Marquard Wocher
Illustration — Marquard Wocher by John Hall Marquard Wocher (7 September 1769, Mimmenhausen, Germany – 1830, Basel, Switzerland) was a German painter who spent most of his life in Switzerland. He is known for the Wocher Panorama, a cyclorama of Thun, one of the few still existing cycloramas in the world and the oldest still existing.
Also recorded as Marquand Wocher
Marquard Wocher

John Hall · Selbstgefertigter Scan eines Kupferstichs aus eigenem Bildarchiv · Public domain
- Full name
- Marquard Fidel Dominikus Wocher.
- Born
- 1760 · Mimmenhausen.
- Died
- 1830 · Basel.
- Nationality
- Germany · Switzerland
- Occupation
- painter · etcher · copper engraver · publisher · miniaturist · artist
- Known for
- Thun Panorama
- Languages
- German
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Documentary evidence
Documentary basis
Authority files
wikidata · Q2777444 · wikipedia · Marquard Wocher
In this article
Early life and education
Early life and education
The recorded working language is German. Places of work recorded in the authority are Basel. Works named in the authority record are Thun Panorama. Work by Marquard Wocher is recorded in the collections of Städel Museum, Art Institute of Chicago, Nationalmuseum, National Museum of Art, Architecture and Design and Print Collection.
Marquard Wocher was born on 7 September 1760 in the village Mimmenhausen near Salem, Holy Roman Empire as the son of the painter Tiberius Wocher. His father settled to Bern, Marquard followed him soon and was trained as a painter by him. For a short while he was employed at the workshop of the painter Johann Ludwig Aeberli, who introduced him to Johann Wolfgang von Goethe in 1779. In 1782 he eventually installed himself in Basel.
Professional career
Professional career
He created the seals for the Helvetic Republic in 1798. Initially mainly known for his portraits and miniatures, Wocher began to release sketches of the city of Thun in 1804. In 1809 he built a tower in which he began painting the panorama. It had 14 sides, had a height of about 19.5 meters and a diameter of 13.5. Between 1809 and 1814 he painted the panorama on a canvas of 7.40 meters height and about 38 meters breadth. The painting depicts the city of Thun, the mountain range of Stockhorn, further the Niesen, Blüemlisalp, Jungfrau and a part of Lake Thun. In 1814 Wocher announced the inauguration of the panorama and invited the public. The panorama was visited by guests from all countries in Europe, but also countries from America. Prominent visitors were Empress Marie Louise or the Grand Duke Michael of Russia. But the maintenance of the panorama was expensive and Wocher was also not able to sell it until he died. Since 1961 the Panorama is accessible again in the Schadau-Park at the shores of Lake Thun.
Gallery
Gallery
• Illustration — Mary Magdalene penitent after Guido Reni by Marquard Wocher • Illustration — Our Lady of sorrows after Carlo Dolci by Marquard Wocher • Illustration — Portrait of Joanna after Raphael by Marquard Wocher • Illustration — Seal of the Helvetic Republic
Personal life
Personal life
Marquard Wocher married Anna Büchel in 1800, who was the widow of the architect Johann Ulrich Büchel. He was also present at the Unspunnenfestival in 1808, which was organized by his student Franz Niklaus König.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Mimmenhausen.
Birth place
Basel.
Death place
Text attribution
Licensing
Text attribution
Part of the biographical narrative on this page reuses licensed material. Its origin, revision and licence are recorded here.
The biographical narrative on this page is based on the Wikipedia article Marquard Wocher, revision 1364270390 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Steiger-Bay, H.Albert. Marquard Wocher und sein Panorama von Thun. Zeitschrift für schweizerische Archäologie und Kunstgeschichte. 44. 1950.
- 2.Boerlin-Brodbeck, Yvonne. Frühe "Basler" Panoramenː Marquard Wocher (1760–1830) und Samuel Birmann (1793–1847). Journal of Swiss archeology and art history. 308. 1985.
- 3.Bähler, Anna Katharina. Wocher, Marquard. Historical Dictionary of Switzerland.
- 4.Steiger-Bay, H.Albert (1950), pp.44–45
- 5.Loretan, Thomas. Wochers Panorama von Thun. www.basler-bauten.ch.
- 6.Steiger-Bay, H.Albert (1950).p.45
- 7.Steiger-Bay, H.Albert (1950).p.46
- 8.Steiger-Bay, H.Albert (1950).p.48
- 9.Steiger-Bay, H.Albert (1950).p.48
References
Citations
References
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Secondary witnessreference work
Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 01 September 2026.
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