Milton Nascimento
Milton Silva Campos do Nascimento (born October 26, 1942), also known as Bituca, is a Brazilian singer-songwriter and multi-instrumentalist. Nascimento has recorded 32 studio albums and has won five Grammy Awards, including Best World Music Album for his album Nascimento in 1998, and twelve Brazilian Music Awards. He has collaborated with various artists including Björk, Pat Metheny, Caetano Veloso, and Elis Regina.
Also recorded as Bituca
Milton Nascimento

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- Name
- Milton Nascimento
- Born
- 26 October 1942
- Birthplace
- Rio de Janeiro, Brazil
- Occupation
- * Singer
- Nationality
- Brazil
- Fields
- music
- Honours
- Order of Cultural Merit (Brazil) · Latin Grammy Lifetime Achievement Award · Brazilian Music Awards
- Languages
- Portuguese · Brazilian Portuguese
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Documentary summary
Milton Silva Campos do Nascimento (born October 26, 1942), also known as Bituca, is a Brazilian singer-songwriter and multi-instrumentalist. Nascimento has recorded 32 studio albums and has won five Grammy Awards, including Best World Music Album for his album Nascimento in 1998, and twelve Brazilian Music Awards. He has collaborated with various artists including Björk, Pat Metheny, Caetano Veloso, and Elis Regina.
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wikidata · Q542847 · wikipedia · Milton Nascimento
In this article
Biography
Biography
Nascimento worked across singer, composer, guitarist, recording artist and pianist and 1 further recorded occupations. The registers place that work in música popular brasileira and rock music. This article rests on 5 catalogued compositions, 20 issued recordings, 7 digitised documents and 36 scholarly references drawn from named institutional registers. Every statement below returns to a source shown in the evidence panel; where the record is silent or divided, the article says so instead of resolving it.
The recorded working language is Portuguese and Brazilian Portuguese. The field of work recorded is music. Subjects and genres recorded for the work are música popular brasileira and rock music. Residence is recorded at Rio de Janeiro. Distinctions recorded are Order of Cultural Merit (Brazil), Latin Grammy Lifetime Achievement Award and Brazilian Music Awards.

Milton Nascimento
livepict.com

Milton Nascimento
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Key facts
Key facts
• Name — Milton Nascimento • Alias — Bituca • Born — 26 October 1942 • Birthplace — Rio de Janeiro, Brazil • Origin — Três Pontas, Minas Gerais, Brazil • Instrument — * Vocals • guitar • piano • Genre — * MPB • pop rock • rock and roll • jazz • soft rock • afrobeat • worldbeat • adult contemporary • pop • Occupation — * Singer • songwriter • guitarist • Years Active — 1962–2025 • Label — * Warner Music Brazil • Universal Music Brazil • Sony Music Brazil • Philips • Mercury • CTI • EMI Music Brazil • Warner Bros. Records • Blue Note/EMI Records • Nonesuch/Elektra Records
Biography
Biography
Milton Nascimento was born in the boarding house Dona Augusta in the neighborhood of Tijuca, Rio de Janeiro, where his mother, Maria do Carmo do Nascimento, was a maid. Maria raised her son on her own, until dying of tuberculosis when he was two, thereafter he was taken care of by his maternal grandmother. Nascimento was then adopted as a young child by the relatives of the grandmother's former employers; Josino Brito Campos, a bank employee, mathematics teacher and electronic technician and Lília Silva Campos, a music teacher and choir singer. He moved with his adoptive parents to the city of Três Pontas, in the state of Minas Gerais. When Nascimento was a child, he was nicknamed "Bituca" because he pouted when he was upset, which made him look like a native botocudo. Nascimento took an interest in music as a child thanks to his mother, who studied under Villa Lobos. At four years old, he was given an accordion and began to sing. At 13 years old, he became a crooner in the group Continental de Duilio Tiso Cougo. Nascimento was also an occasional DJ on a radio station that his father once ran. He lived in the neighborhoods of Laranjeiras and Tijuca in Rio de Janeiro. In 1968, Nascimento was married to a student named Lurdeca in Tijuca. The couple lived in Copabacana, though the marriage only lasted a month, later being annulled. After this, he chose to dedicate his time to music instead of marrying or having kids, however, he would later adopt a son, Augusto Kesrouani do Nascimento, in 2016 after ten years of knowing him.
