Mario Bardi

Mario Bardi studied at Accademia di Belle Arti di Palermo. He trained under Pippo Rizzo and Michele Dixitdomino.

Mario Bardi received Premio Suzzara. Work by Mario Bardi is held by Museo civico di Castelbuono, Gallarate Art Museum, Suzzara Prize Museum and Museo del Novecento.

What the record establishes about Mario Bardi.

The Assumption of the Virgin. Engraving by C. Lasinio and G.B. Cecchi after G. Pera after Rosso del Rosso. is dated Between 1791 and 1795] and held by Wellcome Collection. O martírio de Santa Apolônia em um desenho de Jacopo Zucchi / Amedeo Bobbio, Pietro Maria Bardi. is dated 1970 and held by Wellcome Collection. Museum - Osservatorio dell'arte in Sicilia records 1 object associated with this heading. Sicilian landscape is dated 1970 and held by Museum - Osservatorio dell'arte in Sicilia. Repressione is catalogued and held by Museo del Novecento (inventory GAM 007932). Mario Bardi is recorded with the citizenship of Italy and Kingdom of Italy.

Museo civico di Castelbuono records 1 object associated with this heading. Suzzara Prize Museum records 1 object associated with this heading. Wellcome Collection records 2 objects associated with this heading. Episode is dated 1966 and held by Museo civico di Castelbuono. Métamorphose is dated 1988 and held by Gallarate Art Museum. The dockers is dated 1963 and held by Suzzara Prize Museum.

Mario Bardi is recorded as having received Premio Suzzara. Open Library catalogues 2 works under this name. Mario Bardi is recorded as painter. Mario Bardi is dated 1993.

Wikidata Query Service catalogues 5 works under this heading. Wellcome Collection catalogues 2 works under this heading. Open Library catalogues 2 works under this heading.

The identifiers under which Mario Bardi may be traced in institutional catalogues.

Mario Bardi is established in the international name authorities as Wikidata Q20737648.

Work associated with this heading is recorded in 6 named public collections.

Museo del Novecento: 1 recorded object, read from the institution's own published catalogue. Museo civico di Castelbuono: 1 recorded object, read from the institution's own published catalogue. Museum - Osservatorio dell'arte in Sicilia: 1 recorded object, read from the institution's own published catalogue. Suzzara Prize Museum: 1 recorded object, read from the institution's own published catalogue. Gallarate Art Museum: 1 recorded object, read from the institution's own published catalogue. Wellcome Collection: 2 recorded objects, read from the institution's own published catalogue.

3 scholarly publications naming this subject were located in the registry of record.

Barry (Bardi, Bardi-Barry, Bardy-Barry), Curd (Kurt, Corrado). Chapter 2. Bardi Ethnography, A Grammar of Bardi, 2012. A recepção da arte italiana no Brasil no segundo pós-guerra: um diálogo entre as primeiras mostras de Bardi e a crítica de Mario Pedrosa, Revista de Italianística, 2024.

Bibliographic registers publish measured figures for this heading: 12 language editions of the general reference literature carrying an article (Wikimedia (language editions)). A count of publications is evidence of attention, not of standing, and is given here only as a measure.

This article draws on 4 independent source lineages. Copies and mirrors of the same underlying record were collapsed into a single witness, so 4 means 4 genuinely separate publishers of record. 15 further registers were consulted and returned nothing for this heading.

Mario Bardi studied at Accademia di Belle Arti di Palermo. training under Pippo Rizzo and Michele Dixitdomino is recorded. the recorded working language is Italian.

The authority associates the name with existential realism, realism and Neo-figurative.

Places of work recorded in the authority are Milan and Palermo.

Work by Mario Bardi is recorded in the collections of Museo civico di Castelbuono, Gallarate Art Museum, Suzzara Prize Museum, Museo del Novecento and Museum - Osservatorio dell'arte in Sicilia.

Distinctions recorded are Premio Suzzara.