Natalia Ginzburg

An activist, for a time in the 1930s she belonged to the Italian Communist Party. In 1983, she was elected to Parliament from Rome as an independent politician.

Natalia Ginzburg studied at University of Turin. The recorded working language is Italian and French. Subjects and genres recorded for the work are theatre. Places of work recorded in the authority are Rome. Residence is recorded at Turin. Employment is recorded with Giulio Einaudi editions. Positions recorded include member of the Chamber of Deputies of the Italian Republic and editor. Works named in the authority record are Family Sayings. Work by Natalia Ginzburg is recorded in the collections of Anne Frank House. Distinctions recorded are Strega Prize, Bagutta Prize, Charles Veillon prize in the Italian language and Fellow of the American Academy of Arts and Sciences.

Born as Natalia Levi in Palermo, Sicily, in 1916, she spent most of her youth in Turin with her family, as her father in 1919 took a position with the University of Turin. Her father, Giuseppe Levi, a renowned Italian histologist, was born into a Jewish Italian family, and her mother, Lidia Tanzi (the sister of Drusilla and Silvio Tanzi), was Catholic. Her parents were secular and raised Natalia, her sister Paola (who later married Adriano Olivetti) and her three brothers as atheists. Their home was a centre of cultural life, as her parents invited intellectuals, activists and industrialists. At the age of 17 in 1933, Levi published her first story, "I bambini", in the magazine Solaria.

In 1938, she married Leone Ginzburg, and they had three children together, Carlo (who became a historian), Andrea and Alessandra. Although Natalia Ginzburg was able to live relatively free of harassment during World War II, her husband Leone was sent into internal exile because of his anti-Fascist activities, assigned from 1941 to 1943 to Pizzoli, a village in Abruzzo. She and their children lived most of the time with him. The couple's opposition to the Fascist regime pushed them to secretly travel to Rome and edit an anti-Fascist newspaper, until Leone Ginzburg was arrested. He died in incarceration in 1944 after suffering severe torture. In 1950, Ginzburg married again, to Gabriele Baldini, a scholar of English literature. They lived in Rome and had two children, Susanna and Antonio. He died in 1969.

Carlo Ginzburg (1939–2026) Andrea Ginzburg (1940–2018) Alessandra Ginzburg (1943–2026) Susanna Baldini (1954–2002) Antonio Baldini (1959–1960)

After her marriage, she used the name "Natalia Ginzburg" (occasionally spelt "Ginzberg") in most subsequent publications. Her first novel was published under the pseudonym "Alessandra Tornimparte" in 1942, during Fascist Italy's most antisemitic period, when Jews were banned from publishing. Ginzburg spent much of the 1940s working for the publisher Einaudi in Turin in addition to her creative writing. Ginzburg's second novel was published in 1947. Beginning in 1950, when Ginzburg married Gabriele Baldini and moved to Rome, she entered the most prolific period of her literary career. During the next 20 years, she published most of the works for which she is best known. She and Baldini were deeply involved in the cultural life of the city. In 1964, she played the role of Mary of Bethany in Pier Paolo Pasolini's film The Gospel According to St. Matthew. Ginzburg was politically involved throughout her life as an activist and polemicist. Like many prominent anti-Fascists, for a time she belonged to the Italian Communist Party. She was elected to the Italian Parliament as an Independent in 1983.

The experiences that Ginzburg and her husband had during the war altered her perception of her identification as a Jew, initially making her a Zionist in solidarity with the oppression faced by Jews; this ideology was dropped by the time of the 1972 Munich massacre, after which she stated that the Jews of Israel felt a certain sense of superiority over the Arabs, and that whenever people spoke highly of Israel, she found herself "on the other side", as she realized that "Arabs were poor farmers and shepherds." She thought deeply about the questions aroused by World War II and the Holocaust, dealing with them in fiction and essays. She became supportive of Catholicism, arousing controversy among her circle, because she believed that Christ was a persecuted Jew. She opposed the removal of crucifixes in public buildings but her purported conversion to Catholicism is controversial and some still consider her an "atheist Jew".

La strada che va in città (1942). The Road to the City, transl. Frances Frenaye (1949) – first published under the name Alessandra Tornimparte È stato così (1947). The Dry Heart, transl. Frances Frenaye (1949) Tutti i nostri ieri (1952). A Light for Fools / All Our Yesterdays, transl. Angus Davidson (1985) Valentino (1957). Valentino, transl. Avril Bardoni (1987) Sagittario (1957). Sagittarius, transl. Avril Bardoni (1987) Le voci della sera (1961). Voices in the Evening, transl. D.M. Low (1963) Lessico famigliare (1963). Family Sayings, transl. D.M. Low (1963); The Things We Used to Say, transl. Judith Woolf (1997); Family Lexicon, transl. Jenny McPhee (2017) Caro Michele (1973). No Way, transl. Sheila Cudahy (1974); Dear Michael, transl. Sheila Cudahy (1975); Happiness, As Such, transl. Minna Zallman Proctor (2019) – adapted for the film Caro Michele (1976) Famiglia (1977). Family, transl. Beryl Stockman (1988) La famiglia Manzoni (1983). The Manzoni Family, transl. Marie Evans (1987) La città e la casa (1984). The City and the House, transl. Dick Davis (1986)

Le piccole virtù (1962). The Little Virtues, transl. Dick Davis (1985) Mai devi domandarmi (1970). Never Must You Ask Me, transl. Isabel Quigly (1970) – mostly articles published in La Stampa between 1968-1979 Vita immaginaria (1974). A Place to Live: And Other Selected Essays, transl. Lynne Sharon Schwartz (2002) Serena Cruz o la vera giustizia (1990). Serena Cruz, or The Meaning of True Justice, transl. Lynne Sharon Schwartz (2002) È difficile parlare di sé (1999). It's Hard to Talk About Yourself, transl. Louise Quirke (2003)

Ti ho sposato per allegria (1966). I Married You for Fun, transl. Henry Reed (1969); I Married You to Cheer Myself Up, transl. Wendell Ricketts (2008) Fragola e panna (1966). The Strawberry Ice, transl. Henry Reed (1973); Strawberry and Cream, transl. Wendell Ricketts (2008) La segretaria (1967). The Secretary, transl. Wendell Ricketts (2008) L'inserzione (1968). The Advertisement, transl. Henry Reed (1968) – performed at the Old Vic, London, directed by Sir Laurence Olivier and starring Joan Plowright, in 1968. La porta sbagliata (1968). The Wrong Door, transl. Wendell Ricketts (2008) Paese di mare (1968). A Town by the Sea, transl. Wendell Ricketts (2008) Dialogo (1970). Duologue, transl. Henry Reed (1977); Dialogue, transl. Wendell Ricketts (2008) La parrucca (1973). The Wig, transl. Henry Reed (1976); Jen Wienstein (2000); Wendell Ricketts (2008) La poltrona (1985). The Armchair, transl. Wendell Ricketts (2008) L'intervista (1988). The Interview, transl. Wendell Ricketts (2008) Il cormorano (1991). The Cormorant, transl. Wendell Ricketts (2008)