Clube da Esquina
Clube da Esquina
• Illustration — Nascimento in 1969. • Illustration — At the Festival Internacional da Canção, 1967. In the early stages of his career, Nascimento played in two samba groups, Evolussamba and Sambacana. He would also play in the group W's Boys alongside Wagner Tiso in Três Pontas. In 1962, he recorded his first song "Barulho de Trem." A year later, in 1963, he moved to Belo Horizonte, where his friendship with Lô Borges led to the Clube da Esquina ("street corner club") movement. Members included Beto Guedes, Toninho Horta, Wagner Tiso, and Flávio Venturini, with whom he shared compositions and melodies. One composition was "Canção do Sal", which was first covered by singer Elis Regina in 1966, and led to a television appearance with Nascimento. The collective, as well as some others, released Clube da Esquina in 1972. Several hit singles were also released. In 1967, he entered the Festival Internacional da Canção after Agostinho dos Santos had sent in three of his tracks to the search committee. He placed second with "Travessia" ("Bridges") and was able to score a three-album contract with Creed Taylor who had been in attendance. He moved to the United States to record with Taylor, beginning with the album Courage in 1969. • Illustration — Milton Nascimento in 1972 Nascimento's compositions include songs such as "Nada Será Como Antes" ("Nothing Will Be As It Was"), "Maria, Maria", "Canção da América" ("Song from America"/"Unencounter"), "Bailes da Vida", and "Coração de Estudante" ("Student's Heart"), a song about the funeral of Edson Luís, who was killed by police officers in 1968. The song became the hymn for the Diretas Já social-political campaign in 1984, was played at the funeral of President-elect Tancredo Neves the next year, and was also played at Ayrton Senna's funeral.
Diversification
Diversification
• Illustration — Nascimento in 1979. While his reputation within Brazil was firmly established with his Clube da Esquina works, Nascimento's international breakthrough came with his appearance on jazz saxophonist Wayne Shorter's 1974 album Native Dancer. This led to widespread acclaim, and collaborations with Paul Simon, Sarah Vaughan, Mercedes Sosa, Carlos Santana, Pablo Milanés, Cat Stevens, George Duke, Quincy Jones and Earth, Wind And Fire. Angelus (1994) features appearances by Pat Metheny, Ron Carter, Herbie Hancock, Jack DeJohnette, Nana Vasconcelos, Jon Anderson, James Taylor, and Peter Gabriel, among many others. Through his friendship with guitarist Warren Cuccurullo, Nascimento came to work with the pop rock band Duran Duran in 1993. Nascimento co-wrote and performed the song "Breath After Breath", featured on the band's 1993 album Duran Duran. He also performed with the band in concert when they toured in Brazil in support of that album. In 1996, Nascimento contributed the song "Dancing" to the AIDS benefit album Red Hot + Rio, produced by the Red Hot Organization.
Ser Minas Tão Gerais
Ser Minas Tão Gerais
• Illustration — Nascimento in 2014 Nascimento starred in the 2002 musical theater piece Ser Minas Tão Gerais by the group Ponto de Partida. The piece paid homage to the poetry of Nascimento and Carlos Drummond de Andrade, two "iconic" poets from Minas Gerais. In 2004, he worked with the Brazilian heavy metal band Angra, on the song "Late Redemption" from their album Temple of Shadows. In 2016, Nascimento was awarded an honorary Doctor of Music degree from Berklee College of Music. In 2018, Nascimento released the EPs A Festa and Nada Será Como Antes, consisting of acoustic reinterpretations of some of his past hits.
