, we used to go to John Foreman's saloon. I'd see Amédé Ardoin coming full-stride down the way. He'd say, "Abshire, you've got to help me tonight." Abshire played with fiddler Lionel Leleux, who he also was taught by, and the accordion player Ardoin during the 1930s. He and the Rayne-Bo Ramblers, with the band leader being Leroy "Happy Fats" Leblanc, performed six songs in 1935, with Abshire being listed in the credits as "Nason Absher". He also played with the Rayne-Bo Ramblers again in the 1960s. Abshire was a member the U.S. Army and was in World War II which stopped him from playing the accordion. He was discharged from the military after he broke his leg while training. His time in the army inspired Abshire to write the crooner song "Service Blues", which the newspaper Daily World reported as "one of his most memorable tearjerkers"; in "Service Blues", "Abshire crooned about waiting alone at the train station, set to leave all that he loved in Louisiana". Abshire moved to Basile, Louisiana after his time in the war and he performed at the Avalon Club often. His better known record titled "Pine Grove Blues" was released in 1949, a song based on Amede Breaux's "Le Blues de Petit Chien", as well as several releases on Swallow Records and Arhoolie Records during the 1960s. He appeared with Dewey Balfa and The Balfa Brothers at the Newport Folk Festival in 1964. Abshire's music became more well known outside of Louisiana at the 1964 Newport Folk Festival. Along with Balfa, Abshire devoted much of his time in the 1960s and 70s to promoting Cajun music through appearances at festivals, colleges, and schools throughout the United States. At some point, Abshire received an offer to perform with Hank Williams (he declined). In 1970, Abshire played with the Balfa Brothers at the University of Iowa in Iowa City, Iowa. It was their first tour and they wanted to "prove that Cajun music still exists - in its traditional form - and to save what's left". Abshire was unable to write so he was unable to sign autographs, resulting in him having to politely decline the requests. Despite thoughts of Abshire being "arrogant or stuck-up" for not signing autographs, he was unable to read and write. Abshire considered his inability to do those things as frustrating and humiliating. Abshire learned how to write a signature from Barry Jean Ancelet and his signature used "stick figure letters" to sign "N A". Abshire also used the signature for legal documents. Despite receiving more income from music than the majority of Cajun musicians, Abshire was not able to entirely depend on that income to live on. Abshire had multiple jobs during his life and his final job was working as the custodian of the town's landfill. He took used objects from his yard to sell on his front porch. Abshire was a main feature in a 1971 documentary titled Spend It All which was directed by Les Blank, as well as being featured in a 1975 documentary from PBS titled The Good Times Are Killing Me. He was also included in the documentary film, Les Blues de Balfa, along with Balfa. The documentary was first released on VHS in 1993 and its English translation is Cajun Visits: Filmed At Their Homes. Abshire married Olia Boudreaux and adopted one son.