Mohammad Salemy
Mohammad Salemy (born 1967 in Iran, Kermanshah) is a Canadian artist, art critic, curator, writer. Curator, writer He is sometimes referred to as "Mo Salemy".
Mohammad Salemy
- Name
- Mohammad Salemy
- Born
- 1967
- Birthplace
- Kermanshah, Pahlavi Iran
- Occupation
- Artist, art critic, curator
- Education
- Emily Carr University of Art and Design, University of British Columbia Mohammad Salemy (born 1967 in Iran, Kermanshah) is a Canadian artist, art critic, curator, writer. curator, writer He is sometimes referred to as "Mo Salemy".
- Nationality
- Canada
- Fields
- art
- Languages
- English
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Mohammad Salemy (born 1967 in Iran, Kermanshah) is a Canadian artist, art critic, curator, writer. Curator, writer He is sometimes referred to as "Mo Salemy".
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In this article
Key facts
Key facts
• Name — Mohammad Salemy • Other Names — Mo Salemy • Born — 1967 • Birthplace — Kermanshah, Pahlavi Iran • Occupation — Artist, art critic, curator • Organization — The New Centre for Research & Practice • Education — Emily Carr University of Art and Design, University of British Columbia Mohammad Salemy (born 1967 in Iran, Kermanshah) is a Canadian artist, art critic, curator, writer. curator, writer He is sometimes referred to as "Mo Salemy".
Biography
Biography
Salemy holds a master's degree in Critical Curatorial Studies from the University of British Columbia. His work is situated in the space between curatorial and artistic practice.
Artist
Artist
As an artist he has shown his work internationally and nationally, specially in Ashkal Alwan in Beirut and Witte de With in Rotterdam. In 2016 he participated in the Gwangju Biennale with his project "For Machine Use Only".
Curator
Curator
Salemy has curated shows at the Morris and Helen Belkin Art Gallery, Koerner Gallery, AMS Gallery at the University of British Columbia, Access Gallery, as well as the Satellite Gallery and he was the curator of Dadabase. Lastly his curatorial project "For Machine Use Only" was included in the 11th edition of the Gwangju Biennale. His curatorial project "This is the Sea" was included in the 2017 edition of the artmonte-carlo Together with Patrick Schabus he curated the 2018 edition of the Sofia Queer Forum, that featured Barbara Hammer and Bruce laBruce.
Works (selection)
Works (selection)
ART AFTER THE MACHINES, 2015 The Artist Is Hyperpresent, Installation 2015 What were you doing on 9/11?, 2010-2015 Stairwell, 2015 Preliminary materials for any theory, 2014 THIS IS NEW YORK GARBAGE, Color prints, 2009 In between the empty frames, Color prints, 2008 How to Assemble an Atomic Bomb, DVD and tin can, 2006. Exhumed: Deliberating R.M. Khomeini, Photographs, 2002
Other endeavors
Other endeavors
He was the co-founder of the successful fashion label "Government Clothing", and is known for his activism He also worked as a designer, specially for The Organ (band)'s album Grab that gun
Publications
As a writer, critic, and editor, Salemy has been a regular contributor to numerous exhibition catalogues, anthologies, and journals. His writings have appeared in numerous journals, catalogues, books, and magazines including: e-flux, Volume, Flash Art, Brooklyn Rail, Third Rail, Ocula, Spike Art Quarterly DIS Magazine, C Magazine In 2016 he edited the book For Machine Use Only (&&& / The New Centre, 2016.) that featured texts by Jason Adams / Kate Armstrong, Elie Ayache, Benjamin Bratton, Clint Burnham, Lou Cantor, Manuel Correa, Alexander Galloway, Leo Goldsmith, Simón Isaza, Victoria Ivanova, Vaclav Janoscik, Ed Keller, Diana Khamis, Jessica Law, Siwin Lo, Nicola Masciandaro, Gean Moreno, Benjamin Noys, Jeff O’brien, Matteo Pasquinelli, David Roden, Judith Rodenbeck, Rory Rowan, Daniel Sacilotto, Samuel Sackeroff, T’ai Smith, Nick Srnicek, Kate Steinmann, Steven Warrick, and Peter Wolfendale. His texts were published in books like "reinventing horizons", and Politics of study. He participated in numerous panel discussions and lectures in galleries, museums and colleges.
