Milton Avery
Milton Clark Avery (March 7, 1885 – January 3, 1965[1]) was an American modern painter.[7] Born in Altmar, New York, he moved to Connecticut in 1898 and later to New York City. He was the husband of artist Sally Michel Avery and the father of artist March Avery.[2]
Also recorded as Milton Clark Avery
Milton Avery

Sally Michel · This file was donated to Wikimedia Commons as part of a project by the National Gallery of Art. Please see the Gallery's Open Access Policy. · CC0
- Name
- Milton Avery
- Born
- 7 March 1885
- Birthplace
- Altmar, New York, US
- Died
- 3 January 1965
- Place of death
- New York City, US
- Training
- * Connecticut League of Art Students
- Elected
- Fellow of the American Academy of Arts and Sciences
- Known for
- Colorful landscape painting
- Nationality
- United States.
- Occupation
- painter and illustrator.
- Fields
- modern art and painting.
- Education
- Art Students League of New York.
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Documentary summary
Milton Clark Avery (March 7, 1885 – January 3, 1965[1]) was an American modern painter.[7] Born in Altmar, New York, he moved to Connecticut in 1898 and later to New York City. He was the husband of artist Sally Michel Avery and the father of artist March Avery.[2]
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wikidata · Q2714574 · wikipedia · Milton Avery
In this article
Biography
Biography
Milton Avery studied at Art Students League of New York. The recorded working language is English. The field of work recorded is modern art and painting. Works named in the authority record are Card Players. Work by Milton Avery is recorded in the collections of Minneapolis Institute of Art, Art Institute of Chicago, The Nelson-Atkins Museum of Art, Thyssen-Bornemisza Museum and Museum of Modern Art. Distinctions recorded are Fellow of the American Academy of Arts and Sciences.

The Milton Avery gallery in the Modern Collection at the Milwaukee Art Museum in Milwaukee, Wisconsin (United States).
Michael Barera

The Milton Avery gallery in the Modern Collection at the Milwaukee Art Museum in Milwaukee, Wisconsin (United States).
Michael Barera
Key facts
Key facts
• Name — Milton Avery • Born — 7 March 1885 • Birthplace — Altmar, New York, US • Died — 3 January 1965 • Place of death — New York City, US • Training — * Connecticut League of Art Students • Art Students League of New York • Patron — Roy Neuberger • Elected — Fellow of the American Academy of Arts and Sciences • Children — March Avery • Known for — Colorful landscape painting
Early life
Early life
The son of a tanner, Avery began working at a local factory at the age of 16 and supported himself for decades with a succession of blue-collar jobs. The death of his brother-in-law in 1915 left Avery, as the sole remaining adult male in his household, responsible for the support of nine female relatives.[3] His interest in art led him to attend classes at the Connecticut League of Art Students in Hartford, and over a period of years, he painted in obscurity while receiving a conservative art education. In 1917, he began working night jobs in order to paint in the daytime. In 1924, he met Sally Michel, a young art student, and in 1926 they married. Her income as an illustrator enabled him to devote himself more fully to painting. Beginning in the 1930s, the two began developing a "lyrical, collaborative style" that Robert Hobbs described as "the Avery style". They had a daughter, March Avery, in 1932, she is also a painter.[4]
Career
Career
For several years in the late 1920s through the late 1930s, Avery practiced painting and drawing at the Art Students League of New York. Roy Neuberger saw his work and thought he deserved recognition. Determined to get the world to know and respect Avery's work, Neuberger bought over 100 of his paintings, starting with Gaspé Landscape, and lent or donated them to museums all over the world. With Avery's work rotating through high-profile museums, he came to be a highly respected and successful painter. In the 1930s, he was befriended by Adolph Gottlieb and Mark Rothko among many other artists living in New York City in the 1930s–40s.[5] Avery's use of glowing color and simplified forms was an influence on the younger artists. • Illustration — Girl Writing (1941), The Phillips Collection The Phillips Collection in Washington, D.C., was the first museum to purchase one of Avery's paintings in 1929; that museum also gave him his first solo museum exhibition in 1944.[6] He was elected a Fellow of the American Academy of Arts and Sciences in 1963. Avery had a serious heart attack in 1949. During his convalescence he concentrated on printmaking. When he resumed painting, his work showed a new subtlety in the handling of paint, and a tendency toward slightly more muted tones.
