Martín Rejtman
Martín Rejtman (born January 3, 1961, in Buenos Aires) is an Argentine writer and film director. He is considered to be a key figure in the New Argentine Cinema, making films such as Silvia Prieto and The Magic Gloves. His documentary Riders won the Eurimages Co-Production Development Award at the San Sebastián International Film Festival in 2020.
Also recorded as Martin Rejtman
Martín Rejtman

Romina Santarelli / Secretaría de Cultura de la Nación Argentina · CC BY-SA 2.0
- Name
- Martín Rejtman
- Born
- 3 January 1961
- Birthplace
- Buenos Aires, Argentina
- Occupation
- Film director, screenwriter and film producer
- Nationality
- Argentina
- Education
- International Writing Program
- Languages
- Spanish
VALÉORINE Encyclopedia
VALÉORINE documentary reading
Documentary summary
Martín Rejtman (born January 3, 1961, in Buenos Aires) is an Argentine writer and film director. He is considered to be a key figure in the New Argentine Cinema, making films such as Silvia Prieto and The Magic Gloves. His documentary Riders won the Eurimages Co-Production Development Award at the San Sebastián International Film Festival in 2020.
Admitted source layer · organised and presented by VALÉORINE
Reference Check
Propose documentary evidence for Martín Rejtman. A contribution is never written directly as fact: identity, source, rights and evidence gates still decide.
Sign in to contribute
World of VALÉORINE
Documentary connections
Only confirmed graph relationships appear here. Images are shown only when their identity and reuse rights both pass the documentary gate.
Documentary evidence
Documentary basis
Authority files
wikidata · Q6777827 · wikipedia · Martín Rejtman
In this article
Key facts
Key facts
• Name — Martín Rejtman • Birth Name — Martín Rejtman • Born — 3 January 1961 • Birthplace — Buenos Aires, Argentina • Occupation — Film director, screenwriter and film producer • Years Active — 1986–present
Biography
Biography
Martín Rejtman was born 3 January 1961 in Buenos Aires. He studied cinema at the Escuela Panamericana de Arte in Buenos Aires. He then took two years of film studies at New York University, making a short film every week. His first full-length film, Rapado, was criticised by the National Film Institute of Argentina (INCAA), so he looked to foreign funders and settled upon a frugal film-making style which uses small crews and a low budget. Rejtman has a minimalist filmmaking style. He said, "When I made Rapado, I felt that Argentine cinema had too much dialogue, and bad dialogue at that. I hate adornments, I hate artifice, I hate anything that's unnecessary, because there really is nothing beyond the screen." Rapado was based on a short story Rejtman had written in 1992 and was partly funded by the Dutch Hubert Bals Fund. It premiered at the International Film Festival Rotterdam. Rejtman then made Silvia Prieto (1999), The Magic Gloves (2003, originally Los Guantes mágicos), Elementary Training for Actors (2009, originally Entrenamiento elemental para actores) and Two Shots Fired (2014). He is regarded as a key figure in the New Argentine Cinema, alongside Esteban Sapir. In 2009, he filmed a documentary, Copacabana, about a Bolivian festival in Buenos Aires. He then planned to make a film in Santiago, Chile, provisionally titled The Practice (La práctica). This was his first film made outside Argentina and follows an Argentine yoga instructor living in Chile. Regarding the change in routine, Rejtman commented that he liked Santiago after editing the sound for Two Shots Fired there and that "every day in Buenos Aires I witness how places I’d love to include in my films are getting lost or destroyed [...] in Santiago it is possible that the same phenomenon happens, but those altered locations are new to me." Before filming started on The Practice, Rejtman released a comedic short film, Shakti. He said it concerned "a Jewish young man, the death of his grandmother, depression, Hare Krishnas, Pesach (Passover), and potato knishes." During the COVID-19 pandemic, Rejtman began work on a documentary about the delivery drivers of Buenos Aires. Since most of the drivers are Venezuelan, Rejtman commented that the film was about both migration and the gig economy. It won the Eurimages Co-Production Development Award at the San Sebastián International Film Festival. The film is entitled Riders (originally El repartidor está en camino).
Filmography
Filmography
Director • Doli vuelve a casa (1986) (short) • Sistema español (1988) (short) • Rapado (1992) • Silvia Prieto (1999) • The Magic Gloves (2003) (Los guantes mágicos) • Copacabana (2006) (documentary) • Elementary Training for Actors (Entrenamiento elemental para actores) (2009) with Federico León • Two Shots Fired (2014) • Shakti (2019) (short) • The Practice (2023)
Primary material
Documents and archives
reference work
- “Martín Rejtman”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
- Wikidata, structured authority record Q6777827: Martín Rejtman
Reputable secondary · Wikidata
scholarly publication
Awards
Wins • Argentine Film Critics Association Awards: Silver Condor; Best First Film, Martín Rejtman; for: Rapado: 1997. Nominations • Locarno International Film Festival: Golden Leopard; Martín Rejtman; for: Rapado; 1992. • Argentine Film Critics Association Awards: Silver Condor; Best Original Screenplay; for: Silvia Prieto; 2000. • Locarno International Film Festival: Golden Leopard; for: Los Guantes mágicos; 2003.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
scholarly publication
Velocidad y desorientación en Punctum de Martín Gambarotta y Silvia Prieto de Martín Rejtman, Studies in Spanish & Latin American Cinemas, 2014Crossref registry
Institutional witnessreference work
Secondary witnessreference work
Secondary witness
People, houses and institutions
Knowledge graph
People, houses and institutions
Teachers, collaborators, publishers and institutions recorded against this person, each on a stated basis.
Citizenship
1- ArgentinaPlace
Established from a fact already recorded on a verified source.
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 18 August 2026.
Elsewhere in Film memorabilia
38,004 published records in this field, each with its sources named.
- Martín PiroyanskyPerson
- Martin PotterPerson
- Martin PreissPerson
- Martin ProvostPerson
- Martin RittPerson
- Martin RosetePerson
- Martin RůžekPerson
- Martin SacksPerson
Best supported in this field
For owners
Own a work by Martín Rejtman?
A specialist will read what you send and tell you what the house can establish, what it cannot, and whether the object is suited to sale. There is no charge and no obligation. The object stays with you throughout; nothing is shipped to us unless it is arranged in writing beforehand.