Nacha Guevara

3 works under this name are catalogued by Open Library and The Art Institute of Chicago.

Sesenta Anos No Es NADA. 60 Anos No Es NADA. Untitled, from 21 Estampadores de Colombia, Mexico y Venuzuela, dated 1972, intaglio on white wove paper, held by The Art Institute of Chicago, inventory 1973.405.

Work associated with this heading is recorded in 1 named public collection.

The Art Institute of Chicago: 1 recorded object, read from the institution's own published catalogue.

3 scholarly publications naming this subject were located in the registry of record.

El debut discográfico de Nacha Guevara en España: entre el cabaré y la canción de autor, Músicas iberoamericanas interconectadas : caminos, circuitos y redes, 2024. Affective Archives and Queer Space in Mexico City: Bertolt Brecht, Nacha Guevara, and Tito Vasconcelos’s teatro-cabaret, Latin American Theatre Review, 2026. ‘Que al fin todas somos Eva’: Nacha Guevara, Cristina Fernández and<i>Eva, el gran musical argentino</i>, Journal of Iberian and Latin American Studies, 2011.

Bibliographic registers publish measured figures for this heading: 16 language editions of the general reference literature carrying an article (Wikimedia (language editions)). A count of publications is evidence of attention, not of standing, and is given here only as a measure.

This article draws on 4 independent source lineages. Copies and mirrors of the same underlying record were collapsed into a single witness, so 4 means 4 genuinely separate publishers of record. 15 further registers were consulted and returned nothing for this heading.