Matei Vișniec

Matei Vișniec studied at University of Bucharest. The recorded working language is French and Romanian. Residence is recorded at Paris. Distinctions recorded are Knight of the National Order of Merit, Chevalier des Arts et des Lettres and Order of Honour.

• Name — Matei Vișniec • Native Name — Matei Vișniec • Born — 29 January 1956 • Birthplace — Rădăuți, Suceava Region, Romanian People's Republic • Occupation — playwright, poet, novelist • Language — Romanian, French • Citizenship — Romanian French • Education — University of Bucharest • Period — 1975–1980 • Genre — Postmodernism • Notable Works — The Body of a Woman as a Battlefield in the Bosnian War

Vișniec graduated in 1980 from the History and Philosophy Faculty of the University of Bucharest. Between 1977 and 1987 he wrote 8 plays in two or three acts, about twenty short plays, and some screenplays, but all were turned down by the censors. In 1987 he was invited to France by a literary foundation, and he asked for political asylum. Between August 1988 and October 1989 he lived in London, where he worked for the Romanian section of the BBC. After settling down in France, he has been writing mostly in French, and has received French citizenship. After the fall of communism in Romania, in 1989, Matei Vișniec became one of the most performed playwrights in the country, with more than 30 plays put on in Bucharest and other towns. In 1996 the National Theatre of Timișoara organized a Matei Vișniec Festival with 12 companies presenting his plays. His international audience as a playwright started in 1992, with the play Horses at the Windows performed in France, and Old Clown Wanted at the "Bonner Biennale". Since then, Vișniec has had more than 20 plays performed in France (Théâtre Guichet Montparnasse, Studio des Champs-Elysées, Théâtre du Rond-Point des Champs Elysées – Paris, Théâtre de l'Utopie – La Rochelle, Compagnie Pli Urgent – Lyon, Théâtre Le Jodel – Avignon, Théâtre de Lenche and Théâtre de la Minoterie – Marseille, Compagnie Nice-Théâtre Vivant – Nice, etc.). Old Clown Wanted has been performed in: France, Germany, United States, Denmark, Austria, Poland, Finland, Italy, Turkey, Brazil, Romania, Azerbaijan, Moldavia, and Georgia. He is working as a journalist at Radio France Internationale.

• La noapte va ninge ("Tonight It Will Snow"), Bucharest, Alb., 1980 • Orașul cu un singur locuitor ("The Town With a Single Inhabitant"), Bucharest, Alb., 1982 • Înțeleptul la ora de ceai ("The Sage at the Tea Hour"), Bucharest, Cartea Românească, 1984. • Poeme ulterioare ("Subsequent Poems") (1987–1999), Bucharest, Cartea Românească, 2000

• Cafeneaua Pas-Parol, novel, Bucharest, FCR, 1992 • Sindromul de panică în Orașul Luminilor, novel, Bucharest, Cartea Românească, 2009 • Un secol de ceață, novel, Bucharest, Polirom, 2021

• Ţara lui Gufi ("Gufi's Land", three-act play), Bucharest., IC, 1991 • Angajare de clovn ("Hiring a Clown", published in the same volume as Evangheliștii by Alina Mungiu), foreword by Marian Popescu, Bucharest., Ed. Unitext, 1993 • Teatru, vol. I-II, foreword by Valentin Silvestru, Bucharest, Cartea Românească, 1996 1991–1995)

• Personne n’a le droit de traîner sans armes sur un champ de bataille, 1991 • Le marchand de temps, 1992 • Les partitions frauduleuses, 1993 • Hécatombéon, 1993 • Théâtre décomposé ou L’homme-poubelle, 1993 • La grammaire du silence, 1994 • Trois nuits avec Madox, 1994 • L’histoire des ours pandas racontée par un saxophoniste qui a une petite amie à Francfort, 1994 • Cils interdits pendant la nuit, 1995 • Paparazzi ou la chronique d’un lever de soleil avorté, 1995 • Comment pourais-je être un oiseau?, 1996 • Du sexe de la femme comme champ de bataille dans la guerre en Bosnie, 2019 • Jeanne et le feu, 2009/2019

• "The Body of a Woman as a Battlefield in the Bosnian War", trans. Alison Sinclair in Balkan Plots: Plays from Central and Eastern Europe. 2000.

Literary critic Alex Ștefănescu considers his plays to be "bizarre, unclassifiable".