Death
Death
Milton Avery died at Montefiore Hospital in the Bronx, New York, on January 3, 1965, following a long illness,[8] and is buried in the Artist's Cemetery in Woodstock, Ulster County, New York. After his passing his widow, Sally Avery, donated his personal papers to the Archives of American Art, a research center of the Smithsonian Institution.[9]
About Avery's art
About Avery's art
According to painter Mark Rothko, What was Avery's repertoire? His living room, Central Park, his wife Sally, his daughter March, the beaches and mountains where they summered; cows, fish heads, the flight of birds; his friends and whatever world strayed through his studio: a domestic, unheroic cast. But from these there have been fashioned great canvases, that far from the casual and transitory implications of the subjects, have always a gripping lyricism, and often achieve the permanence and monumentality of Egypt.[12] Art critic Hilton Kramer said, in his review of Grad's book with its sumptuous illustrations, He was, without question, our greatest colorist.... Among his European contemporaries, only Matisse—to whose art he owed much, of course—produced a greater achievement in this respect.[13]
Life and career
Dated record
Life and career
Explore 1885–1973
The full dated record · 3 entries
1885
Milton Avery born at Altmar.
1973
Milton Avery: prints, 1933-1955 (1973) is digitised and catalogued by Internet Archive.
1965
Milton Avery died at New York City.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Altmar.
Birth place
New York City.
Death place
Style and influence
Avery's work is seminal to American abstract painting—while his work is clearly representational, it focuses on color relations and is not concerned with creating the illusion of depth as most conventional Western painting since the Renaissance has. Avery was often thought of as an American Matisse, especially because of his colorful and innovative landscape paintings. His poetic, bold and creative use of drawing and color set him apart from more conventional painting of his era. Early in his career, his work was considered too radical for being too abstract; when Abstract Expressionism became dominant his work was overlooked, as being too representational. French Fauvism and German Expressionism influenced the style of Avery's early work, and his paintings from the 1930s are similar to those of Ernst Ludwig Kirchner. By the 1940s, Avery's painting style had become more similar to Henri Matisse, and his later works use color with great subtlety.[10] According to art historian Barbara Haskell, "serenity and harmony" characterized all of Avery's work, especially his late work, which, "more than ever, exuded a world of low-key emotions from which anger and anxiety were absent." In her 1981 book on Avery, art historian Bonnie Grad proposed that the contemplative, lyrical quality of Avery's work should be seen in light of the tradition of the pastoral mode in art and literature.[11]
Public collections
Public collections
• Ackland Art Museum, University of North Carolina at Chapel Hill • Addison Gallery of American Art, Andover, Mass. • Albright-Knox Art Gallery, Buffalo, N.Y. • Binghamton University Art Museum, New York • Birmingham Museum of Art, Alabama • Block Museum of Art, Northwestern University, Evanston, Ill. • Brooklyn Museum of Art, New York City • Butler Institute of American Art, Youngstown, Ohio • Cape Ann Museum, Gloucester, Mass. • Castellani Art Museum, Niagara Falls, New York • Cleveland Museum of Art • Columbia Museum of Art, South Carolina • Crystal Bridges Museum of American Art, Bentonville, Ark. • Davistown Museum, Liberty, Maine • Dayton Art Institute, Ohio • Everson Museum of Art, Syracuse, N.Y. • Fine Arts Museums of San Francisco • Fort Wayne Museum of Art, Fort Wayne, IN • Georgia Museum of Art, Athens • Charlotte and Philip Hanes Art Gallery, Wake Forest University, Winston-Salem, N.C. • Samuel P. Harn Museum of Art, University of Florida, Gainesville • Harvard University Art Museums. Cambridge, Mass. • Hirshhorn Museum and Sculpture Garden, Washington, D.C. • Honolulu Museum of Art • Hunter Museum of American Art, Chattanooga, Tenn. • Kalamazoo Institute of Arts, Kalamazoo, MI[14] • Leigh Yawkey Woodson Art Museum, Wausau, WI • Maier Museum of Art, Randolph College, Lynchburg Va. • Maitland Art Center, Florida • Memorial Art Gallery of the University of Rochester, New York[15] • Metropolitan Museum of Art, New York City • Milwaukee Art Museum • Minneapolis Institute of Art • Modern Art Museum of Fort Worth, Texas • Montana Museum of Art and