Michel Delpech

Michel Delpech was recorded at birth as Jean Michel Bertrand Delpech. The authorities additionally record the heading Jean-Michel Delpech. His recorded language was French.

Works recorded as notable number 8: Wight Is Wight, Pour un flirt, Les Divorcés, Quand j'étais chanteur, Le Chasseur, Chez Laurette, Que Marianne était jolie and Le Loir-et-Cher. His recorded genres are pop music and rock music.

4 works under this name are catalogued by Wikidata Query Service, Open Library and The Art Institute of Chicago. Their recorded dates run from 1825 to 1993.

Le rempart des Béguines. L' homme qui avait bâti sa maison sur le sable, dated 1993. La jeunesse passe trop lentement. Odalisque, dated 1825, lithograph on paper, held by The Art Institute of Chicago, inventory 1928.623.

Work associated with this heading is recorded in 1 named public collection.

The Art Institute of Chicago: 132681 recorded objects, read from the institution's own published catalogue.

5 scholarly publications naming this subject were located in the registry of record.

Pauline Delpech, Sous la neige noire , Neuilly-sur-Seine, éditions Michel Lafon, 2007, 307 p., Aden, 2008. Pauline Delpech, Et je brûlerai ton cœur de pierre , Neuilly-sur-Seine, éditions Michel Lafon, 2008, 282 p., Aden, 2009. Delpech, Daisy, Benezit Dictionary of Artists, 2011. Delpech, Jean, Benezit Dictionary of Artists, 2011. Delpech, Alain, Benezit Dictionary of Artists, 2011.

the recorded working language is French.

The field of work recorded is music. Subjects and genres recorded for the work are pop music and rock music.

Works named in the authority record are Wight Is Wight, Pour un flirt, Les Divorcés, Quand j'étais chanteur, Le Chasseur and Chez Laurette.