Natalya Baranskaya

Baranskaya's most famous work is "A Week Like Any Other", a novella first published in Novy Mir in 1969. This story earned her international recognition. It was published in the American magazine Redbook in 1971 under the title "Alarm Clock in the Cupboard," translated into English by Beatrice Stillman. A different translation by Emily Lehrman appeared in The Massachusetts Review in 1974, this time under the title "A Week Like Any Other Week," which is a loose translation of the novella's original Russian title. The novella "A Week Like Any Other" is written as a first-person account of one week in the life of Olga Voronkova. The protagonist is a 26-year-old research scientist and a married mother of two who is juggling a full-time career and a seemingly never-ending list of obligations at home. Olga is in a constant rush and is often sleep deprived. Her days begin before 6 a.m., end after midnight, and are so busy that, at the end of each day, she cannot seem to find the time or energy to fix a hook that has fallen off her bra. She is forced to reflect on her daily life when she is confronted with a mandatory "Questionnaire for Women" at work—a survey that asks Olga (and all her female coworkers) to calculate time spent on housework, childcare, and leisure in a single week. About the leisure category, Olga jokes that her only remaining hobby is the sport of running: running here and there, to the store and to catch the bus, always with a heavy grocery bag in each hand. The "Questionnaire for Women" also requires Olga to calculate how many working days she missed in a year, and she feels self-conscious and guilty when she realizes that she has lost 78 working days due to either her son or her daughter being sick. The novella presents a detailed and realistic view of Soviet women's daily realities in the 1960s. In the West, this novella has been critiqued for its unliterariness and plain speech, but on the whole has been regarded as her greatest work. Baranskaya published over thirty short stories and novellas, many of them dealing with Soviet women's lives and problems. Besides publishing stories in literary magazines, she published several collections. Her collections included A Negative Giselle (Отрицательная Жизель, 1977), The Color of Dark Honey (Цвет темного меду, 1977), and The Woman with the Umbrella (Женщина с зонтиком, 1981). In 1989, a collection of seven of her works was published in the United States under the title A Week Like Any Other: Novellas and Stories, translated into English by Pieta Monks. The lives of working women with children is a recurring theme in these stories, which were first published in Russian between 1969 and 1986. Baranskaya's focus jumps from character to character, and her stories develop slowly, through action and detail. "The Petunin Affair," told from a man's point of view, reveals the petty side of Soviet bureaucrats, while "Lubka" traces the reformation of a juvenile delinquent. Baranskaya made a point throughout her writing to seldom write a character that closely reflected her personal life, instead aiming to expand the novelisation of as many Soviet experiences as possible.