Culture, Missoula • Montclair Art Museum, New Jersey • Museum of Fine Arts, Boston • Museum of Modern Art, New York City • National Gallery of Art, Washington, D.C. • National Gallery of Australia, Canberra • National Portrait Gallery, Washington, D.C. • Neuberger Museum of Art, Purchase, N.Y. • New Britain Museum of American Art, Connecticut • New Jersey State Museum, Trenton • North Carolina Museum of Art, Raleigh, NC • Oklahoma City Museum of Art • Pennsylvania Academy of the Fine Arts, Philadelphia[16] • Philadelphia Museum of Art • Phillips Collection, Washington, D.C. • Portland Art Museum, Oregon • Reading Public Museum, Pennsylvania • San Antonio Art League Museum, Texas[17] • San Diego Museum of Art, California • Santa Barbara Museum of Art, California • San Francisco Museum of Art, California • Sheldon Museum of Art, Lincoln, Neb, • Smithsonian American Art Museum, Washington, D.C. • Tate Modern, London, England • University of Kentucky Art Museum, Lexington • Vanderbilt University Fine Arts Gallery, Nashville, Tennessee • Vero Beach Museum of Art, Florida • Virginia Museum of Fine Arts, Richmond • Wadsworth Atheneum, Hartford, Conn. • Walker Art Center, Minneapolis • Westmoreland Museum of American Art, Greensburg, Penn. • Woodstock Artists Association and Museum, New York • Bruce Museum, Greenwich, Connecticut[18]
Documents and archives
Primary material
Documents and archives
scholarly publication
- Avery, Milton (1885–1965), Historical Dictionary of Contemporary Art, 2017
Scholarly · Crossref registry · 2017
- Avery, Milton Clark (1885-1965), artist, American National Biography Online, 2000
Scholarly · Crossref registry · 2000
reference work
- “Milton Avery”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
authority record
- Wikidata, structured authority record Q2714574: Milton Avery
General reference · Wikidata
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Haskell, B. (2003). "Avery, Milton". Grove Art Online.
- 2.Hobbs, Robert. Sally Michel: The Other Avery. Woman's Art Journal. 8. 2. 3–14. 1987. 0270-7993.
- 3.Avery, M. & Chernow, B., p. 9.
- 4.March Avery Cavanaugh
- 5.Brack, H. G. Milton Avery Biography. The Davistown Museum.
- 6.Milton Avery Papers "Biographical Note," Finding Aid to the Papers of Milton Avery, February 6, 2007, Smithsonian Archives of American Art
- 7.American Academy of Arts and Sciences. Book of Members, 1780–2010: Chapter A.
- 8.Milton Avery, 71, Painter, Is Dead – Pioneer of Abstract Art in U.S. Was Self-Taught. New York Times. 29. January 4, 1965.
- 9.A Finding Aid to the Milton Avery papers, 1926-1982, bulk 1950-1982 Digitized Collection Archives of American Art, Smithsonian Institution. www.aaa.si.edu.
- 10.Greenberg, Clement. Milton Avery. Arts Magazine. 32. 39–46. 1957.
- 11.Grad, Bonnie Lee, Milton Avery. Strathcona Press, 1981.
- 12.Mark Rothko, Commemorative Essay delivered at the New York Society for Ethical Culture, January 7, 1965, reprinted in Adelyn D. Breeskin, Milton Avery, 1969.
- 13.https://www.nytimes.com/1981/04/12/arts/art-view-avery-our-greatest-colorist-by-hilton-kramer.html Hilton Kramer, Avery-"Our Greatest Colorist" April 12, 1981, The New York Times.
- 14.Fancy Hat. Kalamazoo Institute of Arts.
- 15.Memorial Art Gallery of the University of Rochester. Haircut by the Sea. Memorial Art Gallery Collection. 1943.
- 16.The Pennsylvania Academy of the Fine Arts. The Collection. The Albert M. Greenfield American Art Resource Online.
- 17.San Antonio Art League Museum.
- 18.Staff reports. Bruce Museum showcases art from the Averys. GreenwichTime. 2019-05-15.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
scholarly publication
Institutional witnessscholarly publication
Institutional witnessreference work
Secondary witnessauthority record
General reference
Further particulars
Held on the record
Further particulars
Open the remaining particulars
The authorities additionally record the heading Milton Clark Avery. His recorded language was English. He married Sally Michel Avery. One child is recorded: March Avery. Avery received Fellow of the American Academy of Arts and Sciences. Works and catalogued output.
Identity and origins
Recognition and collections
Work by Milton Avery is
Minneapolis Institute of Art, Art Institute of Chicago, The Nelson-Atkins Museum of Art and Thyssen-Bornemisza Museum
Grazing Cows
1943 and held by
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 16 August 2026.
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- Minako ShibaIllustrator
- Mineko NōmachiIllustrator
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