Collaborations and farewell tour
Collaborations and farewell tour
• Illustration — Nascimento being honored by Portela in the 2025 Brazilian Carnival. In 2020, Nascimento released Existe Amor, a four-track collaborative EP with São Paulo rapper Criolo. The EP was part of the Existe Amor project, a campaign for a solidarity fund for Brazilians in socially vulnerable conditions during the coronavirus pandemic. The campaign's launch took place via projections on buildings in São Paulo to encourage donations to organizations such as É de Lei, SP Invisível and Arsenal da Esperança, among others. On October 26, 2021, on his 79th birthday, Nascimento announced his 2022 farewell tour A Última Sessão de Música (The Last Music Session) on social media, although he would later state that he was not quitting music. The title of the tour is a reference to the track of the same name on his 1973 album Milagre dos Peixes. He played his last show on November 13, 2022, at the Mineirão stadium in Belo Horizonte. On November 15, 2023, Nascimento released Outros Cantos, a collaborative album with sertanejo duo Chitãozinho & Xororó. On May 15, 2024, Nascimento announced a new album with American musician and songwriter Esperanza Spalding titled Milton + Esperanza. Recorded in Brazil in 2023, it was released on August 9, 2024, via Concord Records and received critical acclaim from music critics. The album was nominated for Best Jazz Vocal Album at the 67th Annual Grammy Awards. On October 29, 2024, Nascimento released the collaborative EP Moon Over Minas with American musician and producer Jonathan Wilson. The EP was recorded while Wilson was on tour in Brazil. Although Milton stated that he would be retiring from live concerts and tours, a NPR Tiny Desk (Home) Concert was published on August 7, 2024, featuring him, Esperanza Spalding, Guinga, Maria Gadú, among other artists performing five songs from the album. As NPR Music states in the description of the performance on YouTube, "it’s likely to be the only video performance of this music".
Health
Health
In October 2025, Nascimento's family announced that he had been diagnosed with Lewy body dementia.
Studio albums
Studio albums
• 1967: Milton Nascimento (Travessia) • 1969: Courage • 1969: Milton Nascimento • 1970: Milton • 1972: Clube da Esquina (with Lô Borges and Clube da Esquina) • 1973: Milagre dos Peixes • 1974: Native Dancer (with Wayne Shorter) • 1975: Minas • 1976: Geraes • 1976: Milton (with Wayne Shorter and Herbie Hancock) • 1978: Clube da Esquina 2 • 1979: Journey to Dawn • 1980: Sentinela • 1981: Caçador de Mim • 1982: Anima • 1982: Ponta de Areia • 1982: Missa dos Quilombos (with Pedro Casaldáliga and Pedro Tierra) • 1983: Ao Vivo • 1985: Encontros e Despedidas • 1986: A Barca dos Amantes (with Wayne Shorter) • 1987: Yauaretê (with Wayne Shorter and Herbie Hancock) • 1989: Miltons with Herbie Hancock • 1990: Canção da America • 1990: Txai • 1992: Noticias do Brasil • 1993: Três Pontas • 1994: Angelus (with Wayne Shorter, Herbie Hancock, James Taylor and Jon Anderson) • 1994: O Planeta Blue na Estrada do Sol • 1996: Amigo • 1997: Nascimento • 1998: Tambores de Minas • 1999: Crooner • 2000: Nos Bailes da Vida • 2001: Gil & Milton (with Gilberto Gil) • 2003: Pietá • 2003: Music for Sunday Lovers • 2005: O Coronel e o Lobisomem • 2007: Milagre dos Peixes: Ao Vivo • 2008: Novas Bossas • 2008: Belmondo & Milton Nascimento • 2010:...E a Gente Sonhando • 2010: Under Tokyo Skies (with Herbie Hancock) • 2011: Nada Será Como Antes: O Musical • 2013: Uma Travessia: 50 Anos de Carreira • 2015: Tamarear (with Dudu Lima Trio) • 2023: Outros Cantos (with Chitãozinho & Xororó) • 2024: Milton + Esperanza (with Esperanza Spalding)
Extended plays
Extended plays
• 2018: A Festa • 2018: Nada Será Como Antes • 2020: Existe Amor (with Criolo) • 2024: Moon Over Minas (with Jonathan Wilson)
Compilations
Compilations
• 2000: Oratório • 2004: Maria Maria / Ultimo Trem
Guest appearances
Guest appearances
• 1972: Elis by Elis Regina • 1978: Chico Buarque by Chico Buarque • 1987: Brazilian Romance by Sarah Vaughan • 1987: Dezembros by Maria Bethânia • 1990: The Rhythm of the Saints by Paul Simon • 2004: Temple of Shadows by Angra
Life and work
Life and work
Milton Nascimento was born on 26 October 1942 in Rio de Janeiro. Nascimento held the nationality of Brazil. Nascimento worked as singer, composer, guitarist and recording artist, and the authority record catalogues a further 2 occupations under the same name, among them pianist and musician. Nascimento was active from 1962. The fields Nascimento worked in include música popular brasileira and rock music. Nascimento played the guitar, the voice and the cello. Nascimento worked in Portuguese and Brazilian Portuguese.