Teaching
He is one of the co-founders of The New Centre for Research & Practice and the Fixing the Future platform. In 2014, he organized the Incredible Machines conference in Vancouver. and the "Here and Elsewhere, at War, and into the Future: Palestine" Discussion that was hosted Live at Whitebox Art Center. In 2015 he co-organized the "Knowledge Forms and Forming Knowledge – Limits and Horizons of Transdisciplinary Art-Based Research" Seminar at the University of Graz and the IZK Künstlerhaus – Halle für Kunst & Medien. He gave lectures and presentations at the New Museum, Art in General, the Dutch Art Institute, UNSW University of New South Wales, Witte de With Contemporary Art, Goethe-Institut, CalArts School of Critical Studies, NYU, CA2M and the University of British Columbia.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Ao on Site: Urs Fischer & Gavin Brown @ Tony Shafrazi Gallery, May 9 – July 12, 2008.
- 2.София куиър форум 2018 ще бъде куриран от ирански художник.
- 3.the8thclimate.org. the8th climate.org.
- 4.The New Centre for Research & Practice. thenewcentre.org.
- 5.Mohammad Salemy – Artspeak. artspeak.ca.
- 6.artmonte-carlo Fair Dates: April 29-30, 2017.
- 7.News Sound of Conversation. connect.ecuad.ca.
- 8.Arts of the Working Class. Issue 1: A city is a stateless mind | EXILE.
- 9.HERE AND ELSEWHERE, AT WAR, AND INTO THE FUTURE: PALESTINE – WhiteBox. Whitebox. 3 June 2014.
- 10.Art Dubai. artforum.com. 16 April 2018.
- 11.Sound of Conversation. ahva.ubc.ca.
- 12.Planet of the Arts, 1993, volume 8, issue 4, page 4
- 13.dr^k dossier. drik.mx.
- 14.Art and Reason how art thinks. amandabeech.com.
- 15.Dutch Art Institute. dutchartinstiute.eu.
- 16.Art in the age of asymmetrical warfare. moussemagazine.it. 9 December 2015.
- 17.Art in the age of asymmetrical warfare. www.wdw.nl.
- 18.Emergency Biennale – Official Web Site!. www.emergency-biennale.org.
- 19.MO SA'LEMY. Emergency Biennale.
- 20.Emergency in Chechnya. centrea.org.
- 21.The Dig Centre A's first 10 years. centrea.org.
- 22.Art in the age of asymmetrical warfare. artviewer.org. 17 November 2015.
- 23.Gwangju Biennale.
- 24.Opening Reception of "Nature, Knowledge, and the Knower". 31 October 2011.
- 25.Ali Ahadi: WARNING – Use by Other Than Registered Owner Prohibited by Law – AHVA – The Department of Art History, Visual Art & Theory. ahva.ubc.ca.
- 26.ENCYCLONOSPACE IRANICA – Access Gallery. 24 February 2013.
- 27.Tearsheet Encyclonospace Iranica.
- 28.TAHGHIGH PROJECT.
- 29.Research Library – Digital Special Collections – Nature, Knowledge and the Knower. lbry-web-007.amnh.org.
- 30.Architecture and De-measurement in Abbas Akhavan's Work | ArteEast. February 2012.
- 31.Morris and Helen Belkin Art Gallery – Nature, Knowledge and the Knower. belkin.ubc.ca.
- 32.Interview with Mo Salemy. Satellite Gallery Blog. 7 January 2012.
- 33..:::: DADABASE GALLERY ::::. www.dadabase.ca.
- 34.Artificial Cinema.
- 35.StackPath. 9 July 2003.
- 36.Mohammad Salemy – Participants – Witte de With. www.wdw.nl.
- 37.WARNING: Use by Other than Registered //. Ali Ahadi.
- 38.October Artery.
- 39.Fair Dates: April 29-30, 2017.
- 40.Мохамад Салеми, куратор: Покрай Тръмп и #MeToo се повиши интересът към въпросите за пола в изкуството - Култура - Дневник. 12 November 2018.
- 41.Бежанците – изключени от обществото в "Родина за вагабонта" | Dnes.bg. www.dnes.bg.
- 42.София Куиър Форум: "Родина за вагабонта" в галерия "Васка Емануилова". www.bnt.bg.
- 43.Интервю на Надежда Московска с Мохамед Салеми и Патрик Шабус, куратори на Sofia Queer Forum. 9 November 2018.
- 44.Home.
- 45.Introduce No. 10 – seeyounextthursday.com. www.seeyounextthursday.com.
- 46."In conjunction with Access Gallery, the independent curator Mohammad Salemy presents "Incredible Machines," a conference addressing different aspects of the expanding role of networked computers and digital processes in the production of knowledge.". YouTube. 16 March 2014.
- 47.WhiteBox. HERE AND ELSEWHERE, AT WAR, AND INTO THE FUTURE: PALESTINE. 3 June 2014.
