Milo Manara

• Birth Name — Maurilio Manara • Born — 12 September 1945 • Birthplace — Lüsen (Luson), South Tyrol, Kingdom of Italy • Area — * Artist • writer • Notable Works — * The Adventures of Giuseppe Bergman • Butterscotch • Click • Indian Summer • Awards — Full list

After architecture and painting studies, he made his comics debut in 1969 drawing for Genius, a fumetti neri series of pocket books from publisher Furio Vanio in the wake of the popularity of Kriminal and Satanik. In 1970, he illustrated for the magazine Terror, and starting in 1971 drew the erotic series Jolanda de Almaviva written by Francisco Rubino, issued in small format by publisher Erregi. Joining the youth magazine Il Corriere dei Ragazzi, he worked with Rubino, Carlo Barbieri, Mino Milani and Silverio Pisú. With Pisú Manara launched the publications Telerompo and Strategia della Tensione in 1974 and the series Alessio, Il Borghese Rivoluzionario, and with writer Mino Milani the series La parola alla giuria in 1975. Manara and Pisú later went on to publish Lo Scimmiotto (The Ape) along the story of the Chinese Monkey King in Alter Linus in 1976, and with Alfredo Castelli, L'Uomo delle Nevi (The Snowman) in 1978. During this period Manara began publishing work in several Franco-Belgian comics magazines including Charlie Mensuel, Pilote and L'Écho des savanes. For (A SUIVRE) Manara created the first stories featuring HP and Giuseppe Bergman, which grew to become a large body of work. The character "HP" is based on Manara's friend, the Italian comics creator Hugo Pratt, and a collaborator on some of Manara's most acclaimed work, initially Tutto ricominciò con un'estate indiana (1983, Indian Summer) and later El Gaucho (1991). Manara also completed two stories working with another of his heroes, Federico Fellini. In his own right Manara has been commended on his skills as a writer, as with the western L'uomo di carta (1982, The Paper Man). • Illustration — Erotic illustration typical of Manara's style as it comes to expression in his Click series Manara's reputation for producing comics that revolve around elegant, beautiful women caught up in unlikely and fantastical erotic scenarios became solidified with work such as Il Gioco (1983, also known as Click or Le Déclic), about a device which renders women helplessly aroused; Il Profumo dell'invisibile (1986, Butterscotch), introducing the heroine Miele (Honey) and a sweet-smelling body-paint which makes the wearer invisible; and Candid camera (1988, Hidden Camera), featuring the same protagonist in further explicit adventures. In the following years of combining sequels, original work, and collaborations with noted creators, Manara's production continued in this direction to explore erotic comics themes with an artistic and storytelling expression in a manner considered unique to Manara. In the U.S. The Ape was serialised in Heavy Metal in the early 1980s and Manara received some exposure through collaborations with Neil Gaiman and other artists.

In connection with their joint project Quarantasei, in July 2006, Manara designed a helmet for Moto GP rider Valentino Rossi, specifically made for the Italian GP in Mugello. Rossi declared: "He has drawn some kind of a mythical history of my life, in cartoons, with some of my heroes such as Steve McQueen, Enzo Ferrari, Jim Morrison, and other characters such as my dog Guido, the chicken Osvaldo and a lot of beautiful women! I really like Milo...he's a person that I have admired for a long time." In 2003, Manara's work featured on the cover of Scottish rock band Biffy Clyro's second studio album The Vertigo of Bliss. Manara also created the artwork for all the singles released from this album. In October 2006, Manara developed character designs for the animated television series City Hunters. The series, consisting of ten 11-minute episodes, blends traditional animation techniques with modern CGI, to be broadcast across all of Latin America on the FOX network throughout 2006 and 2007. Manara penciled an X-Men project written by Chris Claremont for Marvel Comics called X-Men: Ragazze in fuga that released in April 2009 in Italy, and was later reprinted in short circulation by Marvel Comics in English as X-Women. He was profiled in the 2011 documentary film Derailments (Deragliamenti). In 2013 he started to do low print variant covers for issues of Marvel comic books. In 2014, Manara's variant cover for Spider-Woman #1 was widely criticized for putting the character in a pose that was deemed over-sexualized and oddly proportioned by many. Defenders of Manara highlighted that this was a rare collector's variant cover, reflective of his art style for those familiar with him. The piece later sold for over £37,000 at auction in 2020.

• Series • Click (1997) • City Hunters (2006, animated TV series created by Gastón Gorali & Alberto Stagnaro) • Films • Le Déclic (1985) • Le Parfum de l'invisible (1997 IMDb) • La Légende de Parva (2003) • The Erotic Misadventures of the Invisible Man (2003 IMDb)

• Illustration — Statue of Brigitte Bardot in Saint-Tropez, based on a watercolor by Milo Manara. A statue of Brigitte Bardot created by Milo Manara was donated in 2017 to the city of Saint-Tropez by the Millon Foundation. It was inaugurated on 28 September 2017 by Bernard d'Ormale, the actress's husband, and Jean-Pierre Tuveri, mayor of Saint-Tropez. The project was initiated in 2013 when auctioneer Alexandre Millon, president of the auction house of the same name, invited Milo Manara to devote a series of works to Brigitte Bardot. The artist then produced 27 watercolors intended to be reproduced and marketed as pigment prints: "I proposed several projects, and it was Brigitte Bardot herself who selected her preferred one", the artist said. Produced according to the project chosen by the actress by Adolfo Agolini, from the Mariani foundry in Pietrasanta, Italy, in collaboration with Manara, the statue is installed on Place Blanqui in front of the Musée de la Gendarmerie et du Cinéma de Saint-Tropez. During his career, Manara has depicted numerous figures, including historical characters—most notably the Borgias in a series created with Alejandro Jodorowsky—as well as people from his own circle, such as Federico Fellini and Hugo Pratt. Brigitte Bardot had not allowed an artist to portray her since 1969, when the painter and sculptor Aslan chose her to embody the features of Marianne, the symbolic figure of the French Republic.