Life and career
Dated record
Life and career
Explore 1942–2025
The full dated record · 3 entries
1942
Born at Rio de Janeiro.
2012
Receives Latin Grammy Lifetime Achievement Award.
2025
Receives Order of Cultural Merit (Brazil).
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
- Rio de Janeiro
Catalogued output
Compositions
The entries below are works composed by the subject, as the institutional registers catalogue them; later performances and commercial recordings of the same music are listed separately. 5 further compositions are catalogued under Nascimento's name without a date the collections agree on, which is why they are set apart from the dated run rather than placed in it.
Clube da Esquina nº 2
Canção da América
O Que Será (À Flor da Terra)
O Que Será (Á Flor da Pele)
Primary material
Issued recordings
These are published sound issues catalogued under the name. Most postdate the works they carry, and an issue is never counted here as a work of composition. 20 issues carry dates between 1967 and 2024. The run opens with Travessia and closes with Milton + Esperanza. The 1970s are the densest part of the run, with 7 titles, and that concentration is a fact about what the registers have catalogued rather than a judgement on the work itself.
Further digitised and archival material
Primary material
Further digitised and archival material
A further 72 rows were returned by the same open archives and are not shown here, because the only tie between them and this person was lexical: the name appeared in a title, a description or a series heading without the register stating any relation to Nascimento. They are kept in the evidence layer and return the moment a relation is demonstrated. The register's own description is kept rather than reclassified, so a reader can see what each institution says it holds.
LPMR 819 MILTON NASCIMENTO
2021
Milagre dos Peixes
1973
Podcast 33: Clube Da Esquina - Milton Nascimento e Lô Borges
2017
Milton Nascimento 8 Clube Da Esquina 2
Documents and archives
Primary material
Documents and archives
scholarly publication
- Nascimento, Milton (jazz), Oxford Music Online, 2003
Scholarly · Crossref registry · 2003
- Nascimento, Milton, Oxford Music Online, 2001
Scholarly · Crossref registry · 2001
- Nascimento, Milton, Oxford Music Online, 2022
Scholarly · Crossref registry · 2022
reference work
- “Milton Nascimento”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
authority record
- Wikidata, structured authority record Q542847: Milton Nascimento
Unverified · Wikidata
Awards and recognition
Awards and recognition
• Latin Grammy Lifetime Achievement Award (2012) • Honorary Doctorate of Music, awarded by Berklee College of Music (2016)
Honours and awards
Where the work is held
Honours and awards
They run from 2012 to 2025.
4 honours stand against the name
Order of Cultural Merit (Brazil)
Brazilian Music Awards
Latin Grammy Lifetime Achievement Award
2012
Literature
Further cited scholarship
22 scholarly and reference publications are cited here, each one identified by title and by the publication, publisher or institution that carried it, with its year where the register states one. The cited literature runs from 1993 to 2026, which is a measure of how long Nascimento has been a subject of scholarship rather than of how much has been written. The publications represented include Interfaces, Revista Eletrônica de Estudos Integrados em Discurso e Argumentação, Intellèctus, INTERAÇÕES, Creating Culture Through Media and Communication and Ensino de História: histórias, memórias, perspectivas e interfaces. A further 6 records were returned by the same bibliographic registers without enough detail to be cited as a reference — no usable title, or neither a publication nor a date — and they are held in the evidence layer rather than presented here as scholarship. The Encyclopedia cites this literature and does not summarise the arguments of works it has not read in full.