- 48.Knowledge Forms and Forming Knowledge – Limits and Horizons of Transdisciplinary Art-Based Research – Patricia Reed. www.aestheticmanagement.com. 11 September 2015.
- 49.Aesthetics After Finitude Conference & Exhibition 5–6 February 2015 – National Institute for Experimental Arts. www.niea.unsw.edu.au.
- 50.Hybrid Ecologies and Audiences Today. e-flux.com.
- 51.Jornadas de la imagen 2017. ca2m.org.
- 52.Mohammad Salemy - New Centre for Research & Practice - Academia.edu. thenewcentre.academia.edu.
- 53.Fridman Gallery opens first solo exhibition of British artist Navine G. Khan-Dossos. Artdaily.
- 54.Volume 52 - the End of Informality | LATEST architectural magazine issues at Bruil.info.
- 55.Brooklyn Rail. AFTER_ANTHROPOCINEMA. 15 July 2014.
- 56.After Anthropocinema. The Brooklyn Rail. 15 July 2014.
- 57.Instagram as Non-Photography. thirdrailquarterly.org.
- 58.OCULA REPORT Berlin's belated Biennale: A response to the responses. ocula.com.
- 59.OCULA REPORT Tilting the scale: on the 57th Venice Biennale. ocula.com.
- 60.Spike Art Quarterly Issue 54 out now. Art Agenda.
- 61.C Magazine 126. Issuu.
- 62.Parsons Fine Arts. Visitingcritics: Mohammad Salemy.
- 63.Reinventing horizons. reinventinghorizons.org.
- 64.Politics of Study. www.mottodistribution.com.
- 65.Panel Discussion With David Semeniuk. Oct 19, 2013. Gam Gallery. Soundcloud.com.
- 66.Notes Towards a General Theory of Surface or How Art Might Survive Contemporary Art.
- 67.WRITING / CURATING / ARTMAKING: A Triangular Practice.
- 68.Washington Square News. Today on campus. 29 January 2014.
- 69.Artweek. Global Art Forum. 7 March 2017.
- 70.Open Sandberg 2018. Guests. 17 January 2018.
- 71.Vienna Art Week. Transforming Technology - VIENNA ART WEEK 2017, pages 106. 8 September 2017.
- 72.'Art Is Work' at Krokus Gallery. 16 March 2018.
- 73.NEWS Real Edgy A Report from Home Works 7 and Athens Biennale 5 to 6.
- 74.News - Page 13 of 32.
- 75.9/11 & the Temporality of Televisual Intersubjectivity. 11 September 2016.
- 76.Art In The Age Of…Asymmetrical Warfare.
- 77.Preliminary materials for any theory. 5 September 2014.
- 78.Preliminary materials for any theory. GitHub. 11 May 2015.
- 79.MOHAMMAD SALEMY: THIS IS NEW YORK GARBAGE September 12, 2009 – November 15, 2009. dadabase.ca.
- 80.MO SALEMY: IN BETWEEN THE EMPTY FRAMES -INTERNATIONAL WHATEVER SEPTEMBER 4 – DECEMBER 1, 2008. dadabase.ca.
- 81.EXHUMED: DELIBERATING R.M KHOMEINI. centrea.org.
- 82.Post, Miranda. Ethics to a Tee – The Tyee. The Tyee. 7 September 2006.
- 83.Speaking Out: A Lamentation for Parrhesian Strategies – AHVA – The Department of Art History, Visual Art & Theory. ahva.ubc.ca.
- 84.Grab that gun. allmusic.com.
- 85.https://tripleampersand.org/sacred-meme-magic/
Bibliography printed in the source article · 9
- "The Sacred Meme Magic", https://tripleampersand.org/sacred-meme-magic/
- "For Machine Use Only", &&& / The New Centre, 2016.
- Politics of Study. www.mottodistribution.com.
- Manuel Correa, "artoffline" produced by Indiepix Films,2018.
- Dorothée Dupuis (ed.), "Mohammad Salemy and the New Centre for Research and Practice" in "Terremoto 4. " 2015.
- Reinventing Horizons. www.reinventinghorizons.org. 2016.
- Salemy, Mohammad. "Tom McGlynn and the Asymtotes of Opticality", catalogue essay, For Geochromatic Index on Dadabase.Com NYC, 2014
- Salemy, Mohammad. Our World: McLuhan's Idea of Globalized Presence as the Prehistory of Computational Temporality – Imaginations. 6 December 2017.
- "Time and Televisual Intersubjectivity, McLuhan's Idea of Globalized Presence as the Prehistory of Telecomputation" in "This is Paradise: Art and Artists in Toronto", Published on 28 May 2015, pages 12–13
References
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reference work
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Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 18 August 2026.
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