Miff Mole
Irving Milfred Mole (March 11, 1898 – April 29, 1961), known professionally as Miff Mole, was an American jazz trombonist and band leader. He is generally considered one of the greatest jazz trombonists and credited with creating "the first distinctive and influential solo jazz trombone style." His major recordings included "Slippin' Around", "Red Hot Mama" in 1924 with Sophie Tucker on vocals, "Miff's Blues", and "There'll Come a Time (Wait and See)", which is on the film soundtrack to the 2008 movie The Curious Case of Benjamin Button.
Also recorded as Irving Milfred Mole
Miff Mole

William P. Gottlieb · Library of Congress, William P. Gottlieb Collection [1] · Public domain
- Name
- Miff Mole
- Birth Name
- Irving Milfred Mole
- Born
- 11 March 1898
- Birthplace
- Roosevelt, New York, U.S.
- Died
- 29 April 1961
- Place of death
- New York City, New York, U.S.
- Occupation
- Musician
- Nationality
- United States
- Fields
- jazz
- Languages
- English
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Documentary summary
Irving Milfred Mole (March 11, 1898 – April 29, 1961), known professionally as Miff Mole, was an American jazz trombonist and band leader. He is generally considered one of the greatest jazz trombonists and credited with creating "the first distinctive and influential solo jazz trombone style." His major recordings included "Slippin' Around", "Red Hot Mama" in 1924 with Sophie Tucker on vocals, "Miff's Blues", and "There'll Come a Time (Wait and See)", which is on the film soundtrack to the 2008 movie The Curious Case of Benjamin Button.
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gnd · 10330695-X · museum · eaaa247e-cb27-42fd-b53b-589620cf91f4 · wikidata · Q490043 · wikipedia · Miff Mole
In this article
Key facts
Key facts
• Name — Miff Mole • Landscape — yes • Birth Name — Irving Milfred Mole • Born — 11 March 1898 • Birthplace — Roosevelt, New York, U.S. • Died — 29 April 1961 • Place of death — New York City, New York, U.S. • Genre — Jazz • Occupation — Musician • Instrument — Trombone • Associated Acts — Miff Mole and his (Little) Molers • Illustration — From left: Miff Mole, Dudley Fosdick, Red Nichols and Leo McConville, ca. 1926
Career
Career
Miff Mole was born in Greenwich Point, later renamed Roosevelt, Long Island, New York. He studied violin and piano as a child and switched to trombone when he was 15. From 1918 to 1919 Mole played in the Acme Sextett with Benny Krueger (saxophone), Ernie Holst (violin), and Edwin Taylor Williams (banjo). He played in Gus Sharp's orchestra for two years and in the 1920s became a significant figure on the New York scene: he was a member of the Original Memphis Five (1922), played with Ross Gorman, Roger Wolfe Kahn, Sam Lanin, Ray Miller and many others. His other activities, like those of many jazz musicians at the time, included working for silent film and radio orchestras. In 1926–29, he and trumpeter Red Nichols led a band called Miff Mole and His Little Molers. They recorded frequently until 1930. Mole and his band backed Sophie Tucker, who was known as "The Last of the Red Hot Mammas" and who was one of the most popular singers of the 1910s and 1920s. They accompanied her on her 1927 Okeh recordings of "After You've Gone", "Fifty Million Frenchmen Can't Be Wrong", "I Ain't Got Nobody", and "One Sweet Letter from You". Mole and his band, which included Eddie Lang, Jimmy Dorsey, Red Nichols, and Vic Berton, also accompanied her for live performances. From 1925 to 1929, Mole was identified with bands led by cornetist Red Nichols: The Red Heads, The Hottentots, The Charleston Chasers, The Six Hottentots, The Cotton Pickers, Red and Miff's Stompers, and especially Red Nichols and His Five Pennies. These bands recorded for the labels Perfect, Domino, Pathé, Edison, OKeh and Victor, though the Five Pennies name was used only for their recordings on Brunswick. The original Five Pennies band consisted of Nichols on cornet, Mole on trombone, Jimmy Dorsey on clarinet and alto sax, Eddie Lang on guitar, Arthur Schutt on piano, and Vic Berton (who came up with the name for the group) on drums, but over time the personnel changed and expanded. Among the musicians who passed through the Five Pennies were clarinetist Pee Wee Russell, violinist Joe Venuti, bass saxophonist Adrian Rollini, tuba and bass player Joe Tarto, trombonist Glenn Miller, and extra trumpeters such as Leo McConville and Charlie Teagarden. When Jack Teagarden arrived in New York in 1928, he replaced Mole as the role model for trombonists, with a more legato, blues-oriented approach. Having started working for radio in 1927 (at WOR), Mole changed his focus to working with NBC (1929–1938). In 1938–1940, he was a member of Paul Whiteman's orchestra, but his style by then had changed under the influence of Teagarden. In 1942–1943, Mole played in Benny Goodman's orchestra, and between 1942 and 1947 he led dixieland bands. He worked in Chicago in 1947–1954. Due to bad health, Mole played sporadically during his last years. He died in New York City on April 29, 1961. A benefit to raise money for his medical expenses was scheduled too late. He was interred in the family plot in Greenfield Cemetery, Hempstead, Long Island, New York. Mole's solo style, which included octave-leaps, shakes, and rapid-fire cadenzas, had a profound effect on jazz trombone playing in his time. Among those who emulated Mole's playing were trombonists Bill Rank, Glenn Miller, Tommy Dorsey, and Jimmy Harrison. His 1928 recording of "Shim-Me-Sha-Wabble" with the Little Molers (Okeh), was used in the soundtrack to the Russell Crowe movie Cinderella Man (2005). In 2008, his composition "There'll Come a Time (Wait and See)", written with Wingy Manone, was on the soundtrack to the Academy Award-nominated movie The Curious Case of Benjamin Button.
Identity
Identity
Miff Mole is recorded as bandleader, conductor and musician.