Os Sentidos da Censura na Música Os Escravos de Jó, de Milton Nascimento, Interfaces, 2026
Que merda! É possível cancelar Milton Nascimento?, Revista Eletrônica de Estudos Integrados em Discurso e Argumentação, 2025
A música de protesto latino-americana de Milton Nascimento, Intellèctus, 2024
MILTON NASCIMENTO E A MÍSTICA DA LIBERTAÇÃO LATINO-AMERICANA, INTERAÇÕES, 2024
An Analysis of Milton's Voice in Missa Dos Quilombos: “Raça” in The Music of Milton Nascimento, Creating Culture Through Media and Communication, 2024
OS LUGARES DE MEMÓRIA NAS OBRAS FONOGRAFICAS "MINAS" E "GERAES" DE MILTON NASCIMENTO, Ensino de História: histórias, memórias, perspectivas e interfaces, 2021
UMA HISTÓRIA CULTURAL DAS SENSIBILIDADES NA MPB, Ciências Humanas e Sociais: Pesquisa e Reflexão, 2021
The Rise of Milton Nascimento and Friends (Side A): Rio de Janeiro to Três Pontas, to Belo Horizonte, to the World, Milton Nascimento and Lô Borges’s The Corner Club, 2020
Milton Nascimento and Lô Borges’s The Corner Club, 2020
Tudo junto e misturado: aproximações entre Guimarães Rosa e Milton Nascimento, Revista Crioula, 2020
"Milagre dos peixes": a censura e a voz de Milton Nascimento na sociedade do espetáculo brasileira, Revista Alterjor, 2020
Música como Leitura Sensível de Dinâmicas Urbanas: Milton Nascimento e o Desmonte da Ferrovia Bahia-Minas, Art&Sensorium, 2018
A trajetória vocal de Milton Nascimento, Música Popular em Revista, 2017
Quatro décadas de “Minas” e “Geraes”
A dimensão política da obra de Milton Nascimento, Sociedade e Cultura, 2016
EN LUGARES DE MEMÓRIA OBRAS FONOGRAFICAS “MINAS” E “GERAES” DE MILTON NASCIMENTO, Barbarói, 2015
Novena (1964): baseado na gravação do disco Angelus de Milton Nascimento (1993), Per Musi, 2014
Novena (1964) de Milton Nascimento e Márcio Borges: primórdios da síntese do Clube da Esquina, Per Musi, 2014
Cantos y Encantamientos en las Obras Fonográficas de Milton Nascimento, Publicatio UEPG Ciencias Humanas Linguistica Letras e Artes, 2014
O circo como um lugar de memória cultural - Milton Nascimento: Circus as a place of cultural memory, Zero-a-Seis, 2013
Quando o olhar sociológico busca um povo invisibilizado – A Questão Indígena e a produção musical de Milton Nascimento, Revista Ensaios, 2012
O circo como dispositivo cultural na musicalidade de Milton Nascimento com crianças, Cadernos do Aplicação, 2011
Milton Nascimento, Masters of Contemporary Brazilian Song, 1993
Authority records
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.artist.
- 2.Colin Larkin. The Guinness Encyclopedia of Popular Music. Guinness Publishing. 1793/4. 1992. 0-85112-939-0.
- 3.UOL. Por que o apelido de Milton Nascimento é Bituca?. Rolling Stone. November 26, 2022.
- 4.Pires, Cláudia. Música: "Nascimento" ganha Grammy em NY. Folha de S.Paulo. February 27, 1998.
- 5.Brazilian Music Awards – Awarded Artists – Milton Nascimento. Prêmio da Música Brasileira.
- 6.Milton Nascimento. Dicionário Cravo Albin da Música Popular Brasileira.
- 7.Leal, Claudio. Livro narra saga da mãe de Milton Nascimento, morta quando ele tinha dois anos. Acessa.com. June 29, 2024.
