Miles Howard-Wilks
Miles Howard-Wilks (born in Melbourne, 1979) is an Australian artist. While working primarily as a painter, Howard-Wilks is also a ceramicist and animator and has worked in the Arts Project Australia studio since 2000. His diverse subject matter explores themes such as the Australian landscape, seascapes, and Australian Rules Football.
Miles Howard-Wilks
- Occupation
- ceramicist · painter
- Education
- Tjurunga
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Miles Howard-Wilks (born in Melbourne, 1979) is an Australian artist. While working primarily as a painter, Howard-Wilks is also a ceramicist and animator and has worked in the Arts Project Australia studio since 2000. His diverse subject matter explores themes such as the Australian landscape, seascapes, and Australian Rules Football.
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wikidata · Q30594283 · wikipedia · Miles Howard-Wilks
In this article
Early life and education
Early life and education
His works are held within many collections, most notably at the National Gallery of Australia and the Museum of Contemporary Art. He is viewed as an important figure in outsider art in Australia.
Howard-Wilks was encouraged in artistic pursuits by his mother, also an artist, from a young age. However, it wasn't until he attended Churinga at the age of 20 where he began working with the artist-in-residence there that he started to make art seriously. Following this time Howard-Wilks studied art at TAFE and, at the age of 22, began attending Arts Project Australia. While Howard-Wilks has received no formal fine art training, the artist's participation at Arts Project Australia's studio program has seen Howard-Wilks develop his very singular style.
Career, themes and style
Career, themes and style
Howard-Wilks works independently, often painting from memory. His subject matter reflects his personal interests and often depicts the Australian landscape, Australian Rules Football, marine life and trains. Howard-Wilks’ paintings are often characterised by the construction of unique perspectives and compositions, which emphasizes the spatial vastness of the sky and clouds. Rather than producing realist depictions, Howard-Wilks’ imagery combines his acute observations with his use of reference material. As the environmental arts organisation CLIMARTE has noted, Howard-Wilks "is dedicated to exploring themes such as Australian landscapes, seascapes, the environment, football and more specifically, sharks, magpies and trains." This echoes the sentiments of journalist Julia Irwin, who states that "The inspiration for his [Howard-Wilks'] detailed gouache painting stems from his diverse interests including Australian animals and plants, trains and his favourite football team — Collingwood." Howard-Wilks' practice is also meticulously detailed in its unity of seemingly disparate references. This ability, as art critic Dan Rule writes, "creates wild hyper-natural scenes awash with giant crocodiles, sharks and an ever-present magpie, each of which shift in scale, prominence and perspective." Continuing Howard-Wilks ongoing interest in environmental issues and climate change, in 2016 the painter collaborated with esteemed artist Jon Campbell for the CLIMARTE 2016 Poster Project. The pair produced a work based upon the environmental degradation of the Great Barrier Reef which was praised for its ability to "encourage people to think about the damage we are doing to the reef's fragile ecosystems." Environmental and oceanic themes pervade Howard-Wilks' work, "illustrating his concerns for marine environments." As Howard-Wilks' career has developed, so has the commitment Howard-Wilks shows to his work, which is evident in the development of his animated films produced since 2004. Howard-Wilks' video works have been screened at events such as the 2004 Disability Film Festival (as part of the British Film Institute) and the Annual Westgarth Film Festival in Melbourne. With inclusion in numerous group exhibitions, Howard-Wilks has held two solo exhibitions at Arts Project Australia and Melbourne's West Space. In a testament to Howard-Wilks' ever-expanding career and practice, the artist's work is now held in several collections with two works notably within the collection of the National Gallery of Australia
Solo exhibitions
Solo exhibitions
2015 My solo with a magpie in it, West Space, Melbourne 2004 Sharks and Everything, Arts Project Australia Gallery, Melbourne
Group exhibitions
Group exhibitions
2016 Clay: it's a matter of substance, Arts Project Australia, Melbourne A History of the Future; Imagining Melbourne, City Gallery, Melbourne Town Hall, Melbourne Climarte Poster Project, LAB-14 Gallery, Carlton Connect Initiative, University of Melbourne 2015 Somewhere in the city, Arts Project Australia Gallery, Melbourne Altered Vistas, Arts Project Australia Gallery, Melbourne 2014 CCP Salon, Centre for Contemporary Photography, Fitzroy Sit Down, Shut Up and Watch, Film & New Media Festival, South Australia Connected, Yarra Gallery, Federation Square, Melbourne Small Universe, No Vacancy, QV Melbourne 2012 Walsh Bay Arts Table, The Wharf – Pier 2, Sydney NSW Melbourne Art Fair, Royal Exhibition Building, Melbourne 2011 Exhibition #4, Museum of Everything, London 2010 Pacifica, Gallery Impaire, Paris, France We Call Them Pirates Out Here: MCA Collection, Museum of Contemporary Art, Sydney Myscape, Trongate & Collins Gallery, Strathclyde University, Glasgow, Scotland 2009 Pearls of Arts Project Australia: The Stuart Purves Collection, Orange Regional Gallery, NSW 2008 Without Borders: Outsider Art in an Antipodean Context, Monash University Museum of Art, Melbourne 2007 Otherworlds, King Street Gallery on Burton, Sydney 2005 Leo Cussen with Selected Artists, Australian Galleries, Collingwood 2003 Home Sweet Home: works from the Peter Fay collection, National Gallery of Australia, Canberra (travelling exhibition)
Publications
Anne Stonehouse and James McDonald, Paul Hodges in So Far… Eight Artists/Eight Stories, Arts Project Australia Inc., 2014, pp. 24–39.
Collections
Collections
Miles Howard-Wilks is represented in the public collections of City of Melbourne, the Stuart Purves Collection, the National Gallery of Australia and the Museum of Contemporary Art (Sydney); the later as gifted by Henry Ergas. His work is also held in private collections.
Documents and archives
Primary material
Documents and archives
reference work
- “Miles Howard-Wilks”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
- Wikidata, structured authority record Q30594283: Miles Howard-Wilks
Reputable secondary · Wikidata
authority file
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Miles Howard-Wilks: Not titled (Dog). National Gallery of Australia Collection.
- 2.Miles Howard-Wilks National Gallery of Australia Collection.
- 3.Museum of Contemporary Art. A Year in Review: 2009 Annual Report.
- 4.Stonehouse/McDonald, Anne/James. So Far… Eight Artists/Eight Stories. Arts Project Australia Inc. 36. 2014.
- 5.Arts Project Australia. Miles Howard-Wilks.
- 6.MILES HOWARD WILKS – THE GOOD & BAD OF THE REEF. CLIMARTE.
- 7.Irwin, Julia. Arts Project Australia artists brighten up hallways and hearing rooms at VCAT. The Northcote Leader. 15 July 2015.
- 8.Rule, Dan. Down the Rabbit Hole. Sydney Morning Herald. 29 May 2015.
- 9.CLIMARTE Poster Project takes to the streets of Melbourne. Arts Review.
- 10.The Movie Has Everything. British Film Institute.
- 11.Miles Howard-Wilks Artist Biography. Arts Project Australia.
- 12.My solo with a magpie in it: Miles Howard-Wilks. West Space.
- 13.Miles Howard Wilks.
- 14.Purves, Stuart. Pearls of Arts Project Australia : Stuart Purves collection / Australian Galleries. Australian Galleries. 2007. 9780975124567.
References
Citations
References
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Miles Howard-Wilks is recorded as ceramicist and painter. Naming and authority record. Those registers additionally record the form Miles Howard-Wilks 1974-.
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 16 August 2026.
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