Maxime Maufra
Maxime Maufra (17 May 1861 – 23 May 1918) was a French landscape and marine painter, etcher and lithographer.
Also recorded as Maxime Emile Louis Maufra · Maxime Camille Louis Maufra · Maxime Camille-Louis Maufra · Maxime Émile Louis Maufra
Maxime Maufra

Maxime Maufra · The Cleveland Museum of Art · Gift of Ellen Wade Chinn, Elizabeth Wade Sedgwick and J. H. Wade III in memory of their mother Irene Love Wade · CC0
- Name
- Maxime Maufra
- Birthplace
- Nantes, France
- Place of death
- Poncé-sur-le-Loir, France
- Occupation
- Painter
- Born
- 1861.
- Died
- 1918.
- Nationality
- France.
- Fields
- marine art and landscape painting.
- Movements
- Pont-Aven School.
- Known for
- The Bay of Douarnenez.
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Maxime Maufra (17 May 1861 – 23 May 1918) was a French landscape and marine painter, etcher and lithographer.
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Authority files
wikidata · Q1856520 · wikipedia · Maxime Maufra
In this article
Key facts
Key facts
• Name — Maxime Maufra • Birthplace — Nantes, France • Place of death — Poncé-sur-le-Loir, France • Occupation — Painter
Life
Life
Maufra first began painting at 18. He was encouraged to do so by two artists from Nantes such as the brothers Charles Leduc and Alfred Leduc and the landscape painter Charles Le Roux. However, he did not fully embrace his painting career right away. He remained in the first place a businessman and only painted in his spare time from 1884 to 1890. During this period, Maufra discovered the work of the Impressionists. He also displayed his works at the Paris Salon of 1886. In 1890, Maufra decided to give up business and to become a full-time painter. He left Nantes for Pont-Aven in the Finistère department of Brittany, where he was met Paul Gauguin and Paul Sérusier. Maufra had his first solo exhibition in Paris in 1894, at Le Barc de Toutteville. He subsequently exhibited with Durand-Ruel, to whom he remained under contract for the rest of his life. Returning from Brittany, Maufra was the first painter to take up residence in the Bateau-Lavoir in Montmartre, a famous Parisian residence for artists. He returned to Brittany each year, in particular to the Quiberon region. He found inspiration for his art in his travels which took him to the Dauphiné (1904), the Midi (1912), Algeria (1913) and Savoy (1914).
Work
Work
Maufra was mainly an artist of landscapes and marine views. In his compositions, Maufra sometimes quoted the pointillist technique of Camille Pissarro or Alfred Sisley, and also took from the strong colors and powerful drawing of the Pont-Aven School. Maufra remained an independent artist his whole life through and dedicated his art to recording the beauty of nature. He also explored etching and lithography.
Gallery
Gallery
• Illustration — The Port of Sauzon-Belle-Isle-en-Mer (1910) • Illustration — The Loir at Poncé, Sarthe, 1918. Clark Art Institute • Illustration — Yellow dusk on the mudflats, Loctudy (1898) • Illustration — The Road from Gaud, lithograph (1893)
Identity
Identity
Maxime Maufra is recorded as painter, printmaker, lithographer and graphic artist.

The River, 1902, by Maxime Maufra
Maxime Maufra · The Cleveland Museum of Art · Gift of Lewis C. Williams
Life and career
Dated record
Life and career
Explore 1861–1918
The full dated record · 15 entries
1861
Maxime Maufra was born in 1861.
1894
The Leguenay Bridge, Bruges is dated 1894.
1898
Moonrise at Twilight is dated 1898.
1900
The Port of Saint-Goustan at Auray is dated 1900.
1900
The Return of the Fishing Boats is dated 1900.
1900
Bretons on the Road is dated 1900.
1900
Landscape with Mill is dated 1900.
1900
Low Tide at Sauzon is dated 1900.
1902
Church of Petit-Andelys (France, Normandy) by Maxime Maufra, 1902 is dated 1902.