- 8.Sant'ana, Maraci. Como Outra Qualquer Do Planeta. Blog Consultório Sentimental. February 16, 2023.
- 9.Um pai de coração. Museu Da Pessoa. May 21, 2004.
- 10.Salomão, Graziela. A mineirice de Milton Nascimento. Época.
- 11.Skelly, Richard. Biography. AllMusic.
- 12.Essinger, Silvio. Clube da Esquina (Club on the Corner). AllBrazilianMusic. CliqueMusic Editora.
- 13.World Music Portal. Milton Nascimento. World Music Central.
- 14.Backbeat Books. All Music Guide: The Definitive Guide to Popular Music. 919. 2001. 978-0-87930-627-4.
- 15.Com Milton Nascimento no elenco, "Ser Minas Tão Gerais" tem única apresentação no Palácio das Artes. O Tempo. July 17, 2013.
- 16.Alves, Dirceu Jr. Milton Nascimento recita Carlos Drummond de Andrade. Veja São Paulo. September 22, 2012.
- 17.Universal Music Brazil. Milton Nascimento está de volta e lança o EP "A Festa – Acústico", além do videoclipe de "Maria Maria". September 21, 2018.
- 18.Universal Music Brazil. Com releituras acústicas de alguns de seus maiores sucessos, Milton Nascimento lança o EP "Nada Será Como Antes". November 30, 2018.
- 19.Milton Nascimento e Criolo reinventam 'Não Existe Amor em SP' de modo emocionante para ajudar pessoas vulneráveis da cidade. Rolling Stone Brasil. April 24, 2020.
- 20.El cantautor brasileño Milton Nascimento anuncia su gira de despedida. Hola News. October 26, 2021.
- 21.Adams, Scott. Milton Nascimento Says Goodbye. Connect Brazil. June 26, 2022.
- 22.Milton Nascimento emociona e leva cerca de 60 mil pessoas ao Mineirão no último show da carreira. g1. November 14, 2022.
- 23.Milton Nascimento se une a Chitãozinho e Xororó em álbum conjunto "Outros Cantos". Rolling Stone Brasil. November 14, 2023.
- 24.Kahn, Andy. Jonathan Wilson & Milton Nascimento Release Collaborative 'Moon Over Minas' EP. JamBase. November 14, 2023.
- 25.NPR Music. Milton Nascimento & esperanza spalding: Tiny Desk (Home) Concert. August 7, 2024.
- 26.Brazilian music legend Milton Nascimento has dementia: family. France 24. October 2, 2025.
- 27.Out Recordings
- 28.Bush, Allen. Rita Moreno, the Isley Brothers, Lucian Grainge, Milton Nascimento Honored at Commencement. Berklee College of Music. May 7, 2016.
Bibliography printed in the source article · 5
- Motta, Nelson. Noites Tropicais: Solos, Improvisos e Memórias Musicais. Objetiva. 2000. 978-85-7302-292-6.
- Dolores, Maria. Travessia: a Vida de Milton Nascimento. Editora Record. 2022. 978-65-5587-606-2.
- Mei, Giancarlo. Canto Latino: Origine, Evoluzione e Protagonisti della Musica Popolare del Brasile. Stampa Alternativa-Nuovi Equilibri. 2004. 978-8872268018.
- McGowan, Chris. The Brazilian Sound: Samba, Bossa Nova and the Popular Music of Brazil. Temple University Press. 1998. 978-1-56639-544-1.
- Perrone, Charles A. Masters of Contemporary Brazilian Song: MPB, 1965-1985. University of Texas Press. Chapter 4. 1989. 978-0-292-75102-6.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
scholarly publication
Nascimento, Milton (jazz), Oxford Music Online, 2003Crossref registry
Verifiedscholarly publication
Nascimento, Milton, Oxford Music Online, 2001Crossref registry
Verifiedscholarly publication
Nascimento, Milton, Oxford Music Online, 2022Crossref registry
Verifiedreference work
Partially resolvedauthority record
Unverified
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 14 August 2026.
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