Margarita Bertheau
Margarita Bertheau Odio (13 May 1913 – 21 November 1975) was a Costa Rican painter, ballerina, ballet teacher, scenic and costume designer. Bertheau was a member of the first wave of Costa Rican female artists.
Also recorded as Margarita Bertheau Odio
Margarita Bertheau
- Name
- Margarita Bertheau
- Birth Name
- Margarita Bertheau Odio
- Born
- 13 May 1913
- Birthplace
- San José, Costa Rica
- Died
- 21 November 1975
- Place of death
- Escazú canton, Costa Rica
- Occupation
- * Painter
- Education
- Academia Nacional de Bellas Artes San Alejandro
- Nationality
- Costa Rica
- Languages
- Spanish
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Margarita Bertheau Odio (13 May 1913 – 21 November 1975) was a Costa Rican painter, ballerina, ballet teacher, scenic and costume designer. Bertheau was a member of the first wave of Costa Rican female artists.
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Note VALÉORINE
Margarita Bertheau (1913–1975) was a choreographer and painter, a national of Costa Rica. The choreographer was born in San José and died in Escazú. Margarita Bertheau worked for University of Costa Rica. Languages used include Spanish.
Composed from admitted, traceable facts · 27 September 2026
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Key facts
Key facts
• Name — Margarita Bertheau • Birth Name — Margarita Bertheau Odio • Born — 13 May 1913 • Birthplace — San José, Costa Rica • Died — 21 November 1975 • Place of death — Escazú canton, Costa Rica • Occupation — * Painter • ballerina • ballet teacher • set designer • costume designer • Education — Academia Nacional de Bellas Artes San Alejandro
Biography
Biography
Bertheau was born on 13 May 1913 in San José to Alberto Bertheau Zenea, a businessperson and shoemaker, and Rosalía Odio Méndez. Bertheau's mother was Cuban whilst her father was Costa Rican and of French descent. In 1924, Bertheau's family settled in Havana and she began studying at the Academia Nacional de Bellas Artes San Alejandro.
Havana and Bogotá
Havana and Bogotá
In 1929, Bertheau joined the atelier of Rafael Lillo y Foraster, a Spanish painter and architect, whom she studied under for 10 years. Upon attending a performance at the Ballet Pro Arte, Bertheau joined the workshop of Nikolai Yavorsky. Bertheau performed in several ballet productions, and began creating costume and set designs. In 1940, Bertheau returned to Costa Rica before settling in Bogotá, Colombia the following year. In Bogotá, Bertheau worked as a ballet teacher, costume and scenic designer for the Teatro de Cristóbal Colón.
Costa Rica
Costa Rica
In 1942, Bertheau relocated to San José and began teaching at the University of Costa Rica. Bertheau had independent views and was contemporary with the first wave of Costa Rican artists that included Dinora Bolandi, Lola Fernandez and Sonia Romero. These four are famous for teaching fine art at the University of Costa Rica and to have created the second generation of Costa Rican women artists. During the 1940s and 1950s, Bertheau and Francisco Amighetti developed of mural painting techniques to suit Costa Rica's tropical environment. In 1948, Bertheau and Amighetti created the mural Agriculture for the presidential palace, and has been called both pastoral and shocking. It depicts the peasants farming and others running in the distance as a person is being shot. The Costa Rican Museum of Art states that she is known for "landscapes, portraits, watercolor figures and her geometric, surrealistic and abstract work." Bertheau was called the first female watercolor artist in her country.
Ballet
Ballet
Bertheau co-founded the Pro-Arte Ballet Musical, where she worked as a teacher and designer. During this period Bertheau taught Mireya Barboza Mesén (1935–2000), one of the founders of the modern dance movement in Costa Rica. In 1948, the Pro-Arte was shut down by the government for allegedly promoting communist ideas.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
San José.
Birth place
Escazú.
Death place
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Bermúdez, Manuel. Margarita Bertheau Odio: Una gota de luz sobre la tarde. La Nación.
- 2.Diaz-Arias, David. Historical Dictionary of Costa Rica. Rowman & Littlefield. 36–37. 2019. 978-1538102428.
- 3.Costa Rican Museum of Art. Exposición Margarita Bertheau Inédita. MAC. 2017.
- 4.Ávila Aguilar, Marta. The Influence of German Modern Dance in Costa Rica. Dance Chronicle. 30. 1. 29–43. 2007.
- 5.Ilse Abshagen Leitinger. The Costa Rican Women's Movement: A Reader. University of Pittsburgh Pre. 249–. April 1994. 978-0-8229-7162-7.
- 6.Exhibit chronicles evolution of Costa Rican art - The Tico Times. www.ticotimes.net. 13 December 2014.
- 7.Costa Rican Art Museum as quoted by the Costa Rica Tourism Board.
- 8.Chalene Helmuth. Culture and Customs of Costa Rica. Greenwood Publishing Group. 114. 2000. 978-0-313-30492-7.
- 9.Gonzalez Guerra, Ricardo Adolfo. Mireya Barboza Mesén. Asamblea Legislativa. Legislative Assembly of Costa Rica.
- 10.Jiménez Barboza, Javier. Dos experiencias de educación democrática de la danza: plan b danza y taller de danza moderna. Káñina. University of Costa Rica. 48. 3. 2024.
References
Citations
References
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reference work
Secondary witnessreference work
Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 18 August 2026.
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