Michèle Reverdy
Michèle Reverdy (born 12 December 1943) is a French composer. • Illustration — Michèle Reverdy
Also recorded as Michele Reverdy
Michèle Reverdy

George2etexte · CC BY-SA 4.0
- Full name
- Luccantoni.
- Born
- 1943. · Alexandria.
- Nationality
- France.
- Occupation
- composer, musicologist, music educator and record producer.
- Fields
- music and music education.
- Movements
- classical music.
- Education
- Conservatoire de Paris.
- Teachers
- Olivier Messiaen and Claude Ballif.
- Languages
- French.
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Michèle Reverdy (born 12 December 1943) is a French composer. • Illustration — Michèle Reverdy
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wikidata · Q1106563 · wikipedia · Michèle Reverdy
In this article
Life and career
Life and career
Michèle Reverdy studied at Conservatoire de Paris. Training under Olivier Messiaen and Claude Ballif is recorded. The recorded working language is French. The field of work recorded is music and music education. Subjects and genres recorded for the work are opera, classical music and contemporary classical music. Residence is recorded at Paris. Employment is recorded with Conservatoire de Paris.
Michèle Reverdy was born in Alexandria (Egypt). She studied at the Conservatoire de Paris especially with Claude Ballif for music analysis and Olivier Messiaen for composition. After completing her studies she took a position in 1983 teaching music analysis and orchestration at the same school and retired as Professor Emeritus. Reverdy was a resident of Casa de Velázquez in Madrid from 1979 to 1981 and composer-in-residence at the Conservatory of Strasbourg Musica Festival in 1993. She was a producer at Radio France from 1978 to 1992, and received a Lifetime Achievement award from Société des auteurs, compositeurs et éditeurs de musique (SACEM) in 1995. She is the author of two books on Olivier Messiaen.
Works
Works
Reverdy has composed about one hundred works for orchestra, opera, chamber ensemble, vocal music and solo instrument. Selected works include: • Tetramorphie (Tetramorph) for viola and percussion (1976) • Concerto for Orchestra (1994) • Scenic Railway (1984) • Am Stram Gram (1997) • Anacolutha, tribute to Olivier Messiaen (2008) • Arcanum (1979) • Cante Jondo (1974–80) • Les Jeux de Protée for flute, viola and harp (1984) • Cyclades (1988) • Capricho (1990) • Le Précepteur, opera, libretto Hans-Ulrich Treichel (de), after the play Der Hofmeister by Jakob Michael Reinhold Lenz, premiered at the second Munich Biennale (1990) • Crossed Paths (1996) • Chimera (1992) • Chimère, Concerto for viola and 18 instruments (1994) • Rencontres for viola solo (1994) • Médée, opera, after the novel Medea. Stimmen by Christa Wolf, premiered at the Opéra de Lyon (2001) • Five Pieces for cello (2004) • Harp Concerto (2005) • Of Irony against the Absurdity of the World (2009)
Life and career
Dated record
Life and career
The full dated record · 1 entries
1943
Michèle Reverdy was born on 12 December 1943.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Paris.
Residences
Alexandria.
Birth place
Discography
Reverdy works have been recorded and issued on CDs, including: • Michele Reverdy - Salabert actuels, Harmonia Mundi • M.F.A. Musiques Francaises d Aujourd'hui, Harmonia Mundi • Medee Live, Harmonia Mundi • Autour de Messiaen, Squires Productions (NY - USA) • Sappho, ADDA
Primary material
Documents and archives
authority record
- Wikidata, structured authority record Q1106563: Michèle Reverdy
General reference · Wikidata
reference work
- “Michèle Reverdy”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Michèle Reverdy. nachschlage.net, KDG – Komponisten der Gegenwart.
- 2.Michèle Reverdy. Klincksieck.
- 3.Annuaire des membres et des anciens membres. Casa de Velázquez.
- 4.Fonds Reverdy, Michèle. Bibliothèque nationale de France - Archives et manuscrits.
- 5.Jacques Drillon, « Le premier opéra de Michèle Reverdy. Les chants du précepteur », Le Nouvel Observateur, 24-30 mai 1990.
- 6.Philippe Gut. Médée, le mythe revisité. L'Humanité. 2003-01-24.
- 7.La BNF et France Musique célèbrent la Journée internationale des droits des femmes. France Musique. 2019-03-08.
Bibliography printed in the source article · 5
- Pascal Quignard, Le Nom sur le bout de la langue, Paris, POL, 1993.
- Dörte Schmidt, Lenz im Zeigenössischen Musiktheater. Literaturoper als Kompositorisches Projekt bei Bernd Alois Zimmermann, Friedrich Goldmann, Wolfgang Rihm u. Michèle Reverdy, Stuttgart, Metzler, 1993.
- Stefan Schwalgin, Le Précepteur von Michèle Reverdy. Analyse der Kompositionstechnik unter semantischem Aspekt, Kiel, Wissenschaftsverlag Vauk, 1999.
- Bernard Banoun, Pierre Michel, Musique, Arts et Littérature dans l’œuvre de Michèle Reverdy, Paris, L'Harmattan, 2005.
- Emmanuel Reibel, Yves Balmer, Michèle Reverdy, compositrice intranquille, Paris, Vrin, 2014.
References
Citations
References
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Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 16 August 2026.
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