Michel Piccoli

Michel Piccoli studied at École alsacienne, Cours Simon and Collège Sainte-Barbe. The recorded working language is French. The field of work recorded is acting, film direction and film screenwriting. Places of work recorded in the authority are France. Distinctions recorded are Prize for the best actor of the Union of criticism, European Film Academy Honorary Award, German Film Award for Best Actor and Cannes Film Festival Award for Best Actor.

• Name — Michel Piccoli • Birth Name — Jacques Daniel Michel Piccoli • Born — 27 December 1925 • Birthplace — Paris, France • Died — 12 May 2020 • Place of death — Saint-Philbert-sur-Risle, France • Children — 3 • Years Active — 1945–2015 • Occupation — * Actor • screenwriter • director • musician • singer

Piccoli was born in Paris to a musical family; his mother was a pianist and his father was a violinist whose grandfather was from the canton of Ticino. He appeared in many different roles, from seducer to cop to gangster to Pope, in more than 170 movies. He appeared in six films directed by Luis Buñuel including Belle de Jour (1967) and The Discreet Charm of the Bourgeoisie (1972), but also appeared as Brigitte Bardot's husband in Jean-Luc Godard's Contempt (1963) and as the main antagonist in Alfred Hitchcock's Topaz (1969). He also appeared in many films by Claude Sautet, sometimes co-starring in them with Romy Schneider, and became a frequent collaborator of director Marco Ferreri, with whom he worked on several films, including Dillinger Is Dead and La Grande Bouffe. In 1973 he starred in Luis García Berlanga's Grandeur nature (Life Size), a controversial film that suffered censorship during the Franco era and was not released in Spain until 1978. In the 1990s, Piccoli also worked as a director on three films. One of his last leading roles was his portrayal of a depressed, newly elected pope in Nanni Moretti's We Have a Pope (2011), for which he was awarded with the David di Donatello Award for Best Actor.

Piccoli was part of the Saint-Germain-des-Prés circle in the 1950s, which included Jean-Paul Sartre and Simone de Beauvoir. He was a member of the French Communist Party in this era. A lifelong left-winger, he objected to repression in the Soviet bloc, and supported the Solidarity trade union in Poland.

Piccoli married three times and divorced twice. His first marriage was to Éléonore Hirt. They had one daughter together. He was then married for eleven years to singer Juliette Gréco. His final marriage was to Ludivine Clerc, with whom he adopted a daughter and a son. Piccoli died from complications of a stroke on 12 May 2020, at the age of 94.

