Natela Svanidze
Natela Svanidze (ნათელა დამიანეს ასული სვანიძე, Natela Damien asuli Svanidze, Natela Damianovna Svanidze; 4 September 1926 – 17 November 2017) was a Georgian composer.
Also recorded as Natela Damianovna Svanidze
Natela Svanidze
- Born
- 1926 · Akhaltsikhe.
- Died
- 2017 · Tbilisi.
- Nationality
- Georgia
- Occupation
- composer
- Education
- Tbilisi State Conservatoire · Moscow Conservatory
- Teachers
- Andria Balanchivadze
VALÉORINE Encyclopedia
VALÉORINE documentary reading
Documentary summary
Natela Svanidze (ნათელა დამიანეს ასული სვანიძე, Natela Damien asuli Svanidze, Natela Damianovna Svanidze; 4 September 1926 – 17 November 2017) was a Georgian composer.
Admitted source layer · organised and presented by VALÉORINE
Reference Check
Propose documentary evidence for Natela Svanidze. A contribution is never written directly as fact: identity, source, rights and evidence gates still decide.
Sign in to contribute
World of VALÉORINE
Documentary connections
Only confirmed graph relationships appear here. Images are shown only when their identity and reuse rights both pass the documentary gate.
Documentary evidence
Documentary basis
Authority files
wikidata · Q16090433 · wikipedia · Natela Svanidze
In this article
Biography
Biography
Natela Svanidze was born in Akhaltsikhe, Georgia. She studied composition at Tbilisi State Conservatoire with Andria Balanchivadze, graduating in 1951. She was awarded the title of Honored Artist of Georgia in 1981. Svanidze died on 17 November 2017, at the age of 91.
Works
Works
Svanidze composes for orchestra, chamber ensemble, solo instrument and experimental performances. Selected works include: • 1949 – "Symphony Dances" for orchestra • 1951 – "Samgori" symphony poem • 1963 – "Kvarkvare" symphony poem • 1965 – "Burlesque" for piano, wind and percussion instruments • 1967 – Symphony for piano, string and percussion instruments • 1968 – Symphony-ballet for symphony orchestra • 1983 – Symphony No. 2 • 1954 – "Garden of Kartli" cantata for mixed chorus and symphony orchestra. (in three parts), text by Giorgi Leonidze • 1970 – "Pirosmani" chamber oratorio for reader, contralto, male sextet and instrumental ensemble (in five parts), texts by Boris Pasternak, Pavel Antokolsky, Titsian Tabidze • 1975 – "Poem of Never-to-be-forgotten" oratorio for reader, female sextet, two choruses, organ, violin, 12 cellos, flute and tape (in six parts), text by Irakli Charkviani • 1956 – Improvisation for violin and piano • 1960 – "Fairytale" eight variations for piano • 1972 – "Circle" piece for two prepared pianos • 1952 – "Zoia" ballade for bass and piano, text by Ioseb Noneshvili • 1954 – "Daybreak" for female chorus a cappella, text by Giorgi Orbeliani
Life and career
Dated record
Life and career
The full dated record · 2 entries
1926
Natela Svanidze born at Georgia.
2017
Natela Svanidze died at Tbilisi.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Akhaltsikhe.
Birth place
Tbilisi.
Death place
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Secondary witnessreference work
Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 19 August 2026.
Elsewhere in Music memorabilia
42,307 published records in this field, each with its sources named.
- Nate NewtonPerson
- Nate RuessPerson
- Nate SmithPerson
- Nate WalcottPerson
- NathaliePerson
- Nathalie Béra-TagrinePerson
- Nathalie LoriersPerson
- Nathalie StutzmannPerson
Best supported in this field
For owners
Own a work by Natela Svanidze?
A specialist will read what you send and tell you what the house can establish, what it cannot, and whether the object is suited to sale. There is no charge and no obligation. The object stays with you throughout; nothing is shipped to us unless it is arranged in writing beforehand.