Miff Mole, Nick's (Tavern), New York, N.Y., ca. June 1946 (Photograph by William P. Gottlieb)
William P. Gottlieb · http: section=ver01 size=1024 from=

Pee Wee Russell, Muggsy Spanier, Miff Mole, and Joe Grauso, Nick's (Tavern), New York, N.Y., ca. June 1946 (Photograph by William P. Gottlieb)
William P. Gottlieb · http: section=ver01 size=1024 from=
Life and career
Dated record
Life and career
The full dated record · 1 entries
1961
Miff Mole died at New York City.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Roosevelt.
Birth place
New York City.
Death place
Compositions
Miff Mole's compositions included "Slippin' Around", "There'll Come a Time (Wait and See)" with Wingy Manone, "Hangover" with Red Nichols, "Worryin' the Life Out of Me" with Frank Signorelli and Sidney Keith 'Bob' Russell, and "Miff's Blues".
Discography
• 1927–00: The Chronological (Classics, 2002) • 1928–37: The Chronological (Classics, 2003) • 1944.02: Miff Mole and his World Jam Session Band, 1944 (Jazzology, 1982) – radio transcriptions • 1944–00: Bobby Hackett / Miff Mole at Nicks 1944 (Commodore, 1985) – Miff Mole and His Nicksielanders only in the six tracks of B-side • 1945.03: Manhattan Masters, 1954 (Manhattan) • 1951–00: Dixieland at Jazz Ltd, Vol. 1 (Atlantic, 1952) – 10″ LP • 1950–56: Doorway to "Dixie" (Argo, 1957) • 1959.11: Aboard the Dixie Hi-Flyer (Stepheny, 1959) – reissued as The Immortal Miff Mole (Jazzology, 1982)
Primary material
Documents and archives
Institutional database
- MusicBrainz artist record for Miff Mole
Scholarly · MetaBrainz Foundation
authority file
- Gemeinsame Normdatei 10330695-X, Miff Mole's Molers.
Unverified · Deutsche Nationalbibliothek
reference work
- “Miff Mole”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Colin Larkin. The Guinness Encyclopedia of Popular Music. Guinness Publishing. 1722/3. 1992. 0-85112-939-0.
- 2.Herbert, 224: "[...] Miff Mole, one of the greatest of all jazz trombonists..", The Rough Guide to Jazz: "Mole was a revolutionary trombonist [whose style] made a deep impression on black and white players alike in the formative jazz years."
- 3.Dapogny, Grove
- 4.Roosevelt History / Welcome. Rooseveltufsd.org.
- 5.Yanow 2003, p. 90
- 6.Ralph Wondraschek, "The Original Memphis Five, Part Four," Vintage Jazz Mart, p. 49. Vjm.biz.
- 7.Herbert, p. 224
- 8.Yanow 2001, p. 156
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
Institutional database
MusicBrainz artist record for Miff MoleMetaBrainz Foundation
Verifiedauthority file
Gemeinsame Normdatei 10330695-X, Miff Mole's Molers.Deutsche Nationalbibliothek
Partially resolvedreference work
Partially resolvedauthority record
Unverified
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 14 August 2026.
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