• Illustration — Piccoli in 1945 • Year — Title — Director — Role — Notes • 1945 — The Bellman — Christian-Jaque — A villager — Uncredited • 1949 — Daybreak — Louis Daquin — Georges Gohelle • The Perfume of the Lady in Black — Louis Daquin — Lebel • 1951 — Without Leaving an Address — Jean-Paul Le Chanois — A journalist in the archives — Uncredited • 1954 — Destinées — Jean Delannoy Christian-Jaque Marcello Pagliero — Pasquerel — (segment Jeanne) • Tout chante autour de moi — Pierre Gout — Reverdier • 1955 — The Price of Love — Maurice de Canonge — Georges • French Cancan — Jean Renoir — Captain Valorgueil • Bad Liaisons — Alexandre Astruc — An inspector • Ernst Thälmann — Kurt Maetzig — Rouger • The Grand Maneuver — René Clair — An officer — Uncredited • 1956 — Shadow of the Guillotine — Jean Delannoy — The refractory priest • Death in the Garden — Luis Buñuel — Father Lizardi • 1957 — The Crucible — Raymond Rouleau — James Putnam • Nathalie — Christian-Jaque — Inspector Franck Marchal • 1958 — Rafles sur la ville — Pierre Chenal — Inspector Paul Vardier • Les copains du dimanche — Henri Aisner — The director of the flying club • Tabarin — Richard Pottier — Jacques Forestier • 1959 — La Bête à l'affût — Pierre Chenal — Commissioner Jacques Guimard • 1960 — La dragée haute — Jean Kerchner — Hugo Barsac • Le Bal des espions — Michel Clément — Brian Cannon • 1961 — Amazons of Rome — Carlo Ludovico Bragaglia Vittorio Cottafavi Peter O'Cord — Console Publicola • Rendezvous — Jean Delannoy — Paul • Les Petits Drames — Paul Vecchiali — Surgeon • 1962 — Adieu Philippine — Jacques Rozier — Actor playing 'Izquierdo' — Uncredited • Climats — Stellio Lorenzi — François Crozant • 1963 — Le Doulos — Jean-Pierre Melville — Nuttheccio • The Day and the Hour — René Clément — Antoine • Contempt — Jean-Luc Godard — Paul Javal • 1964 — Diary of a Chambermaid — Luis Buñuel — M. Monteil • La Chance et l'Amour — Bertrand Tavernier Claude Berri Charles L. Bitsch Éric Schlumberger — Philippe Decharme — (segment Lucky la chance) • All About Loving — Jean Aurel — Raoul • Salut Les Cubains! — Agnès Varda — Himself • 1965 — Masquerade — Basil Dearden — George Sarrassin • Dom Juan ou le Festin de Pierre — Marcel Bluwal — Dom Juan • Le Coup de grâce (film) — Jean Cayrol Claude Durand — Capri / Bruno • The Sleeping Car Murders — Costa-Gavras — René Cabourg • Lady L — Peter Ustinov — Lecoeur • 1966 — The War Is Over — Alain Resnais — First customs inspector • Les Ruses du diable — Paul Vecchiali — The antique dealer • The Game Is Over — Roger Vadim — Alexandre Saccard • La Voleuse — Jean Chapot — Werner Kreuz • Les Créatures — Agnès Varda — Edgar Piccoli • Is Paris Burning? — René Clément — Edgard Pisani • 1967 — The Young Girls of Rochefort — Jacques Demy — Simon Dame • Shock Troops — Costa-Gavras — The Extra Man • Belle de jour — Luis Buñuel — Henri Husson • My Love, My Love — Nadine Trintignant — Marrades • 1968 — Benjamin — Michel Deville — Count Philippe de Saint-German • Danger: Diabolik — Mario Bava — Inspector Ginko • La Chamade — Alain Cavalier — Charles • La prisonnière — Henri-Georges Clouzot — The guest in a hurry at the opening — Uncredited • 1969 — Dillinger Is Dead — Marco Ferreri — Glauco • The Milky Way — Luis Buñuel — Marquis de Sade • L'Invitée — Vittorio De Seta — François Desailly • Topaz — Alfred Hitchcock — Jacques Granville • 1970 — The Things of Life — Claude Sautet — Pierre Bérard • Invasion — Yves Allégret — Marcello • 1971 — Max et les ferrailleurs — Claude Sautet — Max • La Poudre d'escampette — Philippe de Broca — Valentin • Ten Days' Wonder — Claude Chabrol — Paul Regis • 1972 — The Audience — Marco Ferreri — Father Amerin • Liza — Marco Ferreri — Giorgio's friend • The Discreet Charm of the Bourgeoisie — Luis Buñuel — Minister of the Interior • The Assassination — Yves Boisset — Colonel Kassar • César and Rosalie — Narrator — Claude Sautet — Voice • 1973 — The Woman in Blue — Michel Deville — Pierre • Themroc — Claude Faraldo — Themroc • Wedding in Blood — Claude Chabrol — Pierre Maury • La Grande Bouffe — Marco Ferreri — Michel • Far West — Jacques Brel — Indian Chief • 1974 — Don't Touch the White Woman! — Marco Ferreri — Buffalo Bill • Un amour de pluie — Voix seulement — Jean-Claude Brialy — Voice • Le Trio infernal — Francis Girod — Georges Sarret • Tamaño natural — Luis García Berlanga — Michel • The Phantom of Liberty — Luis Buñuel — Second Prefect • Vincent, François, Paul and the Others — Claude Sautet — François • E cominciò il viaggio nella vertigine — Toni de Gregorio • 1975 — La smagliatura — Peter Fleischmann — Investigator • Leonor — Juan Luis Buñuel — Richard • 7 morts sur ordonnance — Jacques Rouffio — Dr. Pierre Losseray • 1976 — The Last Woman — Marco Ferreri — Michel • Todo modo — Elio Petri — Lui • F comme Fairbanks — Maurice Dugowson — Etienne • Mado — Claude Sautet — Simon Léotard • 1977 — René la Canne — Francis Girod — Inspector Marchand • The Accuser — Jean-Louis Bertucelli — Saint-Ramé • Spoiled Children — Bertrand Tavernier — Bernard Rougerie • 1978 — La Part du feu — Étienne Périer — Robert Hansen • Strauberg ist da — Strauberg — Mischa Gallé • The Savage State — Francis Girod — Orlaville • La petite fille en velours bleu — Alan Bridges — Conrad Brukner • Le sucre — Jacques Rouffio — Grezillo • 1979 — Neapolitan Mystery — Sergio Corbucci — Victor Navarro • Le divorcement — Philippe — Pierre Barouh • Le mors aux dents — Pierre Chazerand — Laurent Heynemann • 1980 — A Leap in the Dark — Marco Bellocchio — Mauro Ponticelli • Der Preis fürs Überleben — Hans Noever — René Winterhalter • Atlantic City — Louis Malle — Joseph • 1981 — The Prodigal Daughter (1981 film) — Jacques Doillon — The Father • Confused Feelings (film) — Étienne Périer — The Professor — TV movie • Strange Affair — Pierre Granier-Deferre — Bertrand Malair • 1982 — Espion, lève-toi — Yves Boisset — Jean-Paul Chance • The Passerby — Jacques Rouffio — Max Baumstein • That Night in Varennes — Ettore Scola — King Louis XVI — Uncredited • Passion — Jean-Luc Godard — Michel Boulard • The Eyes, the Mouth — Marco Bellocchio — Uncle Agostino • Beyond the Door — Liliana Cavani — Mr. Mutti • Une chambre en ville — Jacques Demy — Edmond Leroyer • Que les gros salaires lèvent le doigt! — Denys Granier-Deferre — José Viss • 1983 — Le Prix du Danger — Yves Boisset — Frédéric Mallaire • The General of the Dead Army — Luciano Tovoli — Benetandi • 1984 — Dangerous Moves — Richard Dembo — Akiva Liebskind • Viva la vie — Claude Lelouch — Michel Perrin • Success Is the Best Revenge — Jerzy Skolimowski — French Officer • Le matelot 512 — René Allio — Récitant — Voice • 1985 — Death in a French Garden — Michel Deville — Graham Tombsthay • Partir, revenir — Claude Lelouch — Simon Lerner • Adieu Bonaparte — Youssef Chahine — Caffarelli • 1986 — My Brother-in-Law Killed My Sister — Jacques Rouffio — Etienne Sembadel • Le Paltoquet — Michel Deville — Le Paltoquet • Mauvais Sang — Leos Carax — Marc • La Puritaine — Jacques Doillon — Pierre • 1987 — La rumba — Roger Hanin — Damien Malleville • The Distant Land — Luc Bondy — Friedrich Hofreiter • The Veiled Man — Maroun Bagdadi — Kassar • Maladie d'amour — Jacques Deray — Raoul Bergeron • 1988 — Come sono buoni i bianchi — Marco Ferreri — Father Jean-Marie • Blanc de Chine — Denys Granier-Deferre — Batz • 1990 — May Fools — Louis Malle — Milou • Martha and I — Jiří Weiss — Ernst Fuchs • 1991 — La Belle Noiseuse — Jacques Rivette — Edouard Frenhofer • The Children Thief — Christian de Chalonge — M. Armand • Walking a Tightrope — Nikos Papatakis — Marcel Spadice • 1992 — Divertimento — Jacques Rivette — Edouard Frenhofer • Le Bal des casse-pieds — Yves Robert — Désiré • Archipel — Pierre Granier-Deferre — Leonard Wilde • La vie crevée — Guillaume Nicloux — Raymond • The Supper — Édouard Molinaro — François-René de Chateaubriand — Voice • 1993 — La cavale des fous — Marco Pico — Henri Toussaint • Rupture(s) — Christine Citti — Paul • 1994 — Al-Mohager — Youssef Chahine — Adam • L'ange noir — Jean-Claude Brisseau — Georges Feuvrier • 1995 — Les Cent et une Nuits de Simon Cinéma — Agnès Varda — Simon Cinéma • 1996 — Beaumarchais — Édouard Molinaro — Prince de Conti • Traveling Companion — Peter Del Monte — Cosimo • Party — Manoel de Oliveira — Michel • Tykho Moon — Enki Bilal — Mac Bee • 1997 — Genealogies of a Crime — Raúl Ruiz — Georges Didier • Passion in the Desert — Lavinia Currier — Jean-Michel Venture de Paradis • 1999 — Rien sur Robert — Pascal Bonitzer — Lord Ariel Chatwick-West • Le plus beau pays du monde — Marcel Bluwal — Récitant (fin du film) — Voice • Libero Burro — Sergio Castellitto — Uncle Toni • París-Tombuctú — Luis García Berlanga — Michel des Assantes • 2000 — Les Acteurs — Bertrand Blier — Himself • Tout va bien, on s'en va — Claude Mouriéras — Louis • 2001 — I'm Going Home — Manoel de Oliveira — Gilbert Valence • 2002 — Divine Intervention — Elia Suleiman — Santa Claus Breathing — Voice • 2003 — That Day — Raúl Ruiz — Harald • Raining Cats and Frogs — Jacques-Rémy Girerd — Ferdinand — Voice • Little Lili — Claude Miller — Actor playing Simon • 2005 — C'est pas tout à fait la vie dont j'avais rêvé — Director and Writer • Magic Mirror — Manoel de Oliveira — Prof. Heschel • 2006 — Gardens in Autumn — Otar Iosseliani — Marie • Belle Toujours — Manoel de Oliveira — Henri Husson • 2007 — The Duchess of Langeais — Jacques Rivette — Vidame de Pamiers • Boxes — Jane Birkin — Father • Les Toits de Paris — Huner Saleem — Marcel • 2008 — On War — Bertrand Bonello — Le grand Hou • The Dust of Time — Theodoros Angelopoulos — Spyros • 2009 — L'insurgée — Laurent Perreau — Maurice Reverdy • 2011 — We Have a Pope — Nanni Moretti — Cardinal Melville / The Pope • 2012 — You Ain't Seen Nothin' Yet — Alain Resnais — Himself • Holy Motors — Leos Carax — Man with birthmark • Lines of Wellington — Valeria Sarmiento — Leópold Scheitzer • 2014 — Le goût des myrtilles — Thomas de Thier — Michel

His recorded language was French. He married Juliette Gréco, Eléonore Hirt and Ludivine Clerc.

Michel Piccoli worked in acting, film direction, film screenwriting and film production. He belonged to Mouvement de la Paix. He worked at France.

• Illustration — Piccoli in 2000 In 2001, he was awarded the IX Europe Theatre Prize, in Taormina, with the following citation: Michel Piccoli began his career on the stage - his Don Juan remains celebrated - before crossing to the "other shore", the cinema, finally coming to accept the relativity of travelling back and forth between the two and taking full advantage of their potential interaction. Piccoli captivates us because he is halfway between the clearly defined identity of the film actor and the ductile identity of the stage actor. When Bondy, Brook, and Chéreau turned to him, despite his reputation as a cinema performer, it was undoubtedly because of this receptiveness and adaptability. He was not trapped by an image, but brought a unique presence. He was also ready to take on an unprecedented variety of roles, which took him from Schnitzler to Chekhov and Pirandello, from Shakespeare to Koltès. The film actor was able of step back and make way for his double, the stage actor. What is it that we love about Piccoli? The fact that he is an artist who has lasted over time without turning into an effigy… he provides certainty and maintains a hidden dimension. The light does not expel the shadow, which always accompanies the brilliance of the legendary actor that he is. There is nothing one-dimensional about him. Michel Piccoli is a European figure. In him we do not see so much an international star unaware of borders, but an open-minded actor who strives to cross them. A free citizen, he does not want to become a prisoner and his whole life bears witness to this unquenched desire to go beyond limits. National as well as artistic limits. Michel Piccoli refuses civil indifference. He has never lacked commitment, and has always taken sides and got involved. His ethic is constant, whether as an actor or as a citizen. If he is taken as a model, it is always despite himself. He is not a hero who puts himself on display. More than anyone else, Piccoli has managed to maintain his humanity. A vibrant humanity that continues to guide his actions and his words. Michel Piccoli is an exemplary actor, responsible towards himself and towards his art.

• Illustration — Piccoli in 2013 • Cannes Film Festival • 1980: Best Actor Award for A Leap in the Dark • Berlin Film Festival • 1982: Silver Bear for Best Actor for Strange Affair • Locarno Festival • 2007: Best Actor Award for Les Toits de Paris • 2007: Excellence Award • César Awards • 1981: Nominated for the César Award for Best Actor for Strange Affair • 1984: Nominated for the César Award for Best Actor for Dangerous Moves • 1990: Nominated for the César Award for Best Actor for May Fools • 1991: Nominated for the César Award for Best Actor for La Belle Noiseuse • Shanghai International Film Festival • 1997: Golden Goblet Award for Best Actor for Traveling Companion • David di Donatello Awards • 2012: David di Donatello for Best Actor for We Have a Pope • European Film Awards • 2001: Nominated for the European Film Award for Best Actor for I'm Going Home • 2007: Nominated for the European Film Award for Best Actor for Belle Toujours • 2011: Honorary Award • 2011: Nominated for the European Film Award for Best Actor for We Have a Pope • Europe Theatre Prize - 2001