1909
Fishing Sardine Boat is dated 1909.
1910
The Port of Sauzon, Belle-Isle-en-Mer is dated 1910.
1910
The Port and the Castle in Belle-Île is dated 1910.
1910
Garden by the Sea is dated 1910.
1912
The Port of Saint-Goustan is dated 1912.
1918
Maxime Maufra died at Poncé-sur-le-Loir.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Les falaises à Beg-ar-Fry. Musée de Cleveland.
- 2.Les Trois falaises. Musée de Quimper.
- 3.Féérie nocturne. Musées de Reims.
- 4.Maxime Maufra. Musée Thyssen-Bornemisza.
- 5.Départ des bateaux, Yport. Musée des Beaux-Arts de Boston.
- 6.Maxime Maufra (Nantes 1861 - Poncé sur le Loir 1918) : Ventes aux enchères Millon. www.millon.com.
- 7.Notice sur la base Joconde.
- 8.Notice sur la base Joconde.
- 9.Notice de la base Joconde.
- 10.Notice de la base Joconde.
- 11., page consultée le 17 mai 2025.
- 12.Fernand Graindorge 1903-1985. Collectionneur et mécène. Donation à la Communauté française de Belgique, catalogue d'exposition, Liège, Musée de l'Art wallon, 2009, .
- 13.Côte de Goulphar. Base Joconde.
- 14.Grosse mer. Base Joconde.
- 15.Notice sur la base Joconde.
- 16.Bord de Loire. Base Joconde.
- 17.Base Joconde.
- 18.Base Joconde.
- 19.La Prairie d'amont. Base Joconde.
- 20.Françoise Ravelle, Paris impressionniste, 100 tableaux de légende, Éditions Parigramme, 2016, .
- 21.Journal Le Télégramme, n° du 18 janvier 2021.
- 22.Journal Le Télégramme, n° du 19 février 2024.
- 23.Notice de la base Joconde.
- 24.Notice de la base Joconde.
- 25.Notice de la base Joconde.
Bibliography printed in the source article · 6
- Dictionnaire Bénézit.
- Catalogue de l'exposition « Maxime Maufra, les années de Pont-Aven et du Pouldu » au musée des beaux-arts de Quimper, 29 juin – 30 septembre 1996, avec des textes d'André Cariou, d'Yves Maufra et Caroline Durand-Ruel-Godfroy, édition du musée, 1996.
- Collectif, Maxime Maufra (1861-1918), Éd. Le Télégramme avec le Musée de Pont-Aven, 1998, Encyclopédie des Peintres .
- Arsène Alexandre, Maxime Maufra, peintre marin et rustique (1861-1918) avec portrait de l'artiste en frontispice et 99 gravures hors-texte, Paris, Édition des galeries Georges Petit, 1926.
- Patrick Ramade, Maxime Maufra - Le Chasse-Marée, Éditions de l'Estran à Douarnenez.
- Collectif, Maufra, les années de Pont-Aven et du Pouldu, Musée de Quimper.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Wikidata, structured authority record Q1856520: Maxime MaufraWikimedia Foundation
Secondary witnessreference work
Secondary witness
Further particulars
Held on the record
Further particulars
Open the remaining particulars
The authorities additionally record the headings Maxime Emile Louis Maufra, Maxime Camille Louis Maufra, Maxime Camille-Louis Maufra, Maxime Émile Louis Maufra and Maxine Maufra. His recorded language was French. Formation and teaching. Maufra studied at lycée Georges-Clemenceau. His recorded influences include Camille Pissarro and Alfred Sisley. Maufra received Peintre de la Marine and Knight of the Legion of Honour.
Identity and origins
Recognition and collections
Work by Maxime Maufra is
Minneapolis Institute of Art, Art Institute of Chicago, Thyssen-Bornemisza Museum and Finnish National Gallery
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 14 August 2026.
Elsewhere in Prints
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