Nat Hentoff

He often wrote on First Amendment issues, vigorously defending the freedom of the press. Hentoff was formerly a columnist for: Down Beat, JazzTimes, Legal Times, The Washington Post, The Washington Times, The Progressive, Editor & Publisher and Free Inquiry. He was a staff writer for The New Yorker, and his writings were also published in The New York Times, Jewish World Review, The Atlantic, The New Republic, Commonweal, and Enciclopedia dello Spettacolo.

Nat Hentoff studied at Northeastern University, Harvard University and University of Paris. The recorded working language is English. The field of work recorded is jazz and music criticism. Subjects and genres recorded for the work are jazz. Employment is recorded with The Washington Times, WMEX and Down Beat. Distinctions recorded are Guggenheim Fellowship, NEA Jazz Masters and Fulbright Scholarship.

• Name — Nat Hentoff • Birth Name — Nathan Irving Hentoff • Born — 10 June 1925 • Birthplace — Boston, Massachusetts, U.S. • Died — 7 January 2017 • Place of death — New York City, U.S. • Education — Northeastern University Harvard University Sorbonne University • Children — 4 • Occupation — * Columnist • historian • novelist • music critic

Hentoff was born on June 10, 1925, in Boston, Massachusetts, the firstborn child of Simon, a traveling salesman, and Lena (née Katzenberg). His parents were Jewish Russian immigrants. As a teen, Hentoff attended Boston Latin School and worked for Frances Sweeney on the Boston City Reporter, investigating antisemitic hate groups. Sweeney was a major influence on Hentoff; his memoir, Boston Boy, is dedicated to her. He played soprano saxophone and clarinet as a youth, and became interested in jazz after listening to Artie Shaw play. He received his Bachelor of Arts degree with highest honors, in 1946 from Northeastern University. That same year he enrolled for graduate study at Harvard University. In 1950, he attended Sorbonne University in Paris, France, on a Fulbright Scholarship.

Hentoff began his career in broadcast journalism while hosting a weekly jazz program on Boston radio station WMEX. In the 1940s, he hosted two radio shows on WMEX: JazzAlbum and From Bach to Bartók. In the early 1950s he continued to present a jazz program on WMEX, and as a Staff Announcer for WMEX, he regularly hosted remote broadcasts from the Savoy, and Storyville, two Boston clubs run by George Wein, and during that period was an announcer on the program Evolution of Jazz on WGBH-FM. In 2013, the Evolution of Jazz series was contributed to the American Archive of Public Broadcasting by the University of Maryland's National Public Broadcasting Archives as part of the National Association of Educational Broadcasters (NAEB) collection. By the late 1950s, he was co-hosting the program The Scope of Jazz on WBAI-FM in New York City. He went on to write many books on jazz and politics. In 1952, Hentoff joined Down Beat magazine as a columnist. The following year, he moved to New York to become the Chicago-based magazine's New York editor. He was fired in 1957, he alleged, because he attempted to hire an African-American writer. Hentoff co-wrote Hear Me Talkin' to Ya: The Story of Jazz by the Men Who Made It (1955) with Nat Shapiro. The book includes interviews with jazz musicians such as Dizzy Gillespie and Duke Ellington. Hentoff co-founded The Jazz Review in 1958, a magazine that he co-edited with Martin Williams until 1961. In 1960 he served as artists and repertoire (A&R) director for the short-lived jazz label Candid Records, which released albums by Charles Mingus, Cecil Taylor, and Max Roach. Around the same time, Hentoff began freelance writing for Esquire, Playboy, Harper's, New York Herald Tribune, Commonweal, and The Reporter. From 1958 to 2009, he wrote weekly columns on education, civil liberties, politics, and capital punishment for The Village Voice. He also wrote for The New Yorker (1960–1986), The Washington Post (1984–2000), and The Washington Times. He worked with the Jazz Foundation of America to help American jazz and blues musicians in need. He wrote many articles for The Wall Street Journal and The Village Voice to draw attention to the plight of America's pioneering jazz and blues musicians. Hentoff also wrote many novels for young adults, including I'm Really Dragged But Nothing Gets Me Down (1968), This School is Driving Me Crazy (1976), Blues for Charlie Darwin (1982), and The Day They Came To Arrest The Book (1983). Writing about the latter for The Washington Post, Alyssa Rosenberg commented that "One of the useful — or depressing — things about reading Hentoff’s YA polemic, which was published all the way back in 1982, is how similar the novel’s conflicts are to our present debates." Beginning in February 2008, Hentoff was a weekly contributing columnist at WorldNetDaily. In January 2009, The Village Voice, which had published his commentary and criticism for fifty years, announced that he had been laid off. He then went on to write for United Features, Jewish World Review, and The Wall Street Journal. He joined the Cato Institute, a libertarian think tank, as a senior fellow in February 2009. In 2013, The Pleasures of Being Out of Step, a biographical film about Hentoff, explored his career in jazz and as a First Amendment advocate. The independent documentary, produced and directed by David L. Lewis, won the Grand Jury prize in the Metropolis competition at the DOC NYC festival and played in theaters across the country.

Hentoff espoused generally liberal views on domestic policy and civil liberties, but in the 1980s, he began articulating more socially conservative positions especially in regard to medical ethics and reproductive rights. He was opposed to abortion, voluntary euthanasia, and the selective medical treatment of severely disabled infants. He believed that a consistent life ethic should be the viewpoint of a genuine civil libertarian, arguing that all human rights are at risk when the rights of one group of people are diminished, that human rights are interconnected, and that people deny others' human rights at their peril.

Hentoff believed antisemitism was rampant.

Hentoff was a civil libertarian and free speech activist who opposed abortion and capital punishment. The American Conservative magazine called him "the only Jewish, atheist, pro-life, libertarian hawk in America." Although he supported the American Civil Liberties Union for many years, he criticized the organization in 1999 for defending government-enforced speech codes in universities and the workplace. He served on the board of advisors for the Foundation for Individual Rights in Education, another civil liberties group. His book Free Speech for Me—But Not for Thee outlined his views on free speech and criticized those who favored censorship "in any form."

Hentoff agitated against the Vietnam War and against the United States' participation. Although he said he was a "hardcore anti-communist" since the age of 15, he had "no illusions about the corrupt, undemocratic government of South Vietnam." After the war's end, Hentoff, Joan Baez, and Ginetta Sagan of Amnesty International repeatedly protested what he called "the horrifying abuses of human rights [committed] by the Vietnamese Communist regime."

Hentoff defended the existence of the state of Israel. He criticized Israeli policies such as the absence of due process for Palestinians and the 1982 invasion of Lebanon. His opposition to Israel's invasion of Lebanon led three rabbis symbolically to "excommunicate" him from Judaism. He commented, "I would have told them about my life as a heretic, a tradition I keep precisely because I am a Jew." He supported the 2003 invasion of Iraq.

Hentoff criticized the Clinton administration for the Antiterrorism and Effective Death Penalty Act of 1996. He also criticized the Bush administration for "authoritarian" policies such as the Patriot Act and other civil liberties restrictions legislated through invoking the ostensible need for homeland security. An ardent critic of the G. W. Bush administration's expansion of presidential power, in 2008 Hentoff called for the new president to deal with the "noxious residue of the Bush-Cheney war against terrorism". According to Hentoff, among the casualties of that war have been "survivors, if they can be found, of CIA secret prisons ('black sites'), victims of CIA kidnapping renditions, and American citizens locked up indefinitely as 'unlawful enemy combatants". He wanted lawyer John Yoo to be prosecuted for war crimes.

Hentoff stated that while he had been prepared to support Barack Obama enthusiastically in the 2008 U.S. presidential election, his view changed after looking into Obama's voting record on abortion. During President Obama's first year, Hentoff praised him for ending policies of CIA renditions, but criticized him for failing to end George W. Bush's practice of "state torture" of prisoners.

Hentoff grew up attending an Orthodox synagogue in Boston. He recalled that as a youth, he would travel around the city with his father during the High Holidays to listen to various cantors and compare notes on their performances. He said cantors made "sacred texts compellingly clear to the heart," and he collected their recordings. In later life, Hentoff was an atheist, and sardonically described himself as "a member of the Proud and Ancient Order of Stiff-Necked Jewish Atheists". He expressed sympathy for Israel's Peace Now movement. Hentoff married three times, first to Miriam Sargent in 1950; the marriage was childless and the couple divorced that same year. His second wife was Trudi Bernstein, whom he married on September 2, 1954, and with whom he had two children, Miranda and Jessica. (Jessica Hentoff is the founder of Circus Harmony, a non-profit social circus and circus school in St. Louis, Missouri.) He divorced his second wife in August 1959. On August 15, 1959, he married his third wife, Margot Goodman, with whom he had two children: Nicholas and Thomas. The couple remained together until he died of natural causes at his Manhattan apartment on January 7, 2017, aged 91.

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Nat Hentoff is recorded as historian, writer, record producer, composer and journalist. Identity and origins. The authorities additionally record the headings Nat, Nathan Irving Hentoff and Nathan Hentoff. His recorded language was English. His recorded confession was atheism.