Michael Ancher

Michael Ancher studied at Royal Danish Academy of Fine Arts. Training under Christian Vilhelm Nielsen is recorded. Anna Ancher and Walter Schwartz are recorded as having studied under Michael Ancher. The recorded working language is Danish. Subjects and genres recorded for the work are portrait. Residence is recorded at Anchers Hus and Nyhavn. Works named in the authority record are The Lifeboat is Taken through the Dunes, Christmas Day 1900, Art Judges, Portrait of my wife and Will He Round the Point? Work by Michael Ancher is recorded in the collections of Nationalmuseum, The Museum of National History at Frederiksborg Castle, Museum Stavanger, Skagens Museum and Statens Museum for Kunst. Distinctions recorded are Eckersberg Medal, Thorvaldsen Medal and Knight of the Order of the Dannebrog.

Michael Peter Ancher was born at Rutsker on the island of Bornholm in the Baltic. The son of a local merchant, he attended school in Rønne but was unable to complete his secondary education as his father ran into financial difficulties, forcing him to fend for himself. In 1865, he found work as an apprentice clerk at Kalø Manor near Rønde in eastern Jutland. The following year, he met the painters Theodor Philipsen and Vilhelm Groth who had arrived in the area to paint. Impressed with his early work, they encouraged him to take up painting as a profession. In 1871, he spent a short period at C.V Nielsen's art school as a preliminary to joining the Royal Danish Academy of Art in Copenhagen later in the year. Although he spent some time at the academy, he left in 1875 without graduating. One of his student companions was Karl Madsen who invited him to travel to Skagen, a small fishing village in the far north of Jutland where Skagerrak and North Sea converge. From the mid-1870s, he and Madsen became key members of a group of artists who congregated there each summer, known as the Skagen Painters. After Ancher first visited Skagen in 1874, he settled there joining the growing society of artists. The colony of painters regularly met in the Brøndums Hotel in Skagen in order to exchange ideas. In 1880 Ancher married fellow painter and Skagen native Anna Brøndum, whose father owned the Brøndums Hotel. In the first years of their marriage, the couple had a home and studio in the "Garden House", which is now in the garden of the Skagens Museum. After the birth of their daughter Helga in 1883, the family moved to Markvej in Skagen.

He achieved his artistic breakthrough in 1879 with the painting Vil han klare pynten? (Will He Round the Point?). Michael Ancher's works depict Skagen's heroic fishermen and their dramatic experiences at sea, combining realism and classical composition. Key works include The Lifeboat is Carried Through The Dunes (1883), The Crew Are Saved (1894) and The Drowned Man (1896). Michael Ancher was influenced by his traditional training at the Royal Danish Academy of Fine Arts in the 1870s which imposed strict rules for composition. His marriage to Anna Ancher did, however, introduce him to the naturalistic concept of undecorated reproduction of reality and its colours. By combining the pictorial composition of his youth with the teachings of naturalism, Michael Ancher created what has been called modern monumental figurative art, such as A Baptism. Among other places, the works of Anna and Michael Ancher can be seen at the Skagens Museum, Statens Museum for Kunst, the Frederiksborg Museum, The Hirschsprung Collection, and Ribe Art Museum. Michael Ancher received the Eckersberg Medal in 1889 and in 1894 the Order of the Dannebrog. Originally many of Ancher's paintings hung in the dining room of the Brøndums Hotel. The painter P.S. Krøyer conceived the idea of placing paintings by different artists in the wall panels. In 1946 the dining hall was moved to Skagens Museum.

The Skagen residence of Anna and Michael Ancher was purchased in 1884. In 1913, a large studio annex was added to the property and this also forms part of what is on display today. Upon her death in 1964, their daughter, Helga Ancher, left the house and all of its contents to the Helga Ancher Foundation. In 1967 the home was turned into a museum, the Anchers Hus. The original furniture and paintings created by the Anchers and other Skagen artists are shown in the restored home and studio. Temporary art exhibitions are arranged in Saxilds Gaard, another building on the property. This house is filled with displays of paintings by Michael and Anna Ancher as well as those by many other Skagen painters who made up their circle of friends. Today the house is a part of Skagens Kunstmuseer.

Anna and Michael Ancher were featured on the front of the previous series DKK1000 bill. The first version of the bill came into circulation on 18 September 1998, and was then updated on 25 November 2004, adding more security features. The front of the banknote featured a double portrait of Anna and Michael Ancher, derived from two 1884 paintings by Peder Severin Krøyer which originally hung on the walls in the dining room at Brøndums Hotel.

A collection of almost 4,000 letters between Michael and Anna Ancher and their friends, with comments by the art historian Elisabeth Fabritius, was published as Anna og Mchael Ancher. Breve og fotografier 1866-1935 I-VI was published by Forlaget Historika. in 2020.

In 2016, a painting was purchased for less than $50 at a garage sale in Minnesota, bearing the inscription 'Elimar'. After speculation that the work was by Dutch artist Vincent van Gogh, it was brought to the art research firm LMI Group International in NYC in 2019, who after four years of research ultimately attributed the painting to Van Gogh. From 2020-2025, the work went under investigation by a team of around 20 experts, and numerous pieces of evidence have been put forward in a 456 page report to prove the work's authenticity; analyzation of the canvas weave, radiocarbon dating, paint pigments and overall characteristics of the style. A strand of red human hair was even found embedded in the canvas and was sent to be analyzed. Despite the fact that it came from a human male, efforts to compare its DNA to that of Van Gogh's descendants ultimately failed due to its reportedly "degraded state", as stated by LMI. This research has also given experts the ability to date the work, which was in 1889, during Van Gogh's time at the Saint-Paul Asylum in Saint-Rémy. The LMI Group later stated that the work (now referred to as 'Elimar', using the inscription in the bottom right corner) was based on a portrait by Michael Ancher, therefore adding to Van Gogh's considerable list of "translations" of other artists' works (notably Paul Gauguin, Émile Bernard and Jean-François Millet). According to research by the LMI Group, the ‘Elimar’ inscription on the Van Gogh painting is a reference by Vincent Van Gogh to a fisherman character in one of Hans Christian Andersen’s books of which Van Gogh was known to have read, and is not the signature of the Danish amateur painter Henning Elimar (based on material science and data, inscription measurements, stylistic and other documented in-congruencies).