Mike Hoolboom

Since then he has made dozens of films, two of which have won Best Short Film at the Toronto International Film Festival. His films have also featured in more than 200 film festivals worldwide.

Mike Hoolboom studied at Sheridan College. The recorded working language is English. Work by Mike Hoolboom is recorded in the collections of LIMA and National Gallery of Canada. Distinctions recorded are Toronto International Film Festival Award for Best Canadian Short Film, Governor General's Award in Visual and Media Arts and Governor General's Awards.

• Name — Mike Hoolboom • Born — 1959 • Birthplace — Toronto, Ontario, Canada • Education — Sheridan College • Occupation — Film director • Years Active — 1980s–present • Notable Works — * Frank's Cock • Letters from Home • Awards — Governor General's Award in Visual and Media Arts

Hoolboom was born in Toronto, Ontario, to a Dutch father and Dutch-Indonesian mother on 1 January 1959. He took up filmmaking at an early age, using the family's Super 8 camera, and did his high school education in Burlington, Ontario. In 1980 Hoolboom enrolled at Sheridan College in Oakville, Ontario. During his three years there he became known for his works which, according to Canadian film critic Geoff Pevere, "demonstrated a consuming interest in navigating the outer limits of perception, of language, of self, of mechanical reproduction, of bodily sensation and experience". He found wide accolade in 1986 with the release of a "film that's not quite a film", White Museum, a 32-minute work which spliced audio clips of pop culture media and commentary on the state of film over a clear leader. Many of his films during the late 1980s, such as From Home (1988) and Eat (1989), dealt with various aspects of the body. Hoolboom, while serving a two-year stint at the Canadian Filmmakers Distribution Centre, was diagnosed with HIV in 1989, after going to donate blood. In the six years following his diagnosis he made a further 27 films, with his focus changing to the impermanence of existence, sexuality, and HIV/AIDS. This period has been noted as having a "new urgency". He also ran a magazine on fringe films, The Independent Eye. In the mid-1990s Hoolboom won Best Canadian Short Film at the Toronto International Film Festival (TIFF) twice, first with 1993's Frank's Cock. The eight-minute film dealt with an unnamed man, portrayed by Callum Keith Rennie, who considered himself the "Michael Jordan of sex", losing his lover Frank to AIDS. The story was conveyed with a monologue occupying a quadrant of a four-part split-screen, with other quadrants including popular art, gay pornography, and representations of human creation. When accepting the award at TIFF, Hoolboom quipped "Frank's Cock has never seemed so large". That year also saw the creation of two further works: Valentine's Day, which followed a man who splurged on making a film after being diagnosed with AIDS; and Kanada, in which Wayne Gretzky serves as prime minister and uses broadcast rights for a civil war to pay off the Canada's debt. Robert Everett-Green of The Globe and Mail wrote that Valentine's Day was reminiscent of the works of Marquis de Sade and the 1973 French/Italian film La Grande Bouffe. Three years later, in 1996, Hoolboom released Letters From Home, based in part on a speech by LGBT rights activist Vito Russo. The 15-minute film features commentary on popular misconceptions of AIDS and ways that the general public deal with AIDS patients before ending on an optimistic note, expressing hope that the AIDS crisis would one day be over. In 1998 he released the feature-length film Panic Bodies, a six-part work dealing with aspects of the body which, according to Hoolboom, is fragmented like AIDS fragments the body. That year he also released Plague Years: A Life in Underground Movies, a book which blends aspects of film scripts and autobiographical writing. A four-minute film tribute to Hoolboom by Wrik Mead, entitled Hoolboom, was sponsored by Arts Toronto and debuted in 1999. The following year Hoolboom released Inside the Pleasure Dome: Fringe Film in Canada, a series of 23 interviews with Canadian fringe filmmakers regarding the industry, with a foreword by Atom Egoyan.

Hoolboom has released more than fifty films in the course of his career. However, the exact number is uncertain because he regularly "prunes and reshapes his filmography: cutting some films, merging others and completely removing others from circulation." The CBC notes that several of his films have been completely destroyed. • White Museum (1986) • Song for Mixed Choir (1988) • Now, Yours (1988) • From Home (1988) • Eat (1989) • The Big Show (1989) • Southern Pine Inspection Bureau No 9 (1990) • Modern Times (1991) • Mexico (1992) • Indusium (1993) • Valentine's Day (1993) • Frank's Cock (1993) • Kanada (1993) • Escape in Canada (1993) • House of Pain (1995–98) • Letters From Home (1996) • Panic Bodies (1998) • Tom (2002) • Imitations of Life (2002) • In The Dark (2003) • The Invisible Man (2003) • Public Lighting (2004) • Fascination (2006) • Mark (2009) • Forest Walk (2011) • Lacan Palestine (2012) • Buffalo Death Mask (2013) • Scrapbook (2015) • Judy Versus Capitalism (2020)