Martin Robertson
Charles Martin Robertson (11 September 1911 – 26 December 2004) was a British classical scholar and poet. He specialised in the art and archaeology of Ancient Greece, and was best known for his 1975 publication, A History of Greek Art. Martin Robertson was born in Pangbourne, Robertson was the son of a classicist and the brother of a noted art historian.
Also recorded as Charles Martin Robertson · Professor Charles Martin Robertson · C. M. Robertson
Martin Robertson
- Birth Name
- Charles Martin Robertson
- Born
- 11 September 1911
- Birthplace
- Pangbourne, United Kingdom
- Died
- 26 December 2004
- Place of death
- Cambridge, United Kingdom
- Education
- * The Leys School, Cambridge
- Nationality
- United Kingdom.
- Occupation
- university teacher, poet, art historian, archaeologist, translator and writer.
- Fields
- archaeology, art history and poetry.
- Honours
- Kenyon Medal.
- Languages
- English, Latin and Ancient Greek.
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Charles Martin Robertson (11 September 1911 – 26 December 2004) was a British classical scholar and poet. He specialised in the art and archaeology of Ancient Greece, and was best known for his 1975 publication, A History of Greek Art. Martin Robertson was born in Pangbourne, Robertson was the son of a classicist and the brother of a noted art historian.
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wikidata · Q1904834 · wikipedia · Martin Robertson
In this article
Biography
Biography
Robertson worked between 1911 and 2004 across classical archaeologist, university teacher, poet, art historian and archaeologist and 2 further recorded occupations. Every statement below returns to a source shown in the evidence panel; where the record is silent or divided, the article says so instead of resolving it.
Martin Robertson studied at Trinity College. The recorded working language is English, Latin and Ancient Greek. The field of work recorded is archaeology, art history and poetry. Employment is recorded with University College London, University of Oxford and British Museum. Distinctions recorded are Kenyon Medal.
Key facts
Key facts
• Birth Name — Charles Martin Robertson • Born — 11 September 1911 • Birthplace — Pangbourne, United Kingdom • Died — 26 December 2004 • Place of death — Cambridge, United Kingdom • Education — * The Leys School, Cambridge • Trinity College, Cambridge • Workplaces — British Museum University College London University of Oxford • Notable Students — Lisa French • Father — Donald Struan Robertson • Mother — Petica Coursolles Robertson • Resting Place — Cambridge City Cemetery • Discipline — Classics • Sub Discipline — Ancient Greek art • Notable Works — A History of Greek Art (1975) • Relatives — * Agnes Arber (aunt) • Margaret Hills (aunt) • Giles Henry Robertson (brother) • Children — 6, including Stephen Robertson and Thomas Dolby
Early life
Early life
Charles Martin Robertson was born in Pangbourne, Berkshire, on 11 September 1911. He was the eldest child of Donald Struan Robertson and Petica Coursolles, Jones. His mother maintained a literary salon; his father was a classicist, who had been appointed as an assistant lecturer at the University of Cambridge in the year of Robertson's birth and became the university's Regius Professor of Greek in 1930. Robertson was known as "Martin" throughout his life. Robertson attended The Leys School and Trinity College, Cambridge, where he read classics. His university contemporaries included the art historian Dale Trendall and the politician Enoch Powell, as well as Kim Philby, later a spy for the Soviet Union within the British Secret Intelligence Service, who became Robertson's friend. Robertson visited the British School at Athens (BSA) and attended his first excavations in 1930, in the summer before his matriculation at Trinity, at Perachora in the Corinthia, under the directorship of the archaeologist Humfry Payne, the BSA's director. He graduated from Trinity in 1934 with a First in part two of tripos, having achieved relatively poor results in his first year and a Second in his second. Later, in 1934–1936, Robertson moved to Athens as a student of the BSA, still under Payne's directorship. His colleagues at the BSA included Romilly Jenkins, Nicholas Hammond, Robert Cook, Peter Megaw and Thomas Dunbabin. While in Athens, he worked on Iron Age material from the excavation of Ithaca. He published a short article in The Journal of Hellenic Studies in 1935, on a skyphos painted by the fifth-century BCE Pan Painter: his father had introduced him to the vase, and both Robertsons had independently identified it as the painter's handiwork.
Academic career
Academic career
Robertson unsuccessfully applied to be made a fellow of Trinity in 1936: he was required to submit written work in support of his application, and did so on the material from Ithaca, but his examiner mistakenly sent Robertson's file to the Oxford art historian John Beazley, who was supporting Dale Trendall's competing application. Robertson instead took a post in September 1936 as Assistant Keeper in the Greek and Roman department of the British Museum, cataloguing the pottery from the excavations at Al-Mina in Syria led by Leonard Woolley in 1936–1937. In 1937–1938, staff in the department carried out an aggressive cleaning of the Elgin Marbles, using copper tools and abrasive silicon carbide, at the request of the entrepreneur Joseph Duveen; Duveen wanted the sculptures, originally painted, to look whiter for their display in a new gallery which he was funding. Three members of staff left the museum's employment as a result; Robertson was not involved, and so kept his job (leaving him as the only member of the department). He was, however, demoted in seniority. As a consequence of the departures, Denys Haynes was recruited as an Assistant Keeper, and the art historian Bernard Ashmole, the Yates Professor of Classical Art and Archaeology at University College London, was brought in on a part-time basis to run the Department of Greek and Roman Antiquities. Haynes and Robertson became lifelong friends, and Robertson later wrote of the "precious apprenticeship" he gained from working with Ashmole. Robertson attended a classical conference in Berlin in August 1939, on behalf of the British Museum; he was recalled shortly before the outbreak of the Second World War. From 23 August, he took part in the removal of material from the museum to London Underground stations and country houses, so as to protect the artefacts from bombing. In 1940, he enlisted in the British Army as a member of the Royal Signals, but was soon transferred to the Intelligence Corps and trained to work in cryptanalysis at Bletchley Park. Sparkes later wrote that his military service was largely unsuccessful and characterised by "mind-numbing boredom". In late 1942, shortly after the end of the Second Battle of El Alamein in November, he was moved to the Secret Intelligence Service and sent to Cairo to work with Alan Wace, a fellow archaeologist and former director of the BSA, who had requested Robertson's assistance in carrying out intelligence work in the British embassy there. Due to an administrative mistake, Robertson was transferred to Naples rather than to Athens in 1943–1944, and later served in Salonica in Greece alongside Philby. Robertson left military service in 1946, and returned to the British Museum, where he assisted in returning the evacuated collections to the galleries. He resigned in 1948 to succeed Ashmole as Yates Professor at UCL. During his tenure in London, he began to grow a beard, but was ordered to stop by his superiors: his obituarist Brian Sparkes wrote that they were concerned that he was displaying "arty" inclinations considered unbecoming of a professor. He was a visiting fellow of the BSA for the 1957–1958 academic year. He published his first book, Greek Painting, in 1959. It used the surviving Greek paintings on vases and other artistic works to reconstruct now-lost frescoes described by ancient authors. Between 1959 and 1968, he was chair of the governing council of the BSA. In 1961, Robertson again succeeded Ashmole, this time as Lincoln Professor of Classical Archaeology and Art at the University of Oxford, in which role he served until his retirement in 1978. He edited the second volume of the BSA's excavations at Perachora in 1962, following the deaths of Payne (who had conducted the excavations) and of the editors initially appointed to publish the work. In 1968–1969, he was a visiting scholar at the Institute for Advanced Study in Princeton, New Jersey; he also held a visiting appointment at the J. Paul Getty Museum in Los Angeles in 1980. In 1992, he published The Art of Vase-Painting in Classical Athens, continuing and concluding his scholarly interest in Athenian painting. From 1994, Robertson suffered from Guillain–Barré syndrome and myasthenia gravis. He died of cardiovascular disease and bronchopneumonia at home in Cambridge on 26 December 2004, and was buried in Cambridge City Cemetery.
Poetry
Poetry
As a poet Robertson published various collections, including Crooked Connections (1970), For Rachel (1972), A Hot Bath at Bedtime (1975), and The Sleeping Beauty's Prince (1977). Boardman described his poetry as "personal, often witty and sensitive, [and] much admired by many". He also published translations of Greek poetry, including one of a fragment of an erotic work by Archilochus discovered in 1974.
Family
Family
Robertson's mother was killed in 1941 while serving as an air-raid warden in Cambridge. His paternal aunt, Agnes Arber, was a botanist: she was the third woman and the first female life scientist to be granted membership of the Royal Society. Another paternal aunt was Margaret Hills, a suffragist organiser and the first woman to sit on Stroud Urban District Council. His brother, Giles Henry Robertson, was a professor of art history at the University of Edinburgh. Robertson married Theodosia (known as Cecil; Spring Rice) on 4 September 1942: the couple had six children, including the computer scientist Stephen and the musician Thomas Dolby. Their first child, Lucy, was born while Robertson was posted to Cairo, and raised by Cecil in Iken in Suffolk. While in Suffolk, the Robertsons became friends with the composer Benjamin Britten and his partner, the singer Peter Pears. Cecil died in an accident in 1984. Robertson remarried in 1988, to Louise Berge (née Holstein), who had been his graduate student at Oxford in the late 1960s. She was diagnosed with tongue cancer shortly after Robertson's death, and died in February 2022.
As sole author
As co-author
Life and work
Life and work
Martin Robertson was born on 11 September 1911 in Cambridge. Robertson held the nationality of United Kingdom. Robertson was educated at Trinity College. Married to: Theodosia Spring Rice and Louisa Holstein. Recorded father: Donald Struan Robertson. Recorded mother: Petica Jones. Recorded child: Lucy Petica Robertson, Stephen Robertson, Matthew Nicolas Robertson, Catherine Julie Robertson, Dominick Henry Robertson and Thomas Dolby. Recorded sibling: Giles Robertson. Robertson worked as classical archaeologist, university teacher, poet and art historian, and the authority record catalogues a further 3 occupations under the same name, among them archaeologist, translator and writer. Robertson was employed by University College London, University of Oxford and British Museum. Robertson worked in English, Latin and Ancient Greek.
Archaeology
Archaeology
The record carries the affiliation itself; it makes no claim about Robertson's standing within the field beyond what those bodies state.
Life and career
Dated record
Life and career
Explore 1911–2004
The full dated record · 4 entries
1911
Martin Robertson was born on 11 September 1911.
1987
Receives Kenyon Medal.
2004
Dies at Cambridge.
2004
Martin Robertson died on 26 December 2004.
Catalogued output
Books and published writings
These are catalogued publications carrying the name — editions and printings, distinct from the works they contain and from writing about the subject. The 1970s are the densest part of the run, with 7 titles, and that concentration is a fact about what the registers have catalogued rather than a judgement on the work itself.
24 editions carry dates between 1949 and 2022
The run opens with Why study Greek art? And closes with In the Shadows of Promise
The entries follow Open Library
Why study Greek art?
1949
La peinture grecque
1959
Greek painting (The Great centuries of painting)
1959
Great Centuries of Painting Greek Painti
1959
Between archaeology and art history
1963
Crooked connections
1970
The Parthenon frieze
1974
A history of Greek art
1975
A History of Greek Art 2 volume set
1976
The complete catalogue · 27
24 editions carry dates between 1949 and 2022
The run opens with Why study Greek art? And closes with In the Shadows of Promise
The entries follow Open Library
Why study Greek art?
1949
La peinture grecque
1959
Greek painting (The Great centuries of painting)
1959
Great Centuries of Painting Greek Painti
1959
Between archaeology and art history
1963
Crooked connections
1970
The Parthenon frieze
1974
A history of Greek art
1975
A History of Greek Art 2 volume set
1976
A hot bath at bedtime
1977
The Sleeping beauty's prince
1977
Greek Painting
1978
A shorter history of Greek art
1981
Greek, Etruscan, and Roman vases in the Lady Lever Art Gallery, Port Sunlight
1987
The art of vase-painting in classical Athens
1992
Dorset to Gloucestershire
1992
Managing tourism in cities
1998
Arte Griego, El
1998
SPORTING EVENTS AND EVENT TOURISM: IMPACTS, PLANS AND OPPORTUNITIES; ED. BY MARTIN ROBERTSON
2006
Events and Festivals
2008
Future of Events and Festivals
2014
Routledge Handbook of Event Design
2019
Dans les Champs
2022
In the Shadows of Promise
2022
Teaching
Robertson taught, and is recorded as university teacher. The work is documented at University College London, University of Oxford and German Archaeological Institute.
Influence on classical scholarship
As a scholar, Robertson is best remembered for his work on Greek art, in particular vase painting. He improved the techniques developed by Beazley to attribute unsigned works to specific vase-painters. When Beazley died in 1970, Robertson and another of Beazley's students, Dietrich von Bothmer, updated and enlarged Beazley's earlier lists of painters, Paralipomena: Additions to Attic Black-Figure Vase-Painters and to Attic Red-Figure Vase-Painters; they published their edition in 1971. Among Robertson's students at UCL was the Mycenaean archaeologist Lisa French, who completed her doctorate in 1961. John Boardman, who wrote Robertson's entry in the Oxford Dictionary of National Biography, described him as a "careful, not enthusiastic lecturer, with a minor voice impediment", and as a diligent supervisor of graduate students, albeit one sometimes excessively slow to criticise their work. Robertson's History of Greek Art, which first appeared in 1975, was still considered authoritative in the twenty-first century. Also in 1975, he published The Parthenon Frieze in collaboration with the photographer Alison Frantz. In 1982, he was the dedicatee of a Festschrift, The Eye of Greece, edited by Donna Kurtz and Brian Sparkes. Robertson's work on Athenian red-figure vase-painting culminated in The Art of Vase-Painting in Classical Athens, published in 1992 while he was in his eighties. The museum curator Ian Jenkins wrote in 1983 that "there can be few students of Greek art who would not readily admit their debt to him".
Primary material
Documents and archives
institutional register
- Wikidata, structured authority record Q1904834: Martin Robertson
General reference · Wikimedia Foundation
reference work
- “Martin Robertson”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
Authority records
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
institutional register
Wikidata, structured authority record Q1904834: Martin RobertsonWikimedia Foundation
Secondary witnessreference work
Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 18 August 2026.
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