Michael Bach

He studied cello with Gerhard Mantel, Boris Pergamenschikow, Pierre Fournier, and János Starker, then embarked on a career of international concert activity as well as performances on radio, recordings, and television. He made numerous significant contributions to the art of contemporary cello performance; his publication Fingerboards & Overtones proposes new ideas concerning overtones and harmonics and is considered a pioneering work in the literature on contemporary technique. In 1990, he developed the curved bow (BACH.Bogen) for the cello, violin, viola and bass, which, in polyphonic playing, permits the simultaneous sounding of multiple strings, with the high arch of the bow allowing for full, sustained chords. During the years 1997 to 2001, Mstislav Rostropovich has been intimately involved in its development. In 2001, he invited Michael Bach to Paris for a presentation of his BACH.Bow (7th Concours de violoncelle Rostropovitch). In 2012, during an exhibition on the theme BACHLAEUFE – The Imprint of Johann Sebastian Bach on Modern Times, held at Arnstadt, Germany, the first prize was awarded to the BACH.Bow. His work as cellist and composer was awarded the Gaudeamus Prize Amsterdam, the Kranichstein Prize Darmstadt, the Japan Record Academy Prize, the Millennium Prize Würzburg. Several contemporary composers, among them John Cage, Dieter Schnebel, Walter Zimmermann and Hans Zender, have composed works especially for the BACH.Bow. Bach Bachtischa is also a composer. His purely musical compositions are idiosyncratic and highly personal, described by him as “free from compositional conventions.” In collaboration with the visual artist Renate Hoffleit he has created strikingly original string installations. Their projects (zwischen e and f)² in Stuttgart and IM KLANGSTROM in Ulm, Germany were supported i. a. by the Innovationsfonds Kunst of the State of Baden-Württemberg. The project Schloss Kapfenburg besaitet... was listed in the Guinness Book of Records in 2000. • Illustration — Exhibition of the Fingerboards in Trier, Germany 2012 In the two blogs the bach update and the cello upgrade, Michael Bach documents and analyzes projects and aspects of contemporary music as well as new insights into the solo works for violin and cello by Johann Sebastian Bach. Michael Bach's visual works include Fingerboards (1990–2010), which capture the hand's choreography on the cello fingerboard as color impressions, Fieldwork (1994), Mit diesen beiden Händen (1994), Lagauche (1995), and Olévano (1995–). The German postage stamp 75 Jahre Donaueschinger Musiktage, Deutschland 1996 shows his composition and drawing 18–7–92, Scetches to Ryoanji (1992).

• 1986 SOLO (1966) by Karlheinz Stockhausen with digital delay machines. Michael Bach, Cello and the Experimentalstudio des SWF, Hans Peter Haller, Freiburg, Germany. • 1986 Sonata in E-flat Major, opus 64 by Ludwig van Beethoven with Berhard Wambach, piano, Karlsruhe, Germany. • 1987 Kadenzen (1913) by Arnold Schoenberg for the Cello Concerto in g minor by Matthias Georg Monn with the Orchester der Beethovenhalle Bonn, conductor: Georg Schmöhe, Bonn, Germany. • 1991 ONE8 and 108 (1991) for cello with curved bow and orchestra by John Cage, dedicated to Michael Bach and the Radio Symphony Orchestra Stuttgart (without conductor), Stuttgart, Germany. • 1992 Mit diesen Händen (1992) for cello with curved bow and voice by Dieter Schnebel, dedicated to Michael Bach, together with the singer William Pearson on the occasion of the "Heinrich-Böll-Woche" in Cologne, Germany. • 1993 ONE13 (1992) for cello with curved bow and 3 tapes, composition by John Cage and Michael Bach Bachtischa, festival musica in Strasbourg, France. • 1998 TIERKREIS by Karlheinz Stockhausen, version for cello with curved bow by Michael Bach Bachtischa in Bayreuth, Germany. • 2004 Capriccio 1828 for violin solo by Niccolò Paganini, version for cello with curved bow by Michael Bach Bachtischa in Worms, Germany. • 2008 New version of ONE13 (1992/2006) for cello with curved bow and 3 tapes, composition by John Cage and Michael Bach Bachtischa, in San Francisco, USA and Stuttgart, Germany. • 2010 versbrechen – ein Fingerboard für Kirchner for cello with curved bow by Michael Bach Bachtischa, Galerie Stihl Waiblingen, Germany. • 2014 locus amoenus for cello with curved bow, by Michael Bach Bachtischa, Foundation Domnick, Nürtingen • 2015 vierumuns for four voices, by Michael Bach Bachtischa, EXVOCO Stuttgart, City Library of Stuttgart • 2018 273" für Dieter Schnebel for cello with curved bow, by Michael Bach Bachtischa, Kunstbezirk Stuttgart • 2018 Interludien for cello with curved bow, Ulmer Münster, within the project IM KLANGSTROM with Renate Hoffleit • 2022 KLANGPARALLELEN for cello with curved bow, Stuttgart, on the occasion of the exhibition 30 Years SKULPTURENFELD by Renate Hoffleit

• "The Cellist Michael Bach", Moderation: Sabine Fallenstein, 60 minutes, SWR Baden-Baden, Germany 1998 • "The BACH.Bogen", Moderation: Sabine Fallenstein, 10 minutes, SWR Baden-Baden, Germany 2000 • Interview with Michael Bach concerning the „BACH.Bogen", Moderation: Andreas Lindahl, 20 minutes, Sveriges Radio, Sweden 2007 • "Daimei No Nei Ongakukai", Moderation: Toshiro Mayuzumi, Michael Bach and the Tokyo City Philharmonic, Naozumi Yamamoto, Shibuya Public Hall, TV Asahi Tokyo, Japan 1990 • Donaueschinger Musiktage 1994, Concert on 14 October 1994, SWR TV Baden-Baden, Germany 1994 • Radio broadcast on SWR 2, Klassik extra with Michael Bach